1992: 3 STARS. “freshens up what otherwise may have been a standard b-movie.”
SYNOPSIS: Set against the backdrop of the Los Angeles riots following the Rodney King verdict, the action thriller “1992,” sees a factory worker, played by Tyrese Gibson, caught up in a dangerous heist to steal catalytic converters, which contain valuable platinum, from the factory where he works.
CAST: Tyrese Gibson, Scott Eastwood, Ray Liotta, Michael Beasley, Christopher Ammanuel, Dylan Arnold, Ori Pfeffer, Oleg Taktarov. Directed by Ariel Vromen.
REVIEW: A heist movie wrapped around a family drama, the generic action of “1992” is given some added oomph by its historical backdrop.
Gritty and dark, “1992” recounts the events following the Rodney King verdict, which saw four LAPD officers acquitted of charges of excessive force in the arrest of King, despite videotaped evidence. In the days that followed anarchy erupted in Los Angeles, resulting in 63 deaths, more than 12,000 arrests and over $1 billion in property damages.
Thrown into the middle of the chaos, former gang-member-turned-factory-worker Mercer (Gibson), wants to get his son to the relative safety of the factory. Another father and son, played by Ray Liotta and Scott Eastwood, see the riots as a convenient distraction, and plan to rob the factory while the police are busy trying to bring order to the streets.
The resulting clash and family dynamics provide an easy metaphor for the good vs. evil that drives the plot.
Gibson plays Mercer as a man who has had a reckoning with his past and wants to set a good example for his son. Gibson pulls off the action—when pushed, he occasionally uses his special set of skills to solve problems—but it is in the relationship with his son that the character is at his most interesting. He’s been-there-done-that and uses his life experience like a sword to cut through the tough guy nonsense his son spouts.
Liotta on the other hand is far more one dimensional. It’s fun to see Liotta go full-on mad dog, and he is effective, but his character is less nuanced and supplies far fewer surprises than Gibson.
As a crime drama “1992” doesn’t plough much new ground. The robbery, and resulting complications, are straight out of the Heist 101 Handbook for Screenwriters, but the family drama and contrasting parenting skills freshen up what otherwise may have been a standard b-movie.
