I appear in a “CTV National News with Sandie Rinaldo” report from Creeson Agecoutay on the life and legacy of Andre Braugher who passed away at age 61.
Watch the whole thing HERE! (Starts at 19:58)
“She Said,” a new film about the New York Times reporters Megan Twohey (Carey Mulligan) and Jodi Kantor (Zoe Kazan) and their Pulitzer Prize-winning investigation of the sexual misconduct perpetrated by Harvey Weinstein, breathes the same air as other newsroom procedurals like “The Post” and “Spotlight.”
Based on the 2019 book by Twohey and Kantor, the movie begins with Twohey’s investigations into sexual assault allegations against presidential candidate Donald Trump and FOX TV commentator Bill O’Reilly. The success of those stories, which cost O’Reilly his lucrative television gig, led to a further investigation of abuse and institutional misogyny in the film business, specifically involving film producer Weinstein.
Working in tandem with Kantor, Twohey begins sorting through sexual abuse claims from Hollywood actresses like Rose McGowan (voice of Kelly McQuail) and Ashley Judd (as herself).
“If that can happen to Hollywood actresses,” Twohey says, “who else is it happening to?”
“She Said” follows their month’s long investigation, from the unwillingness of victims to go on the record for fear of repercussions and legal maneuvering to death threats and harassment.
“You have to imagine that every call you make is being recorded and you’re being followed,” warns New York Times executive editor Dean Baquet (Andre Braugher).
The story behind the story that rocked Hollywood is a boots-on-the-ground journalism movie. Director Maria Schrader and screenwriter Rebecca Lenkiewicz walk us through the uncovering of information, the dead-ends, the back-and-forth with reluctant sources in a slow-and-steady fashion. It’s a detailed portrait of the daily grind journalists go through to ensure accuracy and fairness.
Unfortunately, because this #MeToo story lived at the very center of popular discourse at the time and beyond, “She Said’s” efforts to document the making of the story contain very few surprises.
On an emotional level, however, the recollections of Weinstein’s victims, former assistant Zelda Perkins (Samantha Morton) and Rowena Chiu (Angela Yeoh), are as devastating as former Weinstein Co. Board Member Lance Maerov’s (Sean Cullen) comment—”Are you sure that this isn’t just young women who want to sleep with a movie producer to get ahead?” is maddening.
Schrader never sensationalizes “She Said,” but her retelling of the victimization of the powerless and Weinstein’s criminal behaviour is buoyed by some interesting choices, including using real audio of model Ambra Battilana Gutierrez and Weinstein as he tries to coerce her into joining him in his hotel suite. As the camera floats down a fancy hotel hallway, Schrader allows the tape to play to skin crawling effect. It is that level of detail and raw storytelling that captures the true horror of the case against Weinstein.
It’s been almost two decades since the adventures of a Kiger Mustang stallion named Spirit were nominated for an Academy Award for Best Animated Feature. “Spirit: Stallion of the Cimarron” lost to another spirited entry, “Spirited Away” from Japanese master Hayao Miyazaki, but spawned a cottage industry in the form of television shows and video games.
This weekend the headstrong horse goes on another feature length DreamWorks Animation adventure in “Spirit Untamed.” Now playing in theatres, it’s a re-imagined version of the television series “Spirit Riding Free.”
First some background.
Lucky Prescott’s (Isabela Merced) mother Milagro was a fearless horse trick rider from Miradero, a small town in America’s Wild West.
Milagro’s legend looms large in Lucky’s imagination, but she never got to know her. After her mother’s death, Lucky was raised on the East Coast by Aunt Cora (Julianne Moore), a straightlaced woman who struggled with his niece’s inherited wild side.
When Lucky pushes her luck too far, Aunt Cora decides the youngster needs stability in the form of her father, Jim (Jake Gyllenhaal) in the family home in sleepy little Miradero.
Life in the small town doesn’t sit well with Lucky until she meets her kindred spirit, a wild Mustang who shares her independent streak. The horse, Spirit, is the leader of a herd of wild stallions who become the target of animal poachers led by the evil Hendricks (Walton Goggins).
In an effort to save the horses from a life of captivity and hard labor Lucky recruits two local horseback riders, Abigail Stone (Mckenna Grace) and Pru Granger (Marsai Martin), and embarks on a rescue mission.
“Spirit Untamed” contains good messages about independence but also about being connected to a larger community. Lucky and Spirit are, well, spirited in their own ways but their true strength lies in their respect for the people and horses around them.
It is a simply told story of empowerment that doesn’t gallop over any new ground but, hackneyed though the message may be, it’s still an important one for younger viewers.
The big-eyed Margaret Keanesque character animation is nicely rendered, accompanied by energetic voice work, and should appeal to fans of the original. Younger viewers, who may not have been around when the original made a stir, could find parallels between this and the “How to Train Your Dragon” franchise.
With “Cruella” taking a dark turn, “Spirit Untamed” is the best family flick of the season.
