Posts Tagged ‘C’mon C’mon’

CTVNEWS.CA: RICHARD ON The best movies to watch when you’re feeling lost

I write about inspirational movies to watch when you are feeling down!

“No matter how carefully you’ve mapped out your life, it is still possible to feel lost, as if your life’s compass is spinning in all directions at once. When you’re feeling cut adrift, movies can be more than a distraction, they can be a source of inspiration to help you get back on track…” Read the whole thing HERE!

CTV NEWS AT 11:30: MORE MOVIES AND TV SHOWS TO STREAM THIS WEEKEND!

Richard speaks to “CTV News at Six” anchor Andria Case about the best movies and television to watch this weekend. This week we have a look at dynastic family drama “House of Gucci,” the new animated Disney film “Encanto” and the coming of age story “C’mon C’mon.”

Watch the whole thing HERE! (Starts at 19:05)

RICHARD’S WEEKEND MOVIE REVIEWS FROM CP24! FRIDAY NOVEMBER 26, 2021.

Richard joins CP24 to have a look at new movies coming to VOD, streaming services and theatres including dynastic family drama “House of Gucci,” the new animated Disney film “Encanto,” the coming of age story “C’mon C’mon” and Peter Jackson’s 468 minute epic “The Beatles: Get Back.”

Watch the whole thing HERE!

RICHARD’S CTV NEWSCHANNEL REVIEWS FOR NOV. 26 WITH ANGIE SETH.

Richard joins CTV NewsChannel and anchor Angie Seth to have a look at new movies coming to VOD, streaming services and theatres including dynastic family drama “House of Gucci,” the new animated Disney film “Encanto,” the coming of age story “C’mon C’mon” and Peter Jackson’s 468 minute epic “The Beatles: Get Back.”

Watch the whole thing HERE!

CFRA IN OTTAWA: THE BILL CARROLL MORNING SHOW MOVIE REVIEWS!

Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to theatres, VOD and streaming services including the dynastic family drama “House of Gucci,” the new animated Disney film “Encanto,” the coming of age story “C’mon C’mon,” Peter Jackson’s 468 minute epic “The Beatles: Get Back” a.k.a. “Lord of the Ringos,” the videogame horrors of “Resident Evil: Welcome to Raccoon City” and Halle Berry’s “Bruised.”

Listen to the whole thing HERE!

C’MON C’MON: 3 ½ STARS. “a quiet movie that speaks volumes.”

In “C’mon C’mon,” a new black-and-white drama now playing in theatres, radio journalist Johnny, played by Joaquin Phoenix, says he likes to record sound because “it makes the mundane immortal.” Writer/director Mike Mills attempts to create that same kind of magic in his straightforward, unassuming film.

The soft-spoken radio presenter is travelling around the United States, interviewing children about their lives, experiences and the future, when he offers to look at after his nine-year-old nephew Jesse (Woody Norman). Jesse’s mom Viv (Gaby Hoffmann) will be out of town for a week, helping her ex-husband (Scoot McNairy) get settled in a mental health facility. When she is delayed on her return, Johnny takes the youngster on work trips to New York and New Orleans. While Johnny becomes a father figure to Jesse, his relationship with Viv deepens as the long distance, shared experience of looking after the boy brings them closer.

“C’mon C’mon” is a quiet movie that speaks volumes. It asks simple questions, like “Are you happy?” and tries, often in a roundabout way, to answer them. Jesse and Johnny’s conversations, which make up the vast bulk of the movie, are simultaneously insightful, frustrating and vulnerable. Just like real life.

As Jesse, Norman is a child wise beyond his years. He’s a fan of conspiracy theories, asks pointed questions to adults, has a vivid imagination but no friends. What he shares with his uncle is an emotional directness, even if he doesn’t completely grasp what he’s feeling and why.

Oscar winner Phoenix approaches Johnny with warmth and keeps the theatrics to a minimum. They complement one another, feeling out their relationship as they go, learning from one another. It’s lovely in its ordinariness, made all the more special by the naturalistic performances.

I don’t know if “C’mon C’mon” will become immortal, it’s a little too freeform for that, but the simple human truths it essays already are.