Richard speaks to “CTV News at Six” anchor Andria Case about the best movies and television to watch this weekend including the new Ryan Reynolds movie “Free Guy,” now in theatres, “The Wedding if the Century” on Britbox and Hollywood comedy “The Comeback Trail” on VOD.
Richard joins CP24 to have a look at new movies coming to VOD, streaming services and theatres including Ryan Reynolds in the action comedy “Free Guy,” the Aretha Franklin biopic “Respect” and the Robert De Niro Hollywood satire “The Comeback Trail.”
Richard and CTV NewsChannel morning show host Angie Seth chat up the weekend’s big releases including the new Ryan Reynolds action comedy “Free Guy,” the Aretha Franklin biopic “Respect” and the Robert De Niro Hollywood satire “The Comeback Trail.”
Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to theatres, VOD and streaming services including the new Ryan Reynolds action comedy “Free Guy,” the Aretha Franklin biopic “Respect” and the Robert De Niro Hollywood satire “The Comeback Trail.”
Richard joins NewsTalk 1010’s Jim Richards on the coast-to-coast-to-coast late night “Showgram” to play the game “Did Richard Crouse like these movies?” This week we talk about the new Ryan Reynolds action comedy “Free Guy,” the Aretha Franklin biopic “Respect” and the Robert De Niro Hollywood satire “The Comeback Trail.”
Based on the 1982 film of the same name by Harry Hurwitz, “The Comeback Trail,” now on VOD, is star Robert de Niro’s third Hollywood satire after 1997’s “Wag the Dog” and 2008’s “What Just Happened.” It doesn’t pack the same kind of sardonic punch as those films but supplies a laugh or two.
Set in 1974, De Niro plays Max Barber, a Hollywood hanger-on and producer of bottom-of-the-bill b-movies with names like “Killer Nuns.” He dreams of the big time, of making an epic but his reputation and lack of money put his dream out of reach until he concocts a deadly scam.
With his unsuspecting partner and nephew Walter (Zach Braff), Barber sets up a new film starring Duke Montana (Tommy Lee Jones), a suicidal western star living in a home for retired and forgotten, actors. The tough old coot spends his days playing Russian Roulette, but when Barber offers him a gig, Duke thinks this might his comeback and puts away the gun.
Barber, who is being pressured by gangster Reggie Fontaine (Morgan Freeman) to repay a sizeable loan, has other ideas. His scam is to kill Duke, shut down the movie he never planned to finish, and, make a killing, literally, with the insurance money.
But, like so many things in Barber’s life, his scheme doesn’t go as planned.
“The Comeback Trail” is a movie in love with the movies. Barber and Fontaine banter in movie references—“I’m gonna choke you.” “Like Tony Curtis in the Boston Strangler?”—and, ultimately, it sings the praises of the power of the movies to inspire and transform lives.
Film fans may enjoy the sentiment but they likely won’t be as impressed by the slack pacing and obvious telegraphing of joke after joke. It takes ages to get to the heart of the one-joke premise and, while there are mild laughs sprinkled throughout, as soon as director George Gallo (who wrote “Midnight Run”) allows the story to limp on to the film set-with-the-film, the movie starts to run out of steam.
Of the three Oscar winners who headline “The Comeback Trail,” only Jones appears invested in creating a memorable character. His take on the “broke-down-over-the-hill-has been” Montana has enough flashes of pathos to hint at what this movie could have been, a bittersweet comedy about the dreamers who live and breathe celluloid, but the movie’s silly tone lets him down.
A parody of the spy genre in general and blaxploitation movies specifically, Undercover Brother should have been way funnier that it actually is. I’ve come to expect a lot from Eddie Griffin, I think he’s very amusing in an over-the-top-I-have-no-fear kind of way, although in this movie despite some flashes of inspiration he falls kind of flat. His rougher funnier edges have been smoothed, when the director Malcolm D. Lee (Spike’s cousin) should have been trying to push the limits of outrageousness. There are some nice moments, but save your 13.50 at the box office, this one is definitely a rental.