I joined CTV NewsChannel anchor Roger Peterson to have a look at new movies coming to theatres, including the pandemic drama “Eddington,” the smurfy “Smurfs” and the legacy sequel “I Know What You Did Last Summer.”
Watch the whole thing HERE!
I join the Bell Media Radio Network national night time show “Shane Hewitt and the Night Shift” for “Booze & Reviews!” This week I review the return of “I Know What You Did Last Summer” and the Fisherman serial killer.
Click HERE to listen to Shane and me talk about Larry David’s return to HBO, Eric Idle dare to ICE and some lost Woody Guthrie music.
For the Booze & Reviews look at “I Know What You Did Last Summer” and some scary good cocktails, click HERE!
Fast reviews for busy people! Watch as I review three movies in less time than it takes to make the bed! Have a look as I race against the clock to tell you about the pandemic drama “Eddington,” the smurfy “Smurfs” and the legacy sequel “I Know What You Did Last Summer.”
Watch the whole thing HERE!
SYNOPSIS: Set in the coastal town of Southport, North Carolina “I Know What You Did Last Summer,” the rebooted slasher film now playing in theatres, sees a group of friends menaced by a serial killer a year after they accidentally killed a man and covered up the crime. When they realize the killer is imitating the deadly hook-wielding fisherman who plagued the town in 1997, they ask Julie James (Jennifer Love Hewitt) and Ray Bronson (Freddie Prinze Jr.), the two survivors of the 1997 Southport massacre for help. “Nothing holds people accountable like a good old fashioned Fisherman murder spree.”
CAST: Madelyn Cline, Chase Sui Wonders, Jonah Hauer-King, Tyriq Withers, Sarah Pidgeon, Billy Campbell, Gabbriette Bechtel, Austin Nichols, Freddie Prinze Jr., Jennifer Love Hewitt. Directed by Jennifer Kaytin Robinson.
REVIEW: You can’t keep a good serial killer down. “Scream’s” Ghostface and “Halloween’s” Michael Myers both recently made bloody comebacks and later this year “Saw’s” Jigsaw will be up to his ole tricks once again. Its’s nostalgia for the colourful villains of days past, but sometimes, as Julie James (Jennifer Love Hewitt) declares in “I Know What You Did Last Summer,” “Nostalgia is overrated.”
She’s right.
There’s never been that much going on in the “I Know What You Did Last Summer” movies.
From the 1997 original through its sequels and the 2006 reboot, (“I Still Know What You Did Last Summer” and the reboot “I’ll Always Know What You Did Last Summer”), the films have consistently seemed like lesser versions of “Scream,” lacking its self-aware tone, meta commentary, and compelling characters.
The new trip down memory lane, a legacy sequel that unites new characters with returning members of the original cast, stays true to the franchise. There’s a new spin on the death that kicks off the action, a fresh crop of young victims and a deadly fisherman who is certainly nobody’s friend.
But none of it adds up to much.
The new characters are essentially bait for the serial killer without enough personality to make the audience care about what happens to them. In an effort to avoid the hook they scurry around the screen, with concerned looks on their good-looking faces, but it’s hard to shake the feeling that the movie values nostalgia over actual thrills. The kills, and let’s face it, that’s why we watch movies like this, aren’t grisly enough to be memorable, and neither are the characters.
When Ava (Chase Sui Wonders) says, “This whole experience has been, like, zero out of five stars,” it’s hard not to agree with her.
Strangely, the “I Know What You Did Last Summer” mid-credit scene (NO SPOILERS HERE) sets up the movie for a sequel, and, in two or three minutes, is more entertaining than the movie that came before it.
Thanks to the Canadian Screen Awards for having Richard in again last night to host the Press Room. He interviewed the winners as they left the stage and chatted with Mary Walsh, Billy Campbell, Karine Vanasse, Jennifer Baichwal, Stephan James, Deepa Mehta, Theodore Pellerin, the cast of Un Colonie, Catherine O’Hara and the gang from Schitt’s Creek, Jasmin Mozaffari, the Kids in the Freakin’ Hall, AmyBeth McNulty, Kim Coates and many others. Thanks to Anna-Lea Boeki, Alexandra Staseson and Mr. Will Wong for the pictures!
By Richard Crouse Metro – Canada
“I’ve been reading film scripts for over 30 years,” says Helix star Billy Campbell, “and I could probably count on my hands and feet all the truly, truly great scripts I’ve read. The rest are, to various degrees, garbage.”
Campbell, a veteran of big screen features like The Rocketeer and Francis Ford Coppola’s Dracula, says, “the hour-and-a-half format of telling a story is unnatural. You either have to do like they do in Bollywood movies and have a four-hour movie tell a story or do like European films do. They tell small, intimate human stories. Moments in people’s lives. That’s more appropriate to the format.”
That opinion may explain why he’s been spending more and more time on the small screen on shows like Once and Once Again, The O.C. and The Killing.
His latest project, the sci-fi series Helix debuts on Showcase on Friday. Produced by Battlestar Galactica creator Ronald D. Moore, its sprawling story of a deadly disease outbreak couldn’t fit into a 90-minute film.
“Television is a place where you can tell a great story,” he says. “You have the time. AMC coined the phrase, Slow Burn Storytelling. You have the time to develop characters, develop storylines in a way that is not artificial. Or doesn’t seem to be artificial.”
The pilot script for the Montreal-shot series appealed to the ruggedly handsome actor because he’s a fan of science fiction, horror and speculative fiction.
“When I read the pilot script the first thing that popped into my head was The Andromeda Strain, then John Carpenter’s The Thing and a little bit of Walking Dead popped in there as well. We don’t have zombies. I think what we have is a great deal scarier than zombies. What we have are living human beings, terribly infected, who have a pathological compulsion to infect others.”
He describes the show as “intense, but still an escape.” But an escape from what?
“There seems to be an obsession with not just speculative fiction but stuff that is not our real life. I couldn’t say why, except to think that perhaps we’re so unhappy with our present lives. We might need to get away. Some people like to escape by being scared.”
As an actor on the show he says the most exciting part of the process is “to come to work and try to do the next outlandish thing they’ve written. That’s exciting.”
