“The Walk Back,” a new drama from “Master and Commander: The Far Side of the World’ director Peter Weir, is a sprawling epic with a very personal focus. Set against the backdrop of war, inhumanity and an almost insurmountable challenge, it is about that most personal of things, survival.
Based on a controversial memoir written by Slavomir Rawicz, the film begins with Polish solider Janusz (Jim Sturgess) sent to a hellish Siberian gulag in 1941 on trumped up charges. Sentenced to ten years—a term he knows he won’t survive—he and a group of prisoners, including a grizzled American soldier (Ed Harris) and a violent Russian criminal (Colin Farrell) make a break for it. Their goal? Freedom. The obstacle? A 4000 kilometer walk through the harsh terrain of Mongolia, China and Tibet on the way to India and a new life. Along the way they pick up one more traveler, a young girl (Saoirse Ronan) whose camaraderie helps bond the ragtag band of escapees.
“The book was published in 1956 and called The Long Walk by Sławomir Rawicz,” Peter Weir said on a recent stop in Toronto to promote the movie. “There is no question from documents that later appeared after the fall of the Soviet Empire when KGB documents were briefly available, that yes, Rawicz had been in a gulag. But did he go on the walk or not? Question mark.
“So the first thing I said was, ‘I can’t do a true story called The Long Walk, but I can fictionalize it based on, or inspired by the book and based on true events if I can prove the walk actually happened.’ We got that proof and I felt comfortable going around the Rawicz question and not saying it’s his personal story.”
To add detail to his fictionalized tale Weir says he became deeply immersed in the subject.
“I became somewhat obsessed with it I think, even though I was fictionalizing it,” he says. “[I learned] through deep background reading, through accounts of those who had gone through the situation in one form or another, including Polish prisoners and soldiers who had been caught up, rather like my central character. I then interviewed survivors in Moscow and Siberia and in London and I just crammed as much as I could into the screenplay.
Weir says that while he strove for absolute authenticity in the film, he had to temper the depiction of life in the gulag for the big screen.
“I did restrain myself from what I was finding in research. Obviously in the worst situations there was a commandant who was a sadist and there were, to a degree, worse situations. So I chose something that I felt was reasonably representative of a number of these hundreds of camps and gulags.”
At the heart of the film is Jim Sturgess as Janusz, the determined and kind-hearted leader of the escapees.
“I’d seen Jim Sturgess for the first time in Across the Universe and thought how well cast he was as a young Beatle as it were,” says Weir. “He has that kind of guilelessness and openness that I needed for my character.
“He’s one to watch. In my film firstly,” he laughs, “and in whatever else is coming up for him.”
The Way Back, a new drama from Master and Commander: The Far Side of the World director Peter Weir, is a sprawling epic with a very personal focus. Set against the backdrop of war, inhumanity and an almost insurmountable challenge, it is about that most personal of things, survival.
Based on a controversial memoir written by Slavomir Rawicz, the film begins with Polish solider Janusz (Jim Sturgess) sent to a hellish Siberian gulag in 1941 on trumped up charges. Sentenced to ten years—a term he knows he won’t survive—he and a group of prisoners, including a grizzled American soldier (Ed Harris) and a violent Russian criminal (Colin Farrell) make a break for it. Their goal? Freedom. The obstacle? A 4000 kilometer walk through the harsh terrain of Mongolia, China and Tibet on the way to India and a new life. Along the way they pick up one more traveler, a young girl (Saoirse Ronan) whose camaraderie helps bond the ragtag band of escapees.
“The book was published in 1956 and called The Long Walk by Sławomir Rawicz,” Peter Weir said on a recent stop in Toronto to promote the movie. “There is no question from documents that later appeared after the fall of the Soviet Empire when KGB documents were briefly available, that yes, Rawicz had been in a gulag. But did he go on the walk or not? Question mark.
“So the first thing I said was, ‘I can’t do a true story called The Long Walk, but I can fictionalize it based on, or inspired by the book and based on true events if I can prove the walk actually happened.’ We got that proof and I felt comfortable going around the Rawicz question and not saying it’s his personal story.”
To add detail to his fictionalized tale Weir says he became deeply immersed in the subject.
“I became somewhat obsessed with it I think, even though I was fictionalizing it,” he says. “[I learned] through deep background reading, through accounts of those who had gone through the situation in one form or another, including Polish prisoners and soldiers who had been caught up, rather like my central character. I then interviewed survivors in Moscow and Siberia and in London and I just crammed as much as I could into the screenplay.”
Weir says that while he strove for absolute authenticity in the film, he had to temper the depiction of life in the gulag for the big screen.
“I did restrain myself from what I was finding in research. Obviously in the worst situations there was a commandant who was a sadist and there were, to a degree, worse situations. So I chose something that I felt was reasonably representative of a number of these hundreds of camps and gulags.”
At the heart of the film is Jim Sturgess as Janusz, the determined and kind-hearted leader of the escapees.
“I’d seen Jim Sturgess for the first time in Across the Universe and thought how well cast he was as a young Beatle as it were,” says Weir. “He has that kind of guilelessness and openness that I needed for my character.
“He’s one to watch. In my film firstly,” he laughs, “and in whatever else is coming up for him.”
“The Walk Back,” a new drama from “Master and Commander: The Far Side of the World’ director Peter Weir, is a sprawling epic with a very personal focus. Set against the backdrop of war, inhumanity and an almost insurmountable challenge, it is about that most personal of things, survival.
Based on a controversial memoir written by Slavomir Rawicz, “The Way Back” begins with Polish solider Janusz (Jim Sturgess) sent to a hellish Siberian gulag in 1941 on trumped up charges. Sentenced to ten years—a term he knows he won’t survive—he and a group of prisoners, including a grizzled American soldier (Ed Harris) and a violent Russian criminal (Colin Farrell) make a break for it. Their goal? Freedom. The obstacle? A 4000 kilometer walk through the harsh terrain of Mongolia, China and Tibet on the way to India and a new life. Along the way they pick up one more traveler, a young girl (Saoirse Ronan) whose camaraderie helps bond the ragtag band of escapees.
Visually Weir and cinematographer Russell Boyd have created a film in which the surroundings really become as much a part of the fabric of the story as the characters. The breathtaking shots of the terrain the travelers pass through add much to the story, emphasizing the isolation and hardship of the journey. Their choice to showcase the backgrounds echoes David Lean and gives the film an epic feel as the story narrows and focuses on the characters.
The acting is uniformly excellent, with Ed Harris and Colin Farrell handing in tremendous work, but the most memorable performance belongs to Saoirse Ronan, the sixteen-year-old Irish actress. Here she plays an orphan whose enthusiasm and spirit gives the men the will to go on. She brings heart to a film that occasionally is a bit dour for its own good.
“The Way Back” is compelling stuff, a nicely painted portrait of the will to outwit, outlast and outplay against all odds.
Four-time Oscar nominated Director and Screenwriter Peter Weir graced Toronto with his presence today, doing Press for his already well-received new Film The Way Back. Known for acclaimed titles like Green Card, Dead Poets Society, The Witness, The Truman Show and more recently, Master and Commander, Weir is still at the top of his game with this latest effort.
Although I am unable to post my Review of The Way Back due to a Press Embargo which ends on Release Day, January 21, 2011, I can say for now that the journey for these Siberian Gulag Prisoners is grueling, and in effect cathartic. This fantastic Ensemble Cast including the likes of Ed Harris, Jim Sturgess, Saoirse Ronan and Colin Farrell put on some tour-de-force performances in an all-out fight for survival across Siberia.
As you might recall, Alliance Films was generous enough to give away passes here last week to a few lucky readers for tonight’s Screening at gorgeous Bell Lightbox and it was a pleasure for me to see some familiar faces tonight!
After visiting CBC for a taping of George Stroumboulopoulous Tonight (airing Thursday) earlier in the day, Weir was kind enough to do a Q&A for the Film, hosted by Canada AM’s Richard Crouse. Fielding questions from the Audience, Weir expressed that he has absolutely no regrets focusing attentions now on relatively more-Commercial releases, compared to some of his earlier work. Like Crouse, Weir is wowed by 16 year-old Atonement Star Saoirse Ronan’s professionalism and drive for perfection. The Australian Director concluded that Ronan who plays Irena, simply is an “Old Soul”. On the Film’s Lead Character Janusz played by Jim Sturgess, who delivers a career-best here, Weir acted jokingly insulted about a statement Sturgess made recently on how making this Film was like “making a Movie in the olden days”. In reality, Weir has adapted to the Digital Technology of this era, although he has no interest in making a 3-D Film at this time.
On Filmmaking, Weir feels that his own works are more emotionally rather than intellectually-driven and he gave a practical tip to aspiring Directors to at least try dabbling in Acting and Writing too seeing that they all go hand-in-hand. Equating the process to Working Out, he feels it is important always to remain in-form even if it is per say “writing a 50-word story”.
One longtime Fan in the Audience presented Weir with Roses, which he accepted graciously. When given the microphone, she went on to tell him that she has been a great Admirer since the ’70s and even wrote her Thesis about him. Not quite getting enough, she rushed-up again afterward with her Husband who snapped a Photo of her interacting with Weir, before he personalized a File Folder containing her Thesis. “You captured the sentiments of the Polish so accurately”, she proclaimed multiple times.
Finally getting a moment to speak to Weir, he was kind enough to pose for a Photo together and I kept it short and sweet, seeing how many others were hoping for a moment with him. An honour, indeed.
“The Walk Back,” a new drama from “Master and Commander: The Far Side of the World’ director Peter Weir, is a sprawling epic with a very personal focus. Set against the backdrop of war, inhumanity and an almost insurmountable challenge, it is about that most personal of things, survival.
