Posts Tagged ‘Isabela Merced’

ALIEN: ROMULUS: 4 STARS. “uses nostalgia for the original as a springboard for new ideas.”

Recently Cailee Spaeny played the wife of one of the most famous musicians on the planet as the title character in “Priscilla.” In her new film, “Alien: Romulus,” a standalone “interquel” set between the events of “Alien” and “Aliens,” she trades her ex-husband Elvis’s Graceland for another weird, otherworldly place—outer space.

In the new film, the seventh installment in the “Alien” franchise, Spaeny plays Rain Carradine, a new style Ellen Ripley, and one of a group of space scavengers fleeing their home planet, a dystopian hellhole run by a company whose ironic slogan reads, “Building a Better World.”

“The company is not going to give us anything,” says Bjorn (Spike Fearn), “we have to take it.”

To avoid working in the company’s mines, a small group, including Rain, her model ND-255 synthetic “brother” Andy (“Industry’s” David Jonsson), her ex-boyfriend Tyler (Archie Renaux), mine workers Bjorn and Kay (Isabela Merced) along with pilot Navarro (Aileen Wu), set off to rummage parts from a decommissioned space station. But instead of space pods and spare parts, they discover the universe’s most horrifying life form, the Xenomorph.

A horror film set in space, “Alien: Romulus” is a back-to-basics movie that owes a debt to the first two films in the franchise. The first part is all atmospherics and world building, reminiscent of the creeping dread that defined the original film. From the forty-five minute mark—the first Facehugger sighting—director Fede Álvarez amps up the action and the stakes, dispensing the fast-paced intensity of James Cameron’s “Aliens.”

The result is a movie that finds a way to use our nostalgia for the original films as a springboard for some new ideas. Álvarez, along with co-writer Rodo Sayagues, steers the story to a wild final act that stays true to the franchise, but combines sci fi and body horror in an unforgettable, spine-chilling fashion.

Seven movies in (plus two “Alien vs. Predator” crossover flicks) nothing will ever beat the original chest-bursting scene for sheer shock and awe, but “Alien: Roimulus’s” aggressive Facehuggers and Xenomorph are still potent horror images.

They’re iconic in their hideousness, drip acidic blood, and, if that wasn’t enough, force their proboscis down throats to impregnate their victims. Álvarez uses them to unnerving effect, mixing the creatures with a zombie synthetic character, some House of Horrors visuals and enough graphic, gory and grim practical effects to provide a pedal to the metal thrill ride.

“Alien: Romulus” doesn’t have the thematic depth of some of the other films in the series, but it delivers a crowd-pleasing and exciting link between the first and second movies on the “Alien” franchise timeline.

RICHARD NEW MOVIE REVIEWS COMING THIS WEEK – AUGUST 16, 2024!

I’ll be reviewing four movies this week, everything from aliens and penguins to a coming-of-age story and a family drama. All reviews posted on Thursday, August 15!

Set between the events of “Alien” and “Aliens,” “Alien: Romulus,” a new sci fi flick now playing in theatres, sees a group of young space colonizers scavenging a derelict space station, only to discover the most terrifying life form in the universe.

In “My Penguin Friend,” a new family film starring Jean Reno and a penguin, and now playing in theatres, a Brazilian fisherman discovers an injured penguin drifting alone in the ocean, near death and covered in oil from a spill. He rescues the animal and rehabilitates it, forging an unconventional lifelong friendship.

In “Good One,” a new drama now playing in theatres, a father, his daughter and his best friend take a weekend backpacking trip in the Catskills. When tensions arise between the old friends, the daughter is caught in the middle, wedged between the clash of egos between her father and his oldest friend.

In “Close to You,” a new family drama now playing in theatres, Academy Award Nominee Elliot Page stars as a trans man who returns to his hometown for the first time in years.

ROSALINE: 3 STARS. “a high school story of romance and empowerment in a corset.”

“Rosaline,” a new romantic comedy based on “Romeo and Juliet,” alters the dynamics of William Shakespeare’s play by flipping the script to focus on Rosaline (Kaitlyn Dever), Romeo Montague’s ex-girlfriend. “The greatest story ever told,” she says, “was missing a chapter. Mine.”

Based on Rebecca Serle’s young adult novel “When You Were Mine,” which was inspired by Shakespeare’s romantic tragedy, the Disney+ movie sees Kaitlyn Dever play a character who is mentioned but never seen in the original play. She is Rosaline, Romeo’s (Kyle Allen) girlfriend, at least she is until her cousin, Juliet Capulet (Isabela Merced) shows up.

Turns out Romeo uses his trademarked flowery romantic language to seduce Juliet. “I’m afraid you’re not the first maiden he’s charmed with his high cheekbones and fancy words,” says Rosaline.

Distraught, Rosaline is determined to break them up, and win back her man, even as a possible new romance with Dario (Sean Teale) brews. “Romeo and Juliet,” she snorts, “It doesn’t even sound right.”

These times of woe afford no time to woo, indeed.

Like “A Knight’s Tale” or the recent “Catherine Called Birdy,” “Rosaline” is a medieval period piece presented with modern sensibilities and idioms. The iconic balcony scene, for instance, is there, but tweaked for laughs, and at one point the morose Rosaline uses cholera as an excuse to not get out of bed.

Even the play’s famous ending has been spun. No spoilers here, but it should be noted that “Rosaline” isn’t exactly a romance and it isn’t a tragedy. It’s more a heartbroken journey of empowerment and self-discovery.

It doesn’t all work. The story slows in the middle, and, for older viewers the high school romance aspects may get old quickly, but at the heart of the story is Dever. As the title character she is both vindictive and vulnerable, a young woman with an attitude and a big beating heart. Her recent work, heavier turns in the film “Dear Evan Hanson” and TV dramas like “Dopesick” and “Unbelievable,” haven’t showcased her comedic talents, but “Rosaline” gives her the opportunity to stand out in the midst of the movie’s screwball co-incidences and farcical aspects.

Strong work from Bradley Whitford as Friar Laurence—who scolds his daughter with, “You are a woman. You’re not supposed to talk about what you want!”—and “Good Will Hunting’s “Minnie Driver as the outspoken Nurse, round out the cast.

“Rosaline” is no “Rosencrantz and Guildenstern are Dead.” Tom Stoppard’s absurdist, existential tragicomic “Hamlet” riff examines the mystery of life. “Rosaline” sets its sights lower. It is a high school romance in a corset that should work for fans of “Romeo and Juliet,” the Coles Notes version.

SPIRIT UNTAMED: 3 ½ STARS. “simply told story of empowerment.”

It’s been almost two decades since the adventures of a Kiger Mustang stallion named Spirit were nominated for an Academy Award for Best Animated Feature. “Spirit: Stallion of the Cimarron” lost to another spirited entry, “Spirited Away” from Japanese master Hayao Miyazaki, but spawned a cottage industry in the form of television shows and video games.

This weekend the headstrong horse goes on another feature length DreamWorks Animation adventure in “Spirit Untamed.” Now playing in theatres, it’s a re-imagined version of the television series “Spirit Riding Free.”

First some background.

Lucky Prescott’s (Isabela Merced) mother Milagro was a fearless horse trick rider from Miradero, a small town in America’s Wild West.

Milagro’s legend looms large in Lucky’s imagination, but she never got to know her. After her mother’s death, Lucky was raised on the East Coast by Aunt Cora (Julianne Moore), a straightlaced woman who struggled with his niece’s inherited wild side.

When Lucky pushes her luck too far, Aunt Cora decides the youngster needs stability in the form of her father, Jim (Jake Gyllenhaal) in the family home in sleepy little Miradero.

Life in the small town doesn’t sit well with Lucky until she meets her kindred spirit, a wild Mustang who shares her independent streak. The horse, Spirit, is the leader of a herd of wild stallions who become the target of animal poachers led by the evil Hendricks (Walton Goggins).

In an effort to save the horses from a life of captivity and hard labor Lucky recruits two local horseback riders, Abigail Stone (Mckenna Grace) and Pru Granger (Marsai Martin), and embarks on a rescue mission.

“Spirit Untamed” contains good messages about independence but also about being connected to a larger community. Lucky and Spirit are, well, spirited in their own ways but their true strength lies in their respect for the people and horses around them.

It is a simply told story of empowerment that doesn’t gallop over any new ground but, hackneyed though the message may be, it’s still an important one for younger viewers.

The big-eyed Margaret Keanesque character animation is nicely rendered, accompanied by energetic voice work, and should appeal to fans of the original. Younger viewers, who may not have been around when the original made a stir, could find parallels between this and the “How to Train Your Dragon” franchise.

With “Cruella” taking a dark turn, “Spirit Untamed” is the best family flick of the season.