Forbidden love … a hunk capable of sending out mixed messages … a heroine who’s smitten and spirited, if not a little histrionic at times …a society splintered … a saga, a sensation, an epic sweep.
But, nope, not a vampire in sight.
As the cha-ching, chachings continue to come in for the latest Twilight flick, a movie of another kind — one no less a crowd-pleaser in its time — is receiving an airing in Toronto tomorrow. Courtesy of Warner Home Entertainment, it’s Gone with the Wind — the ultimate motion picture for Civil War-hards.
A VIP screening, combined with an invite-only dinner it is, for a film that won eight — eight! — Oscars way back when, and continues to dominate the all-time lists. And for those giving a damn about Vivien Leigh — and Clark Gable’s unique brand of brawn — the movie is new again, indulgently remastered for its 70th anniversary.
But talk about an early start time!
Because Gone with the Wind is famously almost four –four! — hours long, the aforementioned event is scheduled to begin when the markets are very much open–at 4 p.m.! Set to roll in the Hazelton Hotel’s exclusive screening screen (the best place to watch movies in the city, natch), the whole thing starts at four, breaks at 6 p.m. for dinner, and continues again at 7 p.m.
The man minding the watch, by the way, is professional filmgoer Richard Crouse.
Does it all sound a bit like the Amazing Race answer to the movies? They do say that the story is, well, timeless.
Did you know that Joan Collins was once capable of a “restrained performance” as well as a “layered character?” These are among the many things one can learn from Richard Crouse’s latest book, Son of The 100 Best Movies You’ve Never Seen.
Making the grade in the Canadian critic’s latest cinematic tally of the “underappreciated” as well “overlooked” is the 1960 movie, Seven Thieves, starring the very woman who would grow up to be the chick we all know as Alexis Morell Carrington Colby Dexter Rowan! A caper film with a film noir bent, it has Collins as a burlesque dancer —one who is “simultaneously hardened and forlorn, but with a compassionate soul.” Adds Crouse, this is a “strong performance without any of the camp that marred most of her work.”
Yes, who knew? Among the other must-see movies included in this movie buff’s guide are flicks such as Ace in the Hole, The Brown Bunny, Dear Frankie, The Descent, Marie Antoinette, Switchblade Sisters … and, oh, others.
‘Sometimes I feel like a blacksmith: Someone who used to do something useful.’
That was Richard Crouse — one of my all-time favourite people in the city — being characteristically demure over breakfast one not-long-ago morning. I’d asked him to breakfast at the Four Seasons, and he’d accepted, and so went the taut conversation, the sticky asides, the frays and fringes of opinion.
All of it, of course, delivered from behind those familiar Elvis Costello-ish glasses — the kind of specs that suggest that Richard might just break out in a wistful delivery of She at any moment.
My egg-eating companion, who’s been a presence on TV for years — talking and rating movies on Rogers — has a new show now. And it’s such a marvelous, not to mention instructive, idea that I can’t believe he waited so long! The 100 Best Movies You’ve Never Seen is the program, based on a book of the same name that Crouse wrote some years ago. The overlooked, the under-appreciated and the ignored — that’s the topsy-turvy list, complete with clips, bits and interviews.
Which brings us back to that ‘blacksmith’ comment. What the assiduous critic means to say is that in an age of celebrity overdrive — in a channel galaxy filled with eTalks, Extras and Entertainment Tonights — the fact that he actually covers movies, and old movies at that, is pretty revolutionary.
Like a man who uses a Filofax or something.
“We live in an era,” Crouse tells me at one point, “when six or seven movies come out a week. It’s like the Springsteen song, 57 Channels (And Nothin’ On).”
And so he’s here to sing from the mountaintops about such choice flicks as Delicatessen. And A Face in the Crowd. And The Pope of Greenwich Village. Also Ginger Snaps, Chelsea Girls and not to mention Tadpole!
And Beyond the Valley of the Dolls, a sort of sequel to the Valley of the Dolls? He can’t be serious, can he? Quoting Roger Ebert — who actually co-wrote the film, as some trivia buffs might know — Crouse tells me that this is the movie “that got made by accident when the lunatics took over the asylum.”
He then adds a sound-enough argument: “I’d rather watch Beyond the Valley of the Dolls than Man of the Year (Robin Williams’ newest one)!”
So, I ask him, changing the conversation, does he have a cinematic “blind spot”? Any movies that he’s embarrassed to say he hasn’t seen yet? “Close Encounters of the Third Kind,” he answers quickly. Never got to it, for whatever reason.
Which then leads us to a close (and strange) encounter of the celebrity kind, one of Crouse’s very first — back in the ’80s. And certainly years and years before he was meeting celebrities all the time. (During the most recent Toronto International Film Festival, for instance, he did about 250 interviews for Rogers — everyone from Jennifer Lopez to Pierce Brosnan.)
This is the encounter he’s not likely to forget: He was standing in a movie line at the Cumberland and it was just after E.T. had come out, and he noticed a “little girl” being told she couldn’t go in to see that particular movie ’cause she was too young. After some interjecting from an older handler — “do you know who this is?” — the squirt was finally allowed in.
Who was it? Drew Barrymore, naturally.
(For the record, he thinks she’s turned out quite nicely, but no, none of her movies rank in The 100 Best Movies You’ve Never Seen.)
Crouse’s latest, greatest, most absorbing show airs on Monday nights, by the way. It repeats generously throughout the week also. If you like movies, you’ll like this show!
Article from National Post by Shinan Govani: “How hot is the movie Shortbus? Not anywhere as hot as the two familiar faces that turned out for a screening in Toronto last Friday!
At the unspooling we speak of — held at the Cumberland in Yorkville — some of the cinemagoers couldn’t help but notice an obviously affectionate woman sitting on the lap of her scruffy 21st-century prince. In fact, even Sook-Yin Lee and Richard Crouse noticed them! (She, who stars in the much-discussed Shortbus and is as famous as famous gets in Toronto, was there to introduce the movie. He, a professional movie-watcher who was there to introduce her!)
“They started their Q&A after the movie,” a mole reveals, “by making a joke about how the movie seemed to be having the right effect on the young couple!”
People chuckled; they moved on; the marquee twosome sank ever-deeper into their seats. But then the story took a sitcomish turn when the lovebirds went over afterwards to talk to Sook-Yin … and it turned out that it was Ryan Gosling and Rachel McAdams!
The same two canny Canadians, who took a page out of The Notebook, and hooked up as a real-life couple last year. The same two canny Canadians who put the MVP into PDA!
They went on to pay their compliments to the CBC personality/ actress. Told her they liked Shortbus, a movie with sex scenes that are famously quite out-there and un-edited.
It’s been a spectactularly good stretch on-screen too for the handsome pair. Rachel — who’s been sitting in fortune’s lap when she’s not in Ryan’s — recently followed up movies like Wedding Crashers, Mean Girls and The Family Stone with a turn in Marriage, co-starring Pierce Brosnan and Chris Cooper. Her sweetheart, meanwhile, is the subject of endless Oscar talk for his earthy, honest performance in the indie flick Half Nelson.
Soon, very soon, Mr. Gosling starts work on his latest project, Lars and the Real Girl. It so just happens to be shooting in town. Meaning: Going to the movies in Toronto may be a lot more exciting for a few months still.”