CP24: RICHARD WEEKEND MOVIE REVIEWS FOR FRIDAY SEPTEMBER 19, 2025!
I join CP24 to talk about the football horror film “HIM,” the fiery “The Lost Bus” and the romantic “The History of Sound.”
Watch the whole thing HERE!
I join CP24 to talk about the football horror film “HIM,” the fiery “The Lost Bus” and the romantic “The History of Sound.”
Watch the whole thing HERE!
I join CP24 to talk about the big movies hitting theatres and streaming this week including the football horror film “HIM” and the fiery “The Lost Bus.”
Watch the whole thing HERE!
I joined CTV NewsChannel to have a look at new movies coming to theatres including the football horror film “HIM,” the fiery “The Lost Bus” and the romantic “The History of Sound.”
Watch the whole thing HERE!
I sit in on the CFRA Ottawa morning show with host Bill Carroll to talk about the new movies coming to theatres including the football horror film “HIM,” the fiery “The Lost Bus” and the romantic “The History of Sound.”
Listen to the whole thing HERE!
Fast reviews for busy people! Watch as I review three movies in less time than it takes to make the bed! Have a look as I race against the clock to tell you about the football horror film “HIM,” the fiery “The Lost Bus” and the romantic “The History of Sound.”
Watch the whole thing HERE!
I join the Bell Media Radio Network national night time show “Shane Hewitt and the Night Shift” for “Booze & Reviews!” This week I review the crazy football flick “HIM” and suggest a cocktail to enjoy while watching the movie.
Click to HERE to listen to Shane and me talk about the only movie star who’ll be remember in 100 years, according to Clint Eastwood,” and more!
For the Booze & Reviews look at the football horror flick “HIM,” and some cocktails to enjoy with the movie click HERE!
SYNOPSIS: Based on the non-fiction 2021 book “Paradise: One Town’s Struggle to Survive an American Wildfire” by Lizzie Johnson, “The Lost Bus” sees Matthew McConaughey navigate a bus full of children through one of California’s deadliest wildfires.
CAST: Matthew McConaughey, America Ferrera, Yul Vazquez, and Ashlie Atkinson. Directed by Paul Greengrass.
REVIEW: The old saying that something “spread like wildfire” is brought to literal life by director Paul Greengrass and stars Matthew McConaughey and America Ferrera. Shot cinema verité style, “The Lost Bus’s” story of heroism amid the burning inferno of the 2018 California Camp Fire is an intense, you-are-there experience.
McConaughey is Kevin McKay, a struggling, divorced dad living in small town California. His son Shaun (Levi McConaughey) would rather live with McKay’s estranged wife, his elderly mother (played by McConaughey’s real-life mom Kay McCabe McConaughey) is in failing health, and even his dog is ill. His job as a school bus driver gives him barely enough hours to make ends meet.
When a spark from a downed power line erupts into an out-of-control wildfire, McKay is pressed into service. What begins as a straightforward pick-up of twenty-two kids and their teacher, Mary Ludwig (America Ferrera), becomes a life-and-death drive into the blazing heart of the inferno.
Greengrass’s restless camera is in constant motion as he captures the fiery action, but this isn’t an action film. Instead, it’s a horror film that casts the relentless fire as the monster. If you have ever wondered how a fire can spread so quickly, so intensely, wonder no more. Greengrass’s powerful images show the flaming rampage in vivid detail. From a spark to a living hell, you can almost feel the heat coming off the screen as the flames rapidly eat up everything in their path.
Driven by the intensity of the images, the movie is an immersive experience. Add to that the inherent peril for the kids on the bus who risk being cooked alive inside the 18-ton oven and you have relentless, high stakes storytelling.
Greengrass’s visuals are top shelf, urgent depictions of the hellish inferno so it’s unfortunate the dialogue and character development don’t keep pace. McConaughey’s McKay is all struggle and furrowed brows, but the character feels like a generic everyman hero plucked from a 90s-era disaster movie.
Made for Apple TV+, “The Lost Bus” will get a short run in theatres before moving to streaming, but Greengrass clearly had the big screen in mind when composing the film’s visuals. The epic nature of the film’s fire scenes may not translate well onto smaller screens.
SYNOPSIS: In “The History of Sound,” a historical romantic drama starring Paul Mescal and Josh O’Connor, and now playing in theatres, college students Lionel (Mescal) and ethnomusicologist David (O’Connor) begin a romantic relationship over a shared love of music. Separated by World War One, they rekindle their romance post war as they travel through Maine recording traditional folk songs for posterity.
CAST: Paul Mescal, Josh O’Connor, Chris Cooper. Directed by Oliver Hermanus.
REVIEW: There is very little actual action in “The History of Sound.” Scenes play out at their own tempo, the restrained performances quietly pushing the movie along at a very deliberate pace.
The film’s real action lies in the emotional fireworks of yearning that light up every frame. A meandering study of love found and lost; it is understated to a fault but remains compelling because of the chemistry between Paul Mescal and Josh O’Connor.
The beauty in their performances comes from what is left unsaid, what is implied between the two. The story is driven by looks of longing, self-contained emotions, long separations and stolen intimate moments between the two men. It gently dawdles along, punctuated by passionate performances of the folk songs that musically comment on the story.
The story is touched by tragedy, (NO SPOILERS HERE) but a soulful coda to the main story brings with it a sense of closure that is both bittersweet and beautiful. Set to a folk tune called The Silver Dagger—”Oh, who sits weeping on my grave, and will not let me sleep?”—ii is a powerful comment on the character’s (AGAIN NO SPOILERS HERE!) unresolved grief.
“The History of Sound” will be a bit too leisurely for some viewers, but, if you’re up for it, the deliberate pacing allows the audience to steep in the story, soaking up every nuanced moment between Mescal and O’Connor.
SYNOPSIS: In “Swiped,” a new biopic starring Lily James and now streaming on Disney+, Whitney Wolfe uses intelligence and tenacity to navigate the sexist world of the male-dominated tech industry on her way to becoming the world’s youngest self-made female billionaire.
CAST: Lily James, Dan Stevens, Myha’la, Jackson White, Ben Schnetzer, Pierson Fodé, Clea Duvall, Pedro Correa, Ian Colletti, Coral Peña. Directed by Rachel Lee Goldenberg.
REVIEW: The biopic “Swiped,” the story of tech visionary Whitney Wolfe (Lily James), who founded the online dating platform Bumble, swipes left when it comes to aspiring to being anything other than a Wikipedia page come to life on screen.
As formulaic as its subject is innovative, “Swiped” begins with Wolfe struggling to get a foot in the door of the tech industry. Before she was voted one of the “50 Women Who Are Changing the World” she as an aspiring tech guru whose big break came after a chance encounter with dating app entrepreneur Sean Rad (Ben Schnetzer).
Her input on the launch of dating app Tinder—she created the name and ignited interest for the app on college campuses—vaults her into the company’s executive suite and a relationship with company co-founder Justin Mateen (Jackson White).
When their relationship goes sideways, she leaves the company she helped make successful amid lawsuits and allegations of sexual harassment.
Leaving the misogyny of Tinder behind, she creates Bumble, a dating app that rights the wrongs of the Tinder experience and will eventually make her the world’s youngest female billionaire.
Lily James, who also produces, is fine in the lead role as an in-control woman who will not be overlooked by the men in her work life. She’s let down, however, by a paint-by-numbers script that touches on hot button topics like sexism and misogyny in the tech industry and the superficial nature of hook-up culture. Both are lobbed into the story mix but only in the most superficial of ways. What is meant to be a story of empowerment, innovation and resilience gets overshadowed by the film’s eagerness to inspire.
Lacking the drama of “The Social Network” or “Steve Jobs,” other films that have tread similar ground, “Swiped” is as standard as biopics get.