Posts Tagged ‘Meatloaf’

STAGE FRIGHT: 2 STARS. “a murky mix of ‘Sleepaway Camp’ and ‘Glee.'”

1.168551“Stage Fright” feels like a classic Canadian tax dodge film. From the imported lead actors propping up the unknown Canadian cast to the slightly vulgar tone, the movie feels like it might have earned a dentist or some other wealthy person a massive write down on lines 205 to 485 of this year’s tax form, which, I suspect, is part of the joke.

Camilla Swanson (Allie MacDonald) is the daughter of murdered opera singer Kylie (Minnie Driver), a diva who was killed on the opening night of her greatest triumph The Haunting of the Opera. The young girl was raised by her step-father Roger (Meat “Bat out of Hell” Loaf) and now works at his performing arts summer camp as a cook. She puts down the ladle when Roger decides to mount a new production of his ex-wife’s big show at the camp.

She wins the lead role, but soon bodies start piling up—“The show must carry on,” they sing after the death of one character—and she wonders if the show is cursed.

Like the bold musical reimagining of “The Vagina Monologues” they mention in the movie, “Stage Fright” is an audacious idea; a slasher musical. That it doesn’t quite work as either an operetta or horror film doesn’t take away from the brashness of the concept but it does beg unfavorable comparisons with other movies containing scares and songs. From “Phantom of the Paradise” to “The Rocky Horror Picture Show” and ”Sweeney Todd,” tunes and terror have frequently co-existed, but rarely has anyone tried to mix-and-match the down-and-dirty scares of movies like “Sleepaway Camp” with “Glee.”

This isn’t new territory for director / writer Jerome Sable. His short film short film, a horror musical called “The Legend of Beaver Dam,” debuted at Midnight Madness at the Toronto International Film Festival and won awards all over the world. Perhaps “Stage Fright” is an idea that might have worked better as a short film. That way he might have found a better balance between the music and the mayhem.

The opening, with Driver, is a grabber, but thirty tune-filled minutes pass before anything gory happens and even then the second kill isn’t particularly gory or even interesting. I’m not sure that the bloodhounds will be interested in the songs, so the gruesome stuff has to be wild to get them onside. As it is “Stage Fright” feels like they tried to please both horror fans and musical aficionados. As it is, it falls somewhere in the murky middle.

The lyrics to the closing credit song has a couple of lines that musically question what the audience is still doing there, asks why they are watching the credits, and urges them not to pirate the movie. If the rest of the movie had been that clever in its presentation of the material “Stage Fright” might have delivered more on the promise of its premise.


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From today’s issue: The Songs of Life! “We all have a few of those songs. You know, when you hear those first few notes and you’re instantly transported back to time when you probably still felt comfortable in a bathing suit or had lots more hair?  Today on Canada AM, we talked about those defining songs – songs that served as a backdrop to your meaningful moments, or songs that changed the way you thought about yourself. For Bev it was Paradise by the Dashboard Light.  For Marci, Janet Jackson’s Control. For Richard, it was any track off My Aim is True by Elvis Costello. For Denise, I Wanna Dance with Somebody by Whitney Houston Lots of you shared your songs with us on Twitter and Facebook, and it was so fun to walk down all of our memory lanes. Appropriately, the first song I ever remember taking into my heart… In My LIfe by the Beatles. Have a great weekend everyone!” – @amproducerjen

See the whole thing HERE!