I appear on “CTV News at 11:30” with anchor Andria Case to talk about the return of Ghostface in “Scream 7,” the erotic thriller “56 Days” and the pirate action movie “The Bluff.”
Watch the whole thing HERE! (Starts at 37:46)
I join “CTV News Toronto at Five” with anchor Zuraidah Alman to talk about new movies in theatres including the return of Ghostface in “Scream 7,” the music doc “Paul McCartneyt: Man on the Run,” the northern noir of “In Cold Light” and the zombie flick “This is Not a Test.”
Watch the whole thing HERE! (Starts at 14:21)
I join “CP24 Breakfast” host Nick Dixon to talk about the return of Ghostface in “Scream 7,” the music doc “Paul McCartneyt: Man on the Run” and the Paramount+ docuseries “Wild Boys: Strangers in Town.”
Watch the whole thing HERE!
I sit in on the CFRA Ottawa morning show with host Bill Carroll to talk about the new movies coming to theatres including the return of Sidney Prescott in “Scream 7,” the northern noir of “In Cold Light,” the zombie flick “This is Not a Test” and the music doc “Paul McCartney: Man on the Run.”
Listen to the whole thing HERE!
Fast reviews for busy people! Watch as I review three movies in less time than it takes to scream seven times. Have a look as I race against the clock to tell you about the return of Sidney Prescott in “Scream 7,” the northern noir of “In Cold Light” and the music doc “Paul McCartney: Man on the Run.”
Watch the whole thing HERE!
SYNOPSIS: “Scream 7,” now playing in theatres, once again says “Hello, Sidney” as Neve Campbell returns to the thirty-year-old horror franchise as iconic “final girl” Sidney Prescott.
CAST: Neve Campbell, Jasmin Savoy Brown, Mason Gooding, David Arquette, Matthew Lillard, Courteney Cox, Isabel May, Anna Camp, Michelle Randolph, Jimmy Tatro, Mckenna Grace, Asa Germann, Celeste O’Connor, Sam Rechner, Mark Consuelos, Tim Simons, Joel McHale. Directed by Kevin Williamson.
REVIEW: The labyrinthine world of the “Scream” franchise continues in a bloody movie that delivers the gore but gets lost in a mishmash of nostalgia, legacy characters and tired tropes.
A story about past trauma revisiting the present, “Scream 7” begins with Sidney Prescott (Neve Campbell) starting a new life in a new town. Settling in Pine Grove, Indiana, far from the suburban Northern California town of Woodsboro and the reach of serial killer Ghostface.
Or so she thought until her phone rang.
“I’m going to make everyone you love suffer,” says a familiar voice on the other end of the line. “Including your pretty daughter.”
Could it be her nemesis Stu Macher (Matthew Lillard) or an elaborate deepfake?
Either way, determined to protect daughter Tatum (Isabel May) and husband Mark (Joel McHale), Sidney swings into action in a final showdown with her greatest adversary.
Directed by Kevin Williamson (who wrote the original “Scream”) “Scream 7” is a collision of old and new elements that end up feeling almost as lifeless as one of Ghostface’s victims.
What was once a clever meta commentary on slasher movies that deconstructed the tropes of 80s and 90s horror, and later, remakes, toxic fandom and franchise fatigue, now feels rudderless as it takes on deep fakes and AI. The previous “Scream” films would have taken time to formulate a comment on the dangers of technology or at least take a position on it. Instead, here it’s simply a plot device, nothing more or less.
That lack of curiosity extends throughout. Even though “Scream 7” contains the most gratuitous kill of the entire series—and, to be fair, one of the funniest as one unfortunate victim is turned into a human beer tap—it doesn’t invest much into making the new characters compelling or, most importantly, making the Ghostface unmasking shocking or at the very least interesting.
The result is a movie with enough bloody stuff to entertain slasher fans, but it feels like the kind of film the franchise has spent thirty years analyzing.
“The Lovebirds,” a new comedy starring Kumail Nanjiani and Issa Rae debuting on Netflix this week, belongs to a very specific sub-genre of rom com. Like “Date Night” and “Game Night” it’s the story of a rocky romance rescued by one wild night on the town.
Nanjiani and Rae are Jibran and Leilani, a couple we meet on their first date. It’s all sunshine and roses (and some day-drinking) until we cut to four years later. The genial tone of the first date is gone, replaced by endless bickering about how he can’t make up his mind about which restaurant to go to and even “The Amazing Race,” a show he’s never seen. “I don’t need to get hit by a truck to know it would suck,” he says.
On the drive to a dinner party, things come to a head. “I feel like I’m one page of the book,” he says, “but you’re reading a magazine.“ Just as a petty spat leads them to the brink of a break-up they unwittingly become involved in a crime when their car is commandeered by someone claiming to be a cop (Paul Sparks) and then used to brutally run over and kill a bicycle courier.
Afraid the police won’t believe their version of events, the couple leave the scene of the crime, determined to take matters into their own hands and figure out who the bad guy is. Plunged into world that makes their relationship woes look tame by comparison, the couple uncover clues and rekindle their romance. “This is like ‘The Amazing Race,’” she says, “except with dead people.”
“The Lovebirds” is a rom com, or maybe it’s better to call it a rom crime? Either way, it mixes affection, funnies and felonies in one package that rests solely on the shoulders of its two charismatic stars. Their Fred and Ethel style bickering, which supplies much of the film’s enjoyment, doesn’t feel mean-spirited or contrived. Just the banter between two people who may have forgotten what they liked about one another to begin with. Nanjiani and Rae bring the comedic chops to make us laugh and the magnetism to keep us onside when the action ramps up and grows more and more extreme. “We couldn’t figure out our relationship,” he says. “Do you think we can figure out a murder?”
“The Lovebirds” works best when it has an edge, less so (and you knew this was coming) when romance is reborn. The (NOT A SPOILER! IT MAY HAVE VIOLENCE BUT IT IS STILL A ROM COM) conventional ending is a predictable but happy way to put a bow on the story.
