Sidney Poitier, who passed away in January 2022, led a remarkable life, one vividly portrayed in the Oprah Winfrey-produced documentary “Sidney,” now steaming on Apple TV+. “He doesn’t make movies, he makes milestones,” says U.S. President Barack Obama in the film, “milestones of America’s progress.”
In an interview shot with Winfrey in 2012, the “To Sir with Love” actor, staring directly into the camera, tells of his childhood in Nassau. A master storyteller, he recalls how he almost died as a baby, shares wonderful stories about his loving parents, recalls seeing a car for the first time, and marvels at his first glance into a mirror.
His move to the United States from a predominantly Black community in the Bahamas, is fraught with racism and threats of violence from the Ku Klux Klan, but tempered by kindness from a waiter who helps him learn to read, using the newspaper as a textbook.
Landing in Harlem, he is introduced to the world of acting, and has the good fortune to go on as an understudy in a New York City stage production on the same night a big-time Broadway producer is in the house. That leg up set on a path that would see him become the first Black man to win the Academy Award for Best Actor (for 1963’s Lilies of the Field), a civil right activist and diplomat.
It is a comprehensive, linear look at Poitier’s life, one that brings Winfrey to tears, and in the retelling of a pivotal scene in “In the Heat of the Night,” where Poitier, as detective Virgil Tibbs responds to being slapped by a white redneck, by slapping him back, brings a delightful response from Morgan Freeman.
Director Reginald Hudlin assembles a mix of archival footage, new interviews with Halle Berry, Denzel Washington, Spike Lee, Winfrey and others, and plenty of film clips, to present a well told story of a well lived and influential life. The result is an entertaining and informative doc about an extraordinary life. “When I die,” Poitier said, “I will not be afraid of having lived.”
Richard joins “CTV News at Noon” anchor Nathan Downer to reflect on the life and legacy of acting legend Sidney Poitier, who passed away today at age 94.
Nelson Mandela, who passed away in December 2013 at the age of 95, lived enough life to fill many films.
Aspects of his life have been portrayed on big and small screens by everyone from Sidney Poitier to Morgan Freeman to Dennis Haysbert to Terrence Howard, in everything from the British satirical television show “Spitting Image” to a TV mini-series and the Oscar nominated “Invictus.”
“Mandela: The Long Walk to Freedom,” starring Idris Alba, and adapted from Mandela’s autobiography of the same name, attempts to cover almost seven decades of his story.
Mandela wore many titles. Born into the Thembu royal family in rural South Africa we first see him as an adult in 1942 Johannesburg. He’s a lawyer in a country where a judge contemptuously refers to him as “boy.”
Through direct exposure to social injustice he becomes politicized and soon the young attorney is the public face of African resistance. “Why should we obey their laws?” he says of the white minority who run the country. “We don’t have a vote. They are having a party and we’re not invited.”
From street corner speechmaking and taking part in non-violent boycotts he soon rises to prominence in the African National Congress. From there, in retaliation for government brutality against black South Africans the ANC turned to radical activism, leading to the arrest and conviction of Mandela and several colleagues. Imprisoned for treason he spends the next twenty-seven years separated from his wife Winnie (Naomie Harris), his family and country but he never gives up hope.
In 1992, with the eyes of the world on South Africa, Mandela is released, having brokered a deal with President F.W. de Klerk (Gys de Villiers) to abolish apartheid and establish multiracial elections. In 1994 he was elected South Africa’s first black president.
The movie is a Coles Notes of Mandela’s storied life, adopting a greatest hits style of story telling. All the major highlights of his time are covered and as a quick history lesson it works well. It shows the scope, importance and influence of the man’s life, but the all-inclusive approach brings with it information overload. How do you wedge a life as big as Mandela’s into a two-hour-and-fifteen minute movie?
There’s a shorthand these kind of big biopics use. For instance, when Mandela meets Winnie for the first time he comments on how she is the first black social worker at a large hospital and adds that she is also the most beautiful girl he has ever seen. The two bits of unconnected info—expositional and declarative—fall into a classic style of story telling these sprawling movies use to convey a lot of information in as little time as possible but don’t sound authentic to the ear.
“Mandela: The Long Walk to Freedom” feels old fashioned, like the kind of biography Richard Attenborough specialized in.
The movie may have been more effective if the filmmakers had chosen instead to examine one aspect of Mandela’s life. Recently “My Week With Marilyn” took seven days in the life of Marilyn Monroe and used the condensed time frame to really explore the actress’s character and the result was revelatory.
With a life as rich in detail as Mandela’s there are more than enough opportunities to dissect the story into interesting eras.
Having said that, “The Long Walk to Freedom” is an interesting movie. There’s beautiful South African music and scenery punctuated by ugly scenes of racism, a powerful performances from Alba and Harris who both bring passion and heat to their roles.
At the end of the sprawling story, however, it is Mandela’s legacy of love, forgiveness and reconciliation that makes the biggest impression.
I have a rule, The flashier the press kit, the worse the movie, and Guess Who has a very flashy press kit. It is a faux leather bound book with cut-outs of Ashton Kutcher and Bernie Mac that move when you open the front cover. In this case, however, you can’t judge the book by its cover, or a movie by its press kit.
Guess Who takes its inspiration, but very little else from the 1967 Stanley Kramer directed Guess Who’s Coming to Dinner, with Spencer Tracey, Sidney Poitier, and Katharine Hepburn. That one was a socially aware film, which tackled heavy racial issues with a mix of humor and drama. In 2005 the movie has been remade into an off the wall, disposable comedy starring Ashton Kutcher and Bernie Mac which inverts the original idea by having an African-American family face the entrance of a white boyfriend into their home.
The father is played by Bernie Mac—and I don’t know why he bothers with character names in movies because he essentially just plays himself in everything. He should simply call himself Bernie Mac and be done with it. Fortunately he’s really good at being Bernie Mac and here he is fun to watch. As the boyfriend, Ashton Kutcher looks good in clothes and doesn’t bump into the furniture.
The tone of the film is a little weird—somewhere between Meet the Parents and Father of the Bride, managing to be both trite and the earnest at the same time.
It lacks the import or backbone of the original, yet Guess Who still manages to say something sensible about tolerance while being fluffy and fast moving.
Sidney Poitier, who passed away in January 2022, led a remarkable life, one vividly portrayed in the Oprah Winfrey-produced documentary “Sidney,” now steaming on Apple TV+. “He doesn’t make movies, he makes milestones,” says U.S. President Barack Obama in the film, “milestones of America’s progress.”
