Watch the whole thing HERE!
Posts Tagged ‘Jay Duplass’
Theses days the word landline conjures up a specific retro feel. It harkens back to a time before everyone played Candy Crush on their mobile devices and when pay phones dotted the landscape. That’s the world where the new Jenny Slate dramedy “Landline” takes place.
It’s New York City, 1995. Dana Jacobs (Slate) is a layout artist at Paper Magazine when she isn’t at Blockbuster with her fiancée Ben (Jay Duplass) agonizing over what movie to rent. Younger sister Ali (Abby Quinn) is as free-spirited as her sibling is buttoned down.
“You’re like a piece of toilet paper stuck to my shoe,” Dana says to Ali. “You are the embodiment of constipation,” Ali snaps back.
Despite their differences the sisters bond when Ali discovers erotic poetry her father Alan (John Turturro) wrote for a woman who is not his wife Pat (Edie Falco). Their disgust for his actions brings them together, despite the fact that Dana has thrown off the shackles of engagement and embarked on a secret journey of self-discovery with Nate (Finn Wittrock). “I am flailing,” she says. “Trying to figure out if the life I have picked for myself is the one that I want.” “We are a family of cheaters!” Ali exclaims.
“Landline” uses infidelity as a backdrop for a study of partnership and family. Everyone’s relationship is teetering on the edge and yet this is a hopeful movie, a film that suggests monogamy is viable when given room to breathe.
“Obvious Child” director Gillian Robespierre brings a strong ensemble together, elevating the material with strong performances. Duplass is suitably milquetoast as Ben, the dull but lovable fiancée. Turturro and Falco breathe life into characters that in lesser hands might have been caricatures or worse, simply a plot device to support the sisters’ story.
The stars here, however, are Slate and Quinn. They look like sisters but their chemistry extends beyond the skin deep. Slate’s giggles and affectionate asides—“You’re a weird little bird.”—feel authentic, as though these two have a long shared history that predates anything we see on the screen. They bring humanity and sympathy to the film despite their foibles.
“Landline” is an engaging portrait of broken relationships in an analogue time. It’s a gently heart tugging story about the consequences of breaking relationship rules. There are jokes and there are tears but mainly “Landline” has a wistful tone that gets under your skin.
Richard and CP24 anchor Jamie Gutfreund have a look at the weekend’s new movies, “Logan,” the latest (and greatest) Wolverine flick, the time travel teen angst movie “Before I Fall,” the animated “Ballerina,” the quirky “Table 19” with Anna Kendrick and the controversial Christian movie “The Shack.”
Watch the whole thing HERE!
“People do weird things at weddings,” says Huck (Thomas Cocquerel), a handsome stranger who takes Eloise (Anna Kendrick) for a spin on the dance floor in the almost-rom-com “Table 19.” Maybe that’s true, but in the case of this movie, they do quirky and sometimes unpredictable things, but weird? Not quite.
On the day of her childhood friend’s wedding Eloise (Kendrick) repeats the mantra, “Today will not suck.” She may be close to the bride but is attending the wedding begrudgingly. Her ex-boyfriend Teddy (Wyatt Russell), a flame-haired dim wit who dumped her by text with the words “good luck in your future endeavours,” is the best man and she still hate-loves him.
She arrives to find herself seated at Table 19, a collection of misfits she says, “should have known to send regrets but not before sending an expensive gift.” There’s Jo Flanagan (June Squibb), a pot smoker who was once the bride’s nanny, the Kepps (Craig Robinson and Lisa Kudrow), distant friends of the family of the groom, ex-con Walter Thimple (Stephen Merchant) and Rezno Eckberg (“Grand Budapest Hotel’s” Tony Revolori), a young man who introduces himself with, “I have achieved puberty and I’m in the band.”
Because they are the outcasts, invited out of politeness and seated far from the action, they spend the day together. Secrets are revealed and the complex nature of relationships is explored. Will Eloise be able to speak to Teddy? Will the Kepps’ marriage survive the weekend? Will Renzo ever get a date? What will become of Jo and Walter?
“Table 19” is a rom com, but not a traditional one. It’s a super-reverso-rom-com that begins after the couple already has a history and broken up. It’s no secret that the heart of the movie will be their relationship so your enjoyment of the movie will be related to how much you care about this quirky collection of folks.
Kendrick is an agreeable presence, bringing equal parts edge and vulnerability to Eloise. Robinson and Kudrow banter like an old married couple and Squibb radiates warmth while Revolori and Merchant dial up their eccentricities. It’s an interesting group who by times are quite funny but most often feels like a collection of characters rather than real people. They shuffle from one set-up to another—Whoops! They knocked over the wedding cake!—lurching through the wedding on the way to the end credits and some sort of relationship resolution.
“Table 19” will raise a laugh or two or three, but the artificial nature of the situation isn’t weird enough to truly embrace the quirkiness of the characters or interesting enough to engage the audience.