Fast reviews for busy people! Watch as I review three movies in less time than it takes to tune a violin. Have a look as I race against the clock to tell you about the road trip flick “Holy Days,” the time travel crime drama “Mike & Nick & Nick & Alice” and the epidemic drama “Alpha.”
Watch the whole thing HERE!
SYNOPSIS: A story of hitmen, romantic betrayal, a cannibal assassin and time travel, “Mike & Nick & Nick & Alice,” now streaming on Disney+, is not your average underworld story.
CAST: Vince Vaughn, James Marsden, Eiza González, Keith David, Jimmy Tatro. Written and directed by BenDavid Grabinski.
REVIEW: A buddy comedy with a time travel twist, “Mike & Nick & Nick & Alice” delivers solid laughs and is a welcome return of Vince Vaughn’s vaunted comic timing.
The action begins with crime lord Sosa (Keith David) vowing to get revenge on the snitch who ratted out his son Jimmy Boy (Jimmy Tatro), throwing him in prison for eight years. The wet work has been assigned to hitman Nick (Vince Vaughn), who has set up Quick Draw Mike (James Marsden), a rival in crime and for the attention of Alice (Eiza González), as the fall guy.
Into this deadly love triangle comes another assassin called The Baron who kills and eats his victims, betrayals, secrets and a chatty inventor named Symon (Ben Schwartz) whose time machine complicates an already complicated situation.
“Mike & Nick & Nick & Alice” is a welcome return to the swaggerlicious, slick talking characters that made Vaughn an R-rated comedy fan favorite. He’s made comedies in the last few years, but his work in shows and films like “Bad Monkey,” “Nonnas” and “Easy’s Waltz” feel lowkey compared to the snappy delivery on display here.
Writer/director BenDavid Grabinski stages enough big shoot-‘em-up sequences for this to qualify as an action comedy, but he knows the secret sauce is in the chemistry between the cast.
In a dual role the above-mentioned Vaughn is fun, playing Present Nick as ruthless, ruled by anger and loyalty to Sosa while he softens Future Nick, presenting hm as a reflective guy with regret for the life he’s led. To paraphrase iconic slogan for Doublemint gum, Vaughn doubles his performance and doubles the fun.
Marsden brings a way with a punch and a punchline, while never losing the likability that characterizes his best work, like his arc as Liz Lemon’s boyfriend Criss Cross on “30 Rock” and “Enchanted’s” Prince Edward.
In her first big comedic role González isn’t given as much to do as Marsden and Vaughn but brings great comic timing and a dose of humanity to the absurd story.
Propelled by the cast’s chemistry, “Mike & Nick & Nick & Alice” is a time travel flick about living in the moment that doesn’t forget to have fun along the way.
Father Peter (Guy Pearce) is a priest with a past I the new exorcism drama “The Seventh Day,” now on VOD.
The rough-and-tumble holy man comes complete with Sonny Crockett stubble, a fistful of smokes and a muscle car. He’s a badass who says, “An exorcist doesn’t hide from evil. He runs TOWARD it, feels the evil in his bones and can sense when it’s close.”
He stands in stark contrast to his latest protégé, novice priest Father Daniel (Vadhir Derbez). The trainee does not have his mentor’s swagger and Father Peter is less than impressed with Daniel‘s “two grueling weeks of exorcist nursery school.”
Nonetheless, the duo are a team, buddy exorcists off in search of evil to expunge. After a run in with the devil at a homeless encampment they come across Charlie (Brady Jenness), a pre-teen who murdered his family with an axe. Is he a bad kid or is he possessed by the devil?
“The Seventh Day” starts strong with the exorcism gone wrong that formed Father Peter’s hardened exterior. “The evil was the strongest I’ve ever seen,” he says. Unfortunately, after that it goes downhill faster than you can say “Father Karras” three times fast. The mix-and-match of “Training Day” with “The Exorcist” could have offered up some edgy thrills but instead falls prey to clichés borrowed from dozens of other devil movies dating back to when Father Merrin first bellowed, “The power of Christ compels you!”
Pearce, who also co-produced, attempts to inject some life into “The Seventh Day” with a big hammy performance but his flamboyance is counter-balanced by flat work from Derbez whose work mimics the film’s listless pacing.
“The Seventh Day” seeks to reinvent the exorcism movie via the buddy cop genre but succeeds only in combing the most hackneyed bits of each.
