Richard Crouse

Ryan Reynolds has carved out a unique and profitable niche for himself on screen. The current king of the non-IP action comedy, he recently scored big hits with “Red Notice” and “Free Guy,” original movies not based on a comic book or existing videogame premise. This week, add to that list “The Adam Project,” a sci fi adventure flick now streaming on Netflix co-starring Mark Ruffalo and Jennifer Garner.

Adam Reed (Walker Scobell), a precocious thirteen-year-old living with his mother Ellie (Garner), is still stinging from the death of his father a year earlier. “Son, you need to think about your future,” Ellie says, “because it’s coming. Sooner than you think.”

In fact, it may have already arrived.

One day Adam finds a wounded fighter pilot hiding in his family’s garage. Turns out the stranger isn’t a stranger after all. He’s Adam (Reynolds) from the future; the grown-up version with a bullet hole in his side and a mission. “You’re me,” says the awestruck youngster. “That’s classified,” says older Adam, “but yes, I once was.”

The time traveller jumped back to 2022 to save the world, using information created by his late scientist father Louis (Ruffalo). To do complete the mission, he’ll need to jump back in time further, this time with young Adam at his side. First though, there is a time travelling villain (Catherine Keener) and the question of how to come to grips with the past while saving the future.

Time travel movies rarely ever make perfect sense, and “The Adam Project” is no different. Time may be a flat circle, and destined to repeat itself, but the cinematic machinations of jumping from year to year, of changing the past from the future, often make my head hurt and take me out of the story.

“The Adam Project” sneaks by, not because of its grasp of the paradox of theoretical physics, but because if the chemistry between Reynolds and his young co-star Scobell.

Reynolds, reunites with his “Free Guy” director Shawn Levy, brings his trademarked charisma and way with a joke, while Scobell, making his acting debut, is a natural foil. He is funny, charming and holds his own against Reynolds, arguably one of the best scene stealers in movies today.

They click and because they do, the movie works. The sci fi aspects of the story, the Stormtrooper-looking soldiers from the future or the noisy CGI climax, don’t make as much of an impression as the film’s heart and soul, the relations ship between the Adams and their father as they heal the wounds caused by their dad’s death.

“The Adam Project” threatens to allow the special effect fireworks to overshadow its story, but contains just enough heartwarming material to earn comparisons to the 1980s Amblin movies that were clearly an inspiration.