There are as many different kinds of Easter movies as there are colours on the most psychedelic Ukrainian Easter egg. From kid-friendly romps like Hop, this weekend’s comedy about an errant Easter Bunny, to the rock opera Jesus Christ Superstar to all-singing-all-dancing spectaculars like Easter Parade to sword-and-sandal epics like Ben Hur and solemn retellings of the biblical Easter story like The Greatest Story Ever Told.
Then there are horror films like Easter Bunny, Kill Kill and the terrifying Easter Bunny from Bill & Ted’s Bogus Journey… so many diverse takes on Easter, but since there’s no way to watch all these movies on Easter weekend, let’s hippity-hop through a list of the bunny’s greatest hits.
Controversial in its time—fundamentalist Bob Jones III denounced it as “blasphemy” without actually watching the film—Jesus of Nazareth, director Franco Zeffirelli’s epic 1977 mini-series, is now considered a classic. Clocking in at a whopping 382 minutes, it’s a reverent look at Jesus’s life from his birth to resurrection starring heavyweights like Laurence Olivier, Anthony Quinn, Anne Bancroft and Christopher Plummer.
From the sacred to the sublime, It’s the Easter Beagle, Charlie Brown continues Charles Schultz’s tradition of providing a story for every holiday, both secular and spiritual. The twelfth Peanuts cartoon special sees Linus try to hype up the arrival of the Easter Beagle but only Sally believes him. The rest of the gang is still unsure in light of Linus’s Great Pumpkin Halloween fiasco. This special, now available on DVD, features one of the only times Snoopy ever spoke on screen. He shouts “Hey!” before dancing with bunnies in a fantasy sequence.
Fred Astaire, the legendary song-and-dance-man was no stranger to holiday entertainment. His Christmas special, Santa Claus Is Comin’ to Town, is a Yuletide favorite but he also appeared in no less than three Easter-themed movies and TV shows. Astaire’s movie, Holiday Inn, the 1942 story of a singer who turns his farm house into a dinner theatre on the holidays, is best known for introducing Bing Crosby’s White Christmas, but also produced the tune Easter Parade, which, six years later turned up in the hoofer’s film of the same name.
Finally, years later he played the narrator in the Rankin/Bass stop-motion animated The Easter Bunny’s Coming to Town. Set in Kidville, the most child-friendly place on earth, it is the story of how the Easter Bunny came to be.
Just because Bill and Ted, the time travelling slackers last seen on screen almost thirty years ago, got bigger and older doesn’t mean they grew up. Alex Winter and Keanu Reeves reunite as William S. “Bill” Preston, Esq and Theodore “Ted” Logan in “Bill and Ted Face the Music,” available now in theatres and on demand, to try, once again, to save the world through music.
The leaders of the Wyld Stallyns are now middle aged with kids of their own, played by Brigette Lundy-Paine and Samara Weaving. At their peak Bill and Ted’s band played at the Grand Canyon but are now reduced to performing at a lodge for a handful of people who were already there for taco night. Still, they persist in their quest to write the perfect song, a tune so powerful it will unite the world.
Not everyone is on board. “It’s been hard to watch you beat your heads against the wall for 25 years,” says Ted’s wife Princess Elizabeth Logan (Erinn Hayes). “Not sure how much more we can take.”
But when their old mentor Rufus (George Carlin in archival footage) send his daughter Kelly (Kristen Schaal) from the future with a mission, Bill and Ted accept. Given 77 minutes and 25 seconds to create a song that will “save reality,“ the duo go on an excellent, time travelling journey to the future to get the song from their future selves. “Let’s go say hello to ourselves and get that song,” says the ever-optimistic Bill.
Cue the famous inner-dimensional phone box.
The new adventure brings with it some grown-up issues, marital problems, matters of life and death, their manipulative future selves, a trip to hell and killer robots.
Meanwhile, as Bill and Ted race into the future with Kelly their daughters are on a mission of their own. Zipping through time they convince some of the greatest musicians the world has ever known—Jimi Hendrix (DazMann Still), Louis Armstrong (Jeremiah Craft), Mozart (Daniel Dorr), drummer Grom (Patty Anne Miller), flautist Ling Lun (Sharon Gee) and rapper Kid Cudi as himself—to bring Bill and Ted’s music to life.
A mix of quantum physics and silly humor, “Bill and Ted Face the Music” is more a blast in nostalgia than laugh out loud funny. The screenplay, by Chris Matheson and Ed Solomon, who also penned “Bill & Ted’s Excellent Adventure” and “Bill & Ted’s Bogus Journey,” haven’t played around with the formula. This isn’t a gritty reimagining of the franchise. Bill and Ted haven’t developed dark sides or become jaded. They are carbon copies of their former screen selves, albeit with a few more miles on their faces. The yuks are derived from Bill and Ted as wide-eyed, Valley-speaking saviors who look for and find the best in everyone they meet in the past, present and future.
Along the way there are some welcome returns, most notably William Sadler as the bass playing Grim Reaper, who can’t understand why Bill and Ted don’t appreciate his 40-minute-long bass solos, and it’s nice to see Carlin again, if only for a second. Lundy-Paine and Weaving, have fun, playing the daughters as two chips off the old blockheads, naively discovering the true secret of world unity.
“Bill and Ted Face the Music” is a blast from the past, a movie that would look great on VHS, that maintains the goofiness and the optimism of the originals.
There are as many different kinds of Easter movies as there are colours on the most psychedelic Ukrainian Easter egg. From kid-friendly romps like Hop, Russell Brand’s cartoon about an errant Easter Bunny, to the rock opera Jesus Christ Superstar to all-singing-all-dancing spectaculars like Easter Parade to sword-and-sandal epics like Ben Hur and solemn retellings of the biblical Easter story like The Greatest Story Ever Told.
Then there are horror films like Easter Bunny, Kill Kill and the terrifying Easter Bunny from Bill & Ted’s Bogus Journey… so many diverse takes on Easter, but since there’s no way to watch all these movies on Easter weekend, let’s hippity-hop through a list of the bunny’s greatest hits.
Controversial in its time—fundamentalist Bob Jones III denounced it as “blasphemy” without actually watching the film—Jesus of Nazareth, director Franco Zeffirelli’s epic 1977 mini-series, is now considered a classic. Clocking in at a whopping 382 minutes, it’s a reverent look at Jesus’s life from his birth to resurrection starring heavyweights like Laurence Olivier, Anthony Quinn, Anne Bancroft and Christopher Plummer.
From the sacred to the sublime, It’s the Easter Beagle, Charlie Brown continues Charles Schultz’s tradition of providing a story for every holiday, both secular and spiritual. The twelfth Peanuts cartoon special sees Linus try to hype up the arrival of the Easter Beagle but only Sally believes him. The rest of the gang is still unsure in light of Linus’s Great Pumpkin Halloween fiasco. This special, now available on DVD, features one of the only times Snoopy ever spoke on screen. He shouts “Hey!” before dancing with bunnies in a fantasy sequence.
Fred Astaire, the legendary song-and-dance-man was no stranger to holiday entertainment. His Christmas special, Santa Claus Is Comin’ to Town, is a Yuletide favorite but he also appeared in no less than three Easter-themed movies and TV shows. Astaire’s movie, Holiday Inn, the 1942 story of a singer who turns his farm house into a dinner theatre on the holidays, is best known for introducing Bing Crosby’s White Christmas, but also produced the tune Easter Parade, which, six years later turned up in the hoofer’s film of the same name.
Finally, years later he played the narrator in the Rankin/Bass stop-motion animated The Easter Bunny’s Coming to Town. Set in Kidville, the most child-friendly place on earth, it is the story of how the Easter Bunny came to be.