Posts Tagged ‘Sarah Dumont’


Screen Shot 2015-10-30 at 2.25.14 PMRichard’s alter ego Zomald Trump reviews the teenage Halloween freak-out “Scouts Guide to the Zombie Apocalypse,” and some more adult fare in the ghostly form of “Our Brand is Crisis,” “Truth” and “Suffragette.”

Watch the whole thing HERE!


Screen Shot 2015-10-30 at 11.24.05 AMRichard’s alter ego Zomald Trump reviews the teenage Halloween freak-out “Scouts Guide to the Zombie Apocalypse,” and some more adult fare in the ghostly form of “Our Brand is Crisis,” “Truth” and “Suffragette.”

Watch the whole thing HERE!

Metro: Modern zombie movies owe big debt to “Night of the Living Dead”

Screen Shot 2015-10-29 at 8.33.48 AMBy Richard Crouse – Metro In Focus

Movies like World War Z, Zombie Women of Satan and this weekend’s comedy-horror Scouts Guide to the Zombie Apocalypse — the story of three Scouts who must bond to save their town from a zombie outbreak — owe a debt of gratitude to Night of the Living Dead. In 1968, the story of story of people trapped in a rural Pennsylvania farmhouse trying to survive an attack by reanimated ghouls dragged a bloody new horror genre into the marketplace.

For better (see Re-Animator) and for worse (see Zombie Nightmare) the movie Rex Reed called “a classic” has spawned almost five decades of brain eating and head explosions, but according to the film’s co-author John Russo, the origin of the idea was anything but sinister.

“Sometime in the winter of 1966 George Romero and I were having lunch with Richard Ricci,” says Russo, then a co-partner with Romero and Russell Streiner (who has the film’s most famous line, “They’re coming to get you, Barbara!”) in The Latent Image, a commercial television production house.

“George and I were complaining about the fickleness of our commercial clients. Richard said, ‘So why don’t you do something about it?’ I thought about it and said, ‘We oughtta be able to make something better than the crap we see on Chiller Theater.’

“George right away got excited, slammed the table with his big hand, sending bottles and glasses flying, and yelled, ‘We’re gonna make a movie!’”

The two batted around several ideas. One, titled Monster Flick, was a horror comedy about teenage aliens, while another focused on flesh eating aliens.

“But we quickly discovered that we could not afford all the necessary special effects,” he says, so the writing continued.

“We’d go to work late at night in separate offices, at separate typewriters,” says Russo. “I said right away that our story should start in a cemetery because folks found cemeteries spooky. I was working on a script that started in a cemetery and involved aliens coming to earth in search of human flesh. But George took a break at Christmas time and came back with half of a story that started in a cemetery, and was in essence what became the first half of Night of the Living Dead. There were all the proper twists and turns and a lot of excitement, but George never said who the attackers were or why they were attacking.

“I said, ‘I like this, George, but who are these attackers? You never say.’ And he said he didn’t know. So I said, ‘It seems to me they could be dead people. But why are they attacking? What are they after?’ Again, he said he didn’t know. So I said, ‘Why don’t we use my flesh-eating idea?’ And he agreed. “So that’s how the modern flesh-eating zombies were born!”

These days it doesn’t take a lot of braaaaaaaaaaaaaaaains to see the legacy of Night of the Living Dead. The ghoulish story is considered a classic, has spawned comedies like the box office hit Zombieland and hit television shows like The Walking Dead.

“We were absolutely dedicated toward making a movie that was true to its premise and the motivations of its characters, from start to finish,” says Russo, adding, “[the movie] struck a primal chord in everybody, perhaps because of the atavistic memory of our species as easy prey for wild beasts, which we were for most of human history. We all carry the deep-seated fear of being devoured.”


Screen Shot 2015-10-29 at 8.31.10 AM“Scouts Guide to the Zombie Apocalypse” is rated R for zombie violence and gore, sexual material, graphic nudity, and language throughout. That means no one under 17 years of age will be admitted. I think the film might better serve its audience by not admitting anyone over the age of 17 because I’m not sure anyone much past Grade 11 will enjoy the movie’s mix of burps, blood and bursting bras.

When the zombie apocalypse hit their small California town Scouts and best friends Ben (Tye Sheridan), Carter (Logan Miller) and Augie (Joey Morgan) were in the woods on a camping trip. Untouched by the biological hazard that turns almost everyone in town into bloodthirsty brain eaters, they must mobilize, and use their Scout training—knowledge of knots, decision-making and other scoutcraft skills—to locate and rescue Kendall (Halston Sage), Carter’s sister and the girl of Ben’s dreams. Aided by a gun-toting cocktail waitress (Sarah Dumont) the boys follow the letter of the Scout Law—“to help other people at all times, to keep myself physically strong, mentally awake, and morally straight.”—to battle the zombies.

OK, they’re not always morally straight, but that’s the kind of movie this is. These boys don’t miss the chance to ogle a naked zombie or sneak into a strip club.

Imagine a “The Walking Dead” with post puberty boys and pre puberty jokes (the movie’s best gag comes in the form of a zombie wearing a YOLO t-shirt.). It’s a mash-up of high-school comedies and horror that doesn’t spare the fake plasma.

It works not because it’s the best zombie comedy ever—I’d nominate “Zombieland” or “Shaun of the Dead”—or that it has the grossest kills but because it has likeable characters. The guys are typical teens placed in an extraordinary situation. They rise to the challenge of vanquishing the undead and do so while learning about acceptance and responsibility. I’m not going to say it’s a message movie—it most definitely isn’t, but under the gallons of gore is an undeniable sweetness you usually don’t find in movies that feature disembowelments and exploding heads.

I’m not sure that Lord Baden-Powell would approve of “Scouts Guide to the Zombie Apocalypse” but for the right audience it should be a good Halloween matinee.