Posts Tagged ‘Daniel Wu’

CTV NEWSCHANNEL: RICHARD AND ‘TOMB RAIDER’ STAR WALTON GOGGINS.

The busy actor — Goggins soon be seen in the TV remake of L.A. Confidential and the Marvel blockbuster Ant-Man and the Wasp — drew on personal experience to create a backstory for his character. Like the villainous Vogel, Goggins’s job frequently takes him away from his son Augustus and wife, filmmaker Nadia Connors.

“My in for this experience was thinking about the day (Vogel) said goodbye to his family,” he says. “He’s a father and has two daughters. I just kind of meditated on saying goodbye to them, kissing his wife, walking out the door for what Mathias Vogel thought would be a year of his life and culminate in some great discovery.

“One year turned into two years, which turned into four years, and hopelessness set in. You meet this guy seven years into this experience and he has a real opportunity to get off this island. People will do whatever it takes to get back home and see the ones they love.”

Watch the whole thing HERE!

Metro Canada: Walton Goggins says he’s just an ‘impartial interpreter’

By Richard Crouse – Metro Canada

The last time we saw archeologist-adventurer Lara Croft on the big screen she looked like Angelina Jolie and saved the world by dunking a bad guy into a pool of acid.

The new Tomb Raider takes us back — back to a time when Lara Croft was an emo 21-year-old whose biggest adventure was navigating London’s busy streets as a bicycle courier. This time around she bears a striking resemblance to Swedish Oscar winner Alicia Vikander.

The reboot also comes with a new villain. Mathias Vogel, played by Hateful Eight star Walton Goggins, is a member of evil organization Trinity and an all-around bad dude. He’s been stranded for years on a remote island searching for the tomb of an ancient entity whose touch caused instant death.

His job is to uncover her resting place, discover the secret of her deadly power and unleash it on the world. Like I said, he’s a bad guy, but Goggins says, “I can’t judge him.”

Not even if he ruthlessly shoots people point blank?

“If I sat back in judgement of him then what am I doing for the audience?” Goggins asks. “I am just an impartial interpreter and that’s what I should be even if I am playing a good guy.

“I don’t think you want to pat yourself on the back every time you read a line. ‘Oh my God! I’m such a great guy. I just saved this girl.’ No, you are just in the process of telling the story so that the audience can feel what they want to feel.”

The busy actor — he’ll soon be seen in the TV remake of L.A. Confidential and the Marvel blockbuster Ant-Man and the Wasp — drew on personal experience to create a backstory for his character. Like Vogel, Goggins’s job frequently takes him away from his son Augustus and wife, filmmaker Nadia Connors.

“My in for this experience was thinking about the day (Vogel) said goodbye to his family,” he says. “He’s a father and has two daughters. I just kind of meditated on saying goodbye to them, kissing his wife, walking out the door for what Mathias Vogel thought would be a year of his life and culminate in some great discovery.

“One year turned into two years, which turned into four years, and hopelessness set in. You meet this guy seven years into this experience and he has a real opportunity to get off this island. People will do whatever it takes to get back home and see the ones they love.”

For Goggins, coming home is the best way to leave a character in the rearview mirror. “I have a seven-year-old waiting at home for me,” he says. “There is no room for anything other than him…. I used to really revel in that experience of bringing the character home and living and stewing in it. You romanticize being alone, having a glass of wine and thinking about it, but it is not necessary.”

 

TOMB RAIDER: 3 STARS. “generic story but Vikander carries the day.”

The last time we saw archaeologist-adventurer Lara Croft on the big screen she looked like Angelina Jolie and was seen dunking a bad guy into a pool of acid, dissolving him and saving the world in the process. A new film, simply titled “Tomb Raider,” takes us back. Back before the leather bodysuits and twin Heckler & Koch USP Match pistols, back to a time when Lara Croft was an emo twenty-one-year-old whose biggest adventure was navigating London’s busy streets as a bicycle courier. This time around she bears a striking resemblance to Swedish Oscar winner Alicia Vikander.

Although born and raised at the swanky Croft Manor, when we first meet Lara she is scraping by, studying MMA fighting, when she can afford the gym fees, and delivering food via bicycle. A fortune, courtesy of her late father Lord Richard Croft (Dominic West), awaits but for seven years she has steadfastly refused to sign for her inheritance, fearing that if she does she will have to accept that papa, who disappeared without a trace somewhere in the Sea of Japan, is truly dead and gone.

“Your father is gone but you can pick up where he left off,” says Croft family executive Ana Miller (Kristin Scott Thomas). “It’s in your blood.” “I’m sorry I’m not that kind of Croft,” replies Lara.

And yet, when she discovers a, “If you’re watching this tape I must be dead…” tape from dear old dad detailing his plan to find a remote Japanese island, home to a deadly ancient witch, the dutiful daughter sets off on a dangerous mission—to find the island and her father.

To do that she travels to Japan and recruits Lu Ren (Daniel Wu) who warns her of the danger ahead. “That’s right in the middle of the Devil’s Sea,” he says. “You may as well tie a rock to your leg and jump overboard.”

Armed with nothing more than a backpack and one of her father’s notebooks the pair find the island only to be met by a suspicious character named Mathias Vogel (Walton Goggins). “You shouldn’t have come here,” he says. “But I’m glad that you did.”

“Tomb Raider” contains lots of backstory, mumbo jumbo about global genocide, Queen Himiko Witch of Death and supernatural organization that controls much of the world, but this is Lara’s journey from bike courier to international woman of mystery. At the beginning of the film she is nothing like the polished Croft of the Jolie films. She’s scrappier, undisciplined. Her two greatest powers are loyalty to her father and fearlessness. And jumping. Lots of jumping. As played by Vikander, Croft never met a chasm she couldn’t leap across and that skill sure comes in handy.

Unlike Jolie’s iconic, stylized take on the character, Vikander plays her as self assured and independent but directionless. A young person trying to make her way in the world, thirsty for life experience. It’s a nice reinvention of the character, although a post credit scene suggests she is headed toward Jolie territory should there be a “Tomb Raider 2: A Career in Ruins” next year. Still, she’s a spirited female action hero in a male dominated field.

There are big action sequences, but as the stunts get bigger they don’t necessarily get better. Vikander, flying through the streets of London, cutting through traffic while being chased by her courier friends, is as exciting as any of the CGI exploits that come later.

“Tomb Raider’s” story and action are fairly generic but Vikander carries the day, reshaping a character we already thought we knew.

WARCRAFT: 1 STAR. “’how many times did I look at my watch’ drinking game.”

Peter Jackson may have exhausted the Tolkien catalogue with his “Lord of the Rings” and “Hobbit” movies, but for moviegoers with a taste for JRR’s brand of fantasy along comes “Warcraft.”

Based on the video game series and novels of the same name, the Duncan Jones film is set in the world of Azeroth, a realm blessed by titans and home to humans and all manner of mythical creatures, including elves, dragons and everything in between. Lush and peaceful, it’s ruled by homo sapiens, the kindly king and queen (Dominic Cooper and Ruth Negga).

The warrior Orc clan homeworld of Draenor, on the other hand, is the polar opposite. A dying dominion, it’s led by warlock Gul’dan (Daniel Wu) and Warrior-In-Chief Blackhand (Clancy Brown) who use a mysterious portal—“the Great Gate!”–to bring unrest, terror and a mighty army called the Horde to Azeroth. “This is a new time,” growls Gul’dan. “The time of the horde. Be feared or be few!”

In the midst of the mayhem are the Orc give-peace-a-chance chieftain Durotan (Toby Kebbell), his pregnant, swashbuckling mate Draka (Anna Galvin) and Garona (Paula Patton), a half human, half Orc who leans toward her human side while exercising her Orcian charms.

For a film that cost as much as this one did “Warcraft” sure looks a lot like Halloween at a Cos Play Convention, fake fangs and all. It has all the primal elements of any epic story—good, evil, betrayal, birth, death, biblical references, honour and even terrifying glowing eyes—but it also has distinct b-movie feel that hangs over the whole thing like like a shroud. There’s an unmistakeable campy aura that must be intentional although in my heart I suspect it isn’t.

For instance, when one of the Guardian keepers of the wisdom is flummoxed by a mysterious gizmo and says, “It’s never done that before,” he sounds less like a mystical being and more like my grandfather trying to figure out why the App Store won’t load on his iPad. It’s funny, but probably unintentionally so.

With all the faux gravitas of a Steve Reeves epic, “Warcraft” is more Dungeons And Dragons than Tolkien. As it plods on toward the end credits it only reinforces a long held belief of mine: videogames are videogames, movies are movies and never the twain shall meet. It’s becoming more and more obvious that sourcing videogames as the inspiration for films is as effective as pulling stories from the backs of milk containers. They are two different art forms and perhaps should stay that way.

I admired Duncan Jones’s last two films, “Moon” and “Source Code,” but this time out he’s crafted a movie that is most entertaining as an excuse for a “how many times did I look at my watch” drinking game.