Posts Tagged ‘Burlesque’

Stanley Tucci: Catching Fire and frequent hires. Metro Nov. 20, 2013

a4e82633f3a34017a13e93528d52d113-a4e82633f3a34017a13e935_20131115191241Is Stanley Tucci the busiest actor in Hollywood? This year alone added five movies to his IMDB page with five more in the pipeline for 2014.

This weekend in Hunger Games: Catching Fire, he plays Caesar Flickerman, the elaborately coiffured host of The Hunger Games television broadcasts. Despite being disguised with wild wigs, fake teeth and plenty of bronzer, it is unmistakably Tucci, one of the most interesting actors working today.

He made his big screen debut in the 1985 gangster comedy Prizzi’s Honor followed by several years of dues-paying stage work and movie roles like Second Dock Worker in Who’s That Girl before landing recurring spots on Miami Vice and Wiseguy.

A succession of supporting roles lead to the one-two punch that made him a name actor. Producer Steven Bochco’s television drama Murder One cast Tucci as Richard Cross, a Machiavellian multi-millionaire accused of the strangulation of a 15-year-old girl.

The following year a much different part earned him an Independent Spirit Award nomination for best actor. In The Big Night he plays Secondo, owner of an Italian restaurant called Paradise. The place is slowly going broke but may get a boost from a visit by singer Louis Prima. If Prima shows up the restaurant will have a big night and be saved from bankruptcy.

It’s not only one of the greatest food movies ever made — you’ll want to go for risotto afterward — but it also features what Rolling Stone’s Peter Travers called “an unforgettable acting duet” between Tucci and Tony Shalhoub, who plays his temperamental chef brother, “that is as richly authentic as the food.”

Since then Tucci has played everything from villains — strangling a Supreme Court justice in The Pelican Brief — to a flamboyant nightclub manager in Burlesque, to the God of wine Dyonisius in Percy Jackson: Sea of Monsters to Puck in A Midsummer Night’s Dream. Opposite  just Meryl Streep alone he’s played everything from a gay art director in The Devil Wears Prada to Julia Child’s loving diplomat husband Paul in Julie & Julia.

In 2010 he received his first (but probably not last) Oscar nomination for his work in The Lovely Bones. He played the murderous Mr. Harvey, all twitchy movements and squeaky voice; he was Norman Bates without the overbearing mom.

“I don’t like to watch things about serial killers or kids getting hurt,” he said, “but this was something beyond that. It was an exploration of loss and hope.”

BURLESQUE: 2 ½ GLITTERY STARS

On a scale of 1 to Ridiculous, “Burlesque,” the new film starring dueling pop divas Cher and Christina Aguilera, it’s Rip Taylor.  A glittery mix of “All About Eve,” “Striptease” and “42nd Street” it is for people who didn’t find “Priscilla Queen of the Desert” campy enough.

Xtina plays Allie, a small girl with a giant voice who leaves her Podunk Iowa town to find fame and fortune in Los Angeles. Then, in an explosion of glitter and cone bras, she lands a job as a waitress at Burlesque, a place with no windows, but the “Best View on the Sunset Strip.” It’s an old school burlesque house, seemingly inhabited by the spirit of Bob Fosse, on the verge of bankruptcy, currently being run into the ground by Tess (Cher) and Sean (Stanley Tucci). Christina, and her highly articulated vocalizing come along just in time to save the club, romance a handsome bartender (Cam Gigandet) and a multimillionaire (Eric Dane) and alienate the club’s reigning diva.

“Burlesque,” is essentially a vehicle for Christina’s vocal acrobatics. It hangs a recycled show biz story—girl from the sticks becomes a star in Los Angeles—on the elastic voice talents of its star. Less than five minutes into the story she’s on a stage bellowing a multi-octave cover of the Etta James classic “Something’s Got a Hold on Me.” If that sends a shiver down your spine, then “Burlesque” is for you. If not, it’s going to be a long two hours.

Only Cher and Stanley Tucci seem to understand what kind of movie this is. Only Cher could intone a line about helping a dancer when she was drunk and sick, throwing up “everything but your memories,” and walk away with her career intact. Ditto Tucci. He’s slumming here, but he sparks with Cher and seems to be having fun.

Which brings us to Aguilera. She can gyrate like nobody’s business and looks fetching in a sparkly bowler hat, but as energetic as the performance is it never rises above the level of a gifted amateur.

“Burlesque” isn’t trashy enough—remember “Showgirls”?—to be truly memorable. It has no story arc, no dramatic tension, just a lot of bump-and-grind. That’ll be enough for people with a taste for camp but like the art form it is named after the movie is all tease and no follow through.