SYNOPSIS: Directed, written by and starring Kaniehtiio Horn, the revenge thriller “Seeds” sees Ziggy, a Toronto bike courier and Mohawk brand ambassador for Nature’s Oath Seed Corporation, called back to her rez to look after her aunt’s house. The happy homecoming is marred by spotty Wi-Fi—making it difficult for her to post on Instagram—and something more sinister that forces her to protect her family’s legacy, their stash of special corn, beans, and squash seeds.
CAST: Kaniehtiio Horn, Graham Greene, Patrick Garrow, Peter Keleghan, Dallas Goldtooth, Meegwun Fairbrother, Morgan Bedard, Josh Bainbridge, Dylan Cook, Cherish Violet Blood, Bonnie Whitley. Written and directed by Kaniehtiio Horn.
REVIEW: A revenge drama about legacy, genetic memory, social media and a cat named Potato, “Seeds” is a tense thriller that delivers its message with plenty of humor before the going gets gory.
Writer, star and director Horn starts things off on an optimistic note, as her character Ziggy signs a deal with a big company that will allow her to leave her bike courier gig and become an influencer full time. She establishes a light, breezy tone, clouded only by Ziggy’s anxiety about being on the rez Wi-Fi and her cousin’s (Dallas Goldtooth) ominous warning about the company she now represents. “They control the seeds to control the food to control the people,” he says. “They are the enemy.”
Soon though, strange things start happening in her aunt’s remote house. The place is ransacked and there are furtive shadows in doorways. The jump scares become real scares when the film’s themes begin to coalesce in the third act.
As Ziggy, Horn is motivated by a deep connection to her heritage, which manifests itself in the film’s grimly funny finale as she allows her “ancestor’s rage to take over.” No spoilers here, but the character becomes involved in a life-or-death situation, one that summons generations of wrath.
It’s memorable, but for my money, not quite hardcore enough. It is horrifying in its idea, but not exactly in its execution. Revenge movies like this trade on hyper violence, and, for once, I wanted this scene to be squishier.
Still, thematically, the finale works and is capped by a memorable final image.
At a quick 85 minutes “Seeds” features great performances— Graham Greene, as the host of a television true crime show who speaks to Ziggy in her dreams and Goldtooth are standouts—and succeeds both as a revenge drama and an expression of Indigenous legacy and power.
SYNOPSIS: In “Conclave,” a new drama now playing in theatres, Ralph Fiennes plays Cardinal Lawrence, the Dean of the Council of Cardinals, who must navigate intrigue and egos as he organizes the election of the successor to the deceased Pope.
CAST: Ralph Fiennes, Stanley Tucci, John Lithgow, Sergio Castellitto, and Isabella Rossellini. Directed by Edward Berger.
REVIEW: Director Edward Berger presents the sacred process of electing a new Pope with the intensity of a mystery thriller. It is a quiet movie, but you may well find yourself moving up to the edge of your seat as plumes of black smoke drift out of the chimney atop the Sistine Chapel.
“Conclave” has a hushed, restrained feel, but even though the characters all carry bibles as they walk the ecclesiastical halls, director Berger understands this story is more pulpy thriller than holy book. As such he imbues every scene with a sense of urgency that propels the action. Voices are rarely raised, and meaningful conversations happen in passionate whispers, but this spiritual process is ripe very human intrigue.
As Cardinal Lawrence, Fiennes is a pious man who has fallen out of love with the church as an organization. That places him in a delicate position as the lynchpin in the election of a new Pope, one that Fiennes conveys with a calm exterior but a roiling inner conversation. When he does let loose, and voice his trepidations, with one of several monologues, they are show stoppers and will certainly be noticed at Oscar time.
Fiennes is surrounded by fine performances from Sergio Castellitto as a conservative who wants the church to revert to pre-Vatican-II traditions,
Stanley Tucci as the polar opposite, a left leaning papal contender who says, “No sane man would want the papacy,” and moderates in the form of John Lithgow and Lucian Msamati. The wild card candidate is the enigmatic Benitez, a man secretly made a Cardinal by the Pope, played Carlos Diehz.
The dynamics between them gives the film a perspective on power and the thirst for it. “The men who are dangerous,” says Cardinal Bellini (Tucci), “are the ones who want the power.”
“Conclave” is a thriller about the choosing of a Pope that uses the secretive nature of the process to tell a mystery story, and deliver a timely message about the quest for power, which seems relevant in a US election year.
SYNOPSIS: Like The Boss’s best work, “Road Diary: Bruce Springsteen and the E Street Band,” a brand new doc now streaming on Disney+, has a good beat and you can dance to it, but closer examination reveals a deeper understanding of what make Bruce tick.
CAST: Bruce Springsteen, Steven Van Zandt, Jon Landau, Thom Zimny, Nils Lofgren, Patti Scialfa, Danny Federici, Roy Bittan, Garry Tallent, Max Weinberg, Clarence Clemons. Directed by Thom Zimny.
REVIEW: First and foremost, “Road Diary: Bruce Springsteen and the E Street Band” is a celebration of half a century of music and live shows. Archival footage of Springsteen thrashing around the stage like a spinning top is butted up against footage from the band’s recent US and European tour, captures the excitement of a lifetime of his live performances.
“I made a promise to myself that if I got through this,” Springsteen says of touring after the pandemic lockdowns, “I’d throw the biggest party I could,” and he did, in a worldwide tour captured by director Thom Zimny’s cameras.
And the good times roll, but while watching the 73-year-old Springsteen form these familiar songs into a carefully curated set list, it becomes clear he’s a man on a mission to tell a story, through the lyrics, that act as a treatise on mortality and an examination of a life spent making music. The cumulative effect is joyfully melancholic, a memorial to youth with a nod to mortality.
The doc’s more conventional aspects—the slightly self-congratulatory tone of some of the testimonials and the profiles of fans from around the world—feel unnecessary, but they are minor annoyances in a sincere movie that offers music fans interesting behind-the-scenes footage of the Springsteen’s creative process, the band blowing off the cobwebs after a six-year layoff from playing live and heartfelt tributes to dearly departed E-Streeters Clarence “Big Man” Clemons and organist Danny Federici.
There is plenty of fan service in “Road Diary: Bruce Springsteen and the E Street Band,” but it isn’t just about nostalgia. It’s about friendship, age, mortality and, as Springsteen says, playing music “until the wheels come off.”
I join NewsTalk 1010 host Jim Richards to talk about a new study published in The Journal of Psychology that suggest watching superhero movies will make the viewer more empathetic.
I’ll be doing an on-screen introduction for the 30th anniversary of “Clerks” at Cineplex’s Classic Film Series this May.
“Years after Kevin Smith used his four years of experience working as a clerk in New Jersey convenience stores as the basis for his first film, he told me, ‘I didn’t make ‘Clerks’ wondering what the critics would think. I made it because I wanted to see it. I wanted to see what it would look like.'”
“Smith says he was inspired by Richard Linklater’s “Slackers” to make movies, so much so, he enrolled at the Vancouver Film School. After just four months he decided to quit, thinking that making his own film was a better use of money…” Buy tickets HERE!
On the Saturday October 19, 2024 episode of The Richard Crouse Show we’ll meet director Ali Abbasi. His film “The Apprentice,” which is now playing in theatres, is a controversial coming-of-age look at Donald Trump’s early years under the mentorship of lawyer Roy Cohn. It paints a picture of the future president of the United States as an ambitious, if slightly awkward guy, who came to believe that there are only two kinds of people in the world, “killers and losers.” Ali Abbasi joined me on the phone to discuss his six year journey to getting this film made and released and much more.
Then, Elijah Wood stops by. He began his career as a child actor, appearing in everything from “Back to the Future II” to “Internal Affairs” opposite Richard Gere. He became an international star after playing Frodo Baggins in the acclaimed “Lord of the Rings” trilogy. His extensive filmography now includes “Bookworm,” an intriguing film about a 12-year-old named Mildred whose life is turned upside down when her mother lands in hospital and estranged, American magician father, Strawn Wise, played by Elijah Wood, comes to look after her. Hoping to entertain the bookish tween, Strawn takes Mildred camping in the notoriously rugged New Zealand wilderness, and the pair embark on the ultimate test of family bonding — a quest to find the mythological beast known as the Canterbury Panther. It’s a lovely film and it was lovely to speak with Elijah Wood about it and his secret regarding “Lord of the Rings.”
Finally, we’ll meet Jenny Heijun Wills. She was born in Seoul, South Korea, raised in Southern Ontario, and currently lives in Winnipeg, Manitoba. She is the author of Older Sister. “Not Necessarily Related.: A Memoir.” As a self-described transnational and transracial adoptee, she has spent her life navigating the space between ethnicity and belonging, a subject she tackles in her new book “Everything and Nothing at All.”
Each week on the nationally syndicated Richard Crouse Show, Canada’s most recognized movie critic brings together some of the most interesting and opinionated people from the movies, television and music to put a fresh spin on news from the world of lifestyle and pop-culture. Tune into this show to hear in-depth interviews with actors and directors, to find out what’s going on behind the scenes of your favourite shows and movies and get a new take on current trends. Recent guests include Chris Pratt, Elvis Costello, Baz Luhrmann, Martin Freeman, David Cronenberg, Mayim Bialik, The Kids in the Hall and many more!
All iHeartRadio Canada stations are available across Canada via live stream on iHeartRadio.caand the iHeartRadio Canada app. iHeartRadio Canada stations are also connected through Alexa, Siri, and Google Home smart speakers.
Fast reviews for busy people! Watch as I review three movies in less than a New York Minute! Have a look as I race against the clock to tell you about the horror flick “Smile 2,” the Michael Keaton drama “Goodrich” and the political satire “Rumours.”
SYNOPSIS: Andy Goodrich (Michael Keaton) always put work ahead of family. But now, with his once successful gallery is on the verge of collapse and his wife in rehab for ninety days, his self-centeredness must take a back seat to tending to his rocky relationship with pregnant adult daughter Grace (Mila Kunis) and his nine-year-old twins.
CAST: Michael Keaton, Mila Kunis, Andie MacDowell, Carmen Ejogo, Kevin Pollak, Poorna Jagannathan. Directed by Hallie Meyers-Shyer.
REVIEW: The success of “Goodrich” hinges on star Michael Keaton’s ability to milk humor and charm out of human drama. A wee bit sentimental, and more than a bit manipulative, the film is saved from melodrama by Keaton’s sure and steady hand.
The family drama emanates from the title character. During an argument, his grown daughter Grace calls him the “never available, never home, never ask you how are you? Goodrich,” and we see that guy, but we also see who he’s trying to be, and it is that arc that makes him, and the movie, interesting.
Keaton gives the character the cockiness of a man who is used to success, but as that fades, he becomes more appealing, more aware of his failures as a father and a person. He quotes a Buddhist saying about how the measure of a life can be tallied in how much you’ve loved, how gently you’ve lived and how gracefully you let go of things that weren’t meant for you. He botched all three but wants to make amends.
It’s not a new story but Keaton draws us in because he’s willing to change, particularly in the relationship with Grace.
“Goodrich” is a slight movie that tries hard to pull at your heartstrings. A little too hard perhaps, but the scenes between Goodrich and Grace do offer some unexpectedly hard-hitting moments. “I am then only person who loves you as much as you love yourself,” she says and her words land like a slap in the face.
Ultimately, Goodrich discovers that it is the small things in life that matter, and that everything, from a sunrise to the smile on your Grace’s face can be art, not just the artwork he devoted his life to. Simple messages but delivered with the kind of heartfelt conviction and mix of comedy and drama that recalls Keaton’s earlier work in films like “Mr. Mom.”
SYNOPSIS: In “Smile 2,” a new horror film now playing in theatres, strange happenings plague pop star Skye Riley on the eve of her world tour. As people around her die, their faces twisted into a horrifying “happy face” rictus, she digs deep to confront her dark past so she can get control and move forward.
CAST: Naomi Scott, Rosemarie DeWitt, Lukas Gage, Miles Gutierrez-Riley, Peter Jacobson, Raúl Castillo, Dylan Gelula, Ray Nicholson, Kyle Gallner. Written and directed by Parker Finn.
REVIEW: Even if you’re not a fan of sequels, “Smile 2,“ the follow up to 2022’s “Smile,“ should turn your frown upside down.
The story of a metaphysical being that clings to a host – in this case a popstar named Skye Riley, played by a terrific Naomi Scott – asks some questions – What is real and what is not? Does a vomit leave DNA behind?– and delivers some truly creepy and inventive psychological thrills.
“Smile 2” specializes in jump scares, but director Parker Finn also stages several memorable scenes of psychological terror. A face that suddenly evokes Skye’s car accident is an unexpectedly cool image, but it’s a sequence of her persecution through her home that brings true horror. Staged somewhere between a mass zombie attack and a Broadway dance number, it’s one of the film’s best scenes.
Added to that are some very funny moments – mostly courtesy of Dylan Gelula as Gemma– that provide breaks from the mounting tension.
As Skye’s BFF Gemma, Gelula brings relatable, charm, while Ray Nicholson, as the pop singer’s deceased boyfriend does a very credible impression of his famous father Jack’s “Shining“ era.
Scott, however, Is the film’s MVP. On screen for 99% of the runtime, she sells the terror of someone who can’t be sure what is real and what is not.
The extreme ending may suffer by comparison to the recently released “The Substance,” but caps the movie with a sequence that’ll keep the gore hounds happy.
“Smile 2” is the rare sequel that outdoes the original, and actually made me curious about where the franchise—and if it makes bank this weekend, it will become a franchise—will go next.
