Posts Tagged ‘Ron Livingston’

CTVNEWS.CA: THE CROUSE REVIEW LOOKS AT “TULLY” ‘LOWLIFE” & MORE!

A weekly feature from from ctvnews.ca! The Crouse Review is a quick, hot take on the weekend’s biggest movies! This week Richard looks at the Charlize Theron in the mothering dramedy “Tully,” the political drama “Backstabbing for Beginners” and the down ‘n dirty flick “Lowlife.”

Watch the whole thing HERE!

RICHARD’S WEEKEND MOVIE REVIEWS FROM CP24! FRIDAY MAY 04, 2018.

Richard joins CP24 anchor Nick Dixon to have a look at the weekend’s new movies including the Charlize Theron in the mothering dramedy “Tully,” the political drama “Backstabbing for Beginners” and the down ‘n dirty flick “Lowlife.”

Watch the whole thing HERE!

RICHARD’S CTV NEWSCHANNEL WEEKEND MOVIE REVIEWS FOR MAY 04.

Richard sits in with CTV NewsChannel anchor Marcia MacMillan  to have a look at the weekend’s big releases, the new Charlize Theron mothering dramedy “Tully,” the political drama “Backstabbing for Beginners” and the down ‘n dirty flick “Lowlife.”

Watch the whole thing HERE!

PARKLAND: 2 ½ STARS

parklandGravitas literally drips off the screen during “Parkland,” director Peter Landesman’s impressionistic look at the three days surrounding the assassination of John F. Kennedy. Somber music spills from the soundtrack, people fret and pray while Walter Cronkite and David Brinkley pontificate on “one of the more horrible days in American history.”

Trouble is, there’s no story.

Instead, it’s a character study of the folks, from the doctors and nurses at Parkland Memorial who tried to save JFK’s life (Zak Efron, Colin Hanks and Marcia Gay Harden) to secret service and law enforcement officers on the scene (Billy Bob Thornton, Ron Livingston) to Lee Harvey Oswald’s family (James Badge Dale, Jacki Weaver) to the reporters who broke the story (Mark Duplass) and the man who took the most famous images of the shooting, Abraham Zapruder (Paul Giamatti).

It’s a sprawling cast who all vie for enough screen time to make an impact in this fast moving but ultimately ineffective study of the time.

The period details are all in place, and Giamatti, Dale and Thornton shine, but former journalist-turned-director Landesman’s lack of a point of view adds nothing to this often told tale.