Posts Tagged ‘Hayden Szeto’

EAT WHEATIES!: 3 ½ STARS. “a tightly paced comedy about kindness.”

Mild mannered office worker Sid Straw, played by “Veep”/”Arrested Development” star Tony Hale in the new V.O.D. comedy “Eat Wheaties!,” claims to be a close acquittance of “Huger Games” star Elizabeth Banks.

“There is no such thing,” says her manager (Sarah Chalke).

As the cringe comedy begins Sid is unlucky in love, an expert in saying the wrong thing, misreading signals and trying too hard. “I understand that I am not the most exciting person out there,” he says. When he is named co-chair of the upcoming University of Pennsylvania’s reunion it is the beginning of a spiral. Setting up a Facebook page to publicize the event, he repeatedly messages Banks, an alumnus he claims to have been acquainted with decades ago.

Not realizing the posts are public, he bombards her account with a series of personal notes inviting her to the reunion. His many messages go unnoticed by the star but not her team, who file a restraining order against him. When the posts go viral—“What does that mean?” he asks.—his life unwinds as he is publicly and personally humiliated.

Based on the novel “The Locklear Letters” by Michael Kun, “Eat Wheaties!” (that was Banks’ catchphrase in school), is a mix of tragedy and comedy, made human by Hale’s performance. Sid could have been a collection of quirks but Hale paints him differently.  Sid is a lovable loser and Hale plays him as a sweet, lonely guy, oblivious to the hole he’s digging for himself.

Hale is supported by a great supporting cast, including Paul Walter Hauser, Elisha Cuthbert, Lamorne Morris and Robbie Amell, who play off Sid’s social awkwardness with good-natured sympathy.

“Eat Wheaties!” is a tightly paced comedy which is more about kindness and doing the right thing than it is about knee slapping jokes. It is occasionally knee-slapping funny but the laughs come from kind-heartedness, not cruelty and that makes this quirky comedy a winner.

THE EDGE OF SEVENTEEN: 4 STARS. “throw back to John Hughes 1980s films.”

“The Edge of Seventeen” is a contemporary coming of age story that feels like a throw back to the John Hughes films of the 1980s. Think “Sixteen Candles” and “Pretty in Pink” with an updated soundtrack and you get the idea.

Hailee Steinfeld is Nadine, a dramatic seventeen-year-old who thinks the world is divided into two camps, those who are winners and exude confidence in those who want to blow those people up. Her handsome brother Darian (Blake Jenner) falls into the former camp, she into the latter. Krista (Haley Lu Richardson), Nadine’s oldest (and only) friend is her emotional support and sounding board until one drunken night when something unspeakable happens—Krista and Darian hook up. The relationship drives a wedge between the two BFFs—“ You can’t have both. Its me or him. Pick,” Nadine demands.—and Nadine finds herself on the outside at school and at home. With more time on her hands the teenager finds new ways to vex her self-absorbed mother (Kyra Sedgwick), pine over her Facebook crush (Alexander Calvert) and bond with her sardonic teacher (Woody Harrelson). In the background, trying to be seen and heard, is Erwin (Hayden Szeto), an awkward and sweet classmate with eyes for Nadine.

The story sounds like something we’ve seen before but Steinfeld’s performance makes it seem fresh and new. In Nadine we have a composite of what it is to be a teenager, all the confusion, the fun, the rage, the melancholy, everything. It’s tremendous work that grounds the movie and gives equal weight to the comedy and the drama of her teenage life. The look on her face as the realization sinks in that her former best has left her behind for a boy and a game of Beer Pong is almost Shakespearean in its portrayal of teen angst.

Surrounding Steinfeld are Harrelson whose laid-back performance is a delicate mix of sarcasm and compassion, Szeto, who oozes awkward charm and Sedgwick who brings new meaning to the word frazzled. Strong work from all, but all orbit in Steinfeld’s universe.

Thanks to a great central performance “The Edge of Seventeen” is funny, heartbreaking and melancholic, sometimes all at once.