Taika Waititi’s “Jojo Rabbit,” based on the book “Caging Skies” by Christine Leunens, is an anti-hate satire pitched somewhere between “The Death of Stalin” and “Hogan’s Heroes.” The director of “Thor: Ragnarok” and “What We Do in the Shadows” takes some liberties with the book, even conjuring images of Adolph Hitler, but holds true to the book’s exploration of the dark heart of obsession.
Set in World War II-era Germany, the movie stars newcomer Roman Griffin Davis as Jojo “Rabbit” Betzler a ten-year-old and member of his local Hitler Youth group. The youngster is discovering the world and making decisions about his place in it. That includes embracing Nazism and all its ugly ideology. “He’s a fanatic,” says his mother Rosie (Scarlett Johansson). “It took them three weeks to get over that his grandfather was not blonde.”
Jojo has even created an imaginary friend in the form of Adolph Hitler (Waititi) who provides the kind of encouragement his absent father isn’t able to. “You’re the bestest, nicest, most loyal little Nazi I’ve ever seen.”
What Jojo doesn’t know is that his mother is working with the Resistance and is hiding Elsa, a young Jewish girl (Thomasin McKenzie) in their attic. The discovery of Elsa makes Jojo confront his belief system and a set of feelings as he comes of age.
“Jojo Rabbit” is going to polarize people. Some will see a film that simply treats Nazis as goofy caricatures and not the malevolent force of evil they were/are. Others may be offended by the use of extreme racial stereotypes for satirical effect. Waititi takes no prisoners on either account although he ends the movie with a clear and uncut message from poet Rainer Maria Rilke that, for some, will bring everything into focus. “Let everything happen to you / Beauty and terror / Just keep going / No feeling is final.”
“Jojo Rabbit’s” exploration of the power of love’s ability to defeat fascism, no matter how farcical, is a powerful message, particularly in our increasingly cynical age. It’s an uneven film, indulgent at times, but between the laughs are some very effective moments.
As usual Waititi’s ear for music adds much to the experience. “Komm, gib mir deine Hand” the German language version of “I Want to Hold Your Hand” fills the soundtrack as images of Hitler Youth pumping their fists in the air fill the screen, providing a brilliant and subversive comparison of two kinds of fanaticism, Beatlemania and National Socialism. Later David Bowie’s “Helden” (“Heroes”) provides a sentimental blast as the final credits roll.
“Jojo Rabbit” isn’t simply an anti-hate movie as the ads say. More importantly, it’s a pro-love movie. The darkness inherent in the story is filtered through the experience of a ten-year grappling with concepts he simply doesn’t understand. Lonely and shy about a scar on his face (“He looks like a Picasso painting,” says Rebel Wilson as an instructor in the Hitler Youth camp) he looks to the Hitler Youth and their perverted ideas because they will accept him. As Elsa says, “You’re not a Nazi, Jojo. You’re a 10-year-old kid who likes dressing up in a funny uniform and wants to be part of a club.” Viewed through that lens the story becomes one of a misguided, ignored child simply looking for a home. In the end he discovers change is possible; that there is much more to life than hate.
The fourth episode of season five of “Pop Life,” features an in-depth interview with YouTube sensation Gigi Gorgeous. The social media star opens up about being true to yourself. Then the “Pop Life” panel, SiriusXM Canada’s Top Comic competition winner Chanty Marostica, actor, writer, comedian Darryl Hinds and powerhouse singer Divine Brown, on dealing with adversity and making their mark for being unique while fighting convention.
Catch this episode HERE or any others you may have missed HERE!
Film critic and pop culture historian Richard Crouse shares a toast with celebrity guests and entertainment pundits every week on CTV News Channel’s all-new talk show POP LIFE.
Featuring in-depth discussion and debate on pop culture and modern life, POP LIFE features sit-down interviews with celebrities from across the entertainment world, including rock legends Sting and Meat Loaf, musicians Josh Groban and Sarah Brightman, comedian Ken Jeong, writer Fran Lebowitz, superstar jazz musician Diana Krall, stand-up comedian and CNN host W. Kamau Bell, actors Danny DeVito and Jay Baruchel, celebrity chefs Bobby Flay and Nigella Lawson, and many more.
On the fourth episode of season 5 the “Pop Life” panel, SiriusXM Canada’s Top Comic competition winner Chanty Marostica, actor, writer, comedian Darryl Hinds and powerhouse singer Divine Brown, on dealing with adversity and making their mark for being unique while fighting convention.
Watch this episode or catch up on any you may have missed HERE!
Film critic and pop culture historian Richard Crouse shares a toast with celebrity guests and entertainment pundits every week on CTV News Channel’s all-new talk show POP LIFE.
Featuring in-depth discussion and debate on pop culture and modern life, POP LIFE features sit-down interviews with celebrities from across the entertainment world, including rock legends Sting and Meat Loaf, musicians Josh Groban and Sarah Brightman, comedian Ken Jeong, writer Fran Lebowitz, superstar jazz musician Diana Krall, stand-up comedian and CNN host W. Kamau Bell, actors Danny DeVito and Jay Baruchel, celebrity chefs Bobby Flay and Nigella Lawson, and many more.
The fourth episode of season five of “Pop Life,” features an in-depth interview with YouTube sensation Gigi Gorgeous where the social media star opens up about being true to yourself.
Film critic and pop culture historian Richard Crouse shares a toast with celebrity guests and entertainment pundits every week on CTV News Channel’s all-new talk show POP LIFE.
Featuring in-depth discussion and debate on pop culture and modern life, POP LIFE features sit-down interviews with celebrities from across the entertainment world, including rock legends Sting and Meat Loaf, musicians Josh Groban and Sarah Brightman, comedian Ken Jeong, writer Fran Lebowitz, superstar jazz musician Diana Krall, stand-up comedian and CNN host W. Kamau Bell, actors Danny DeVito and Jay Baruchel, celebrity chefs Bobby Flay and Nigella Lawson, and many more.
This week on The Richard Crouse Show: Dave Hill is a comedian, writer, musician, actor, radio host, and man-about-town originally from Cleveland, Ohio but now living in New York City. He is also one quarter Canadian, thanks to his grandfather… and has always had a fascination with Canada, a fascination he explores in his new book “Parking the Moose.”
Each week on the nationally syndicated Richard Crouse Show, Canada’s most recognized movie critic brings together some of the most interesting and opinionated people from the movies, television and music to put a fresh spin on news from the world of lifestyle and pop-culture. Tune into this show to hear in-depth interviews with actors and directors, to find out what’s going on behind the scenes of your favourite shows and movies and get a new take on current trends. Recent guests include Ethan Hawke, director Brad Bird, comedian Gilbert Gottfried, Eric Roberts, Brian Henson, Jonathan Goldsmith a.k.a. “The most interesting man in the world,” and best selling author Linwood Barclay.
Click HERE to catch up on shows you might have missed!
“Greener Grass,” a new comedy from the Upright Citizens Brigade writing-directing team of Jocelyn DeBoer and Dawn Luebbe, is a portrait of the suburbs as seen through a surrealistic lens.
Set in an unnamed Midwestern Stepfordian suburb, the place looks familiar but feels like an alternate universe. There are no cars, (everyone gets around by golf cart), the adults all have braces (although none of the kids do) and the couples dress in complimentary pastel colors. Strange? Yes, but no weirder than the opening scene when passive aggressive Lisa (Luebbe) convinces her best friend Jill (DeBoer) to give hand over her newborn baby Madison. Like forever. “Take her,” Jill says. “We’ve had her since she was born.”
It sets the heightened tone of what’s to come. Later Jill’s son Julian (Julian Hilliard) turns into a dog, husbands are swapped and, because why not?, there’s a killer on the loose. A look at the idealized lives we try to present to the world with happy, smiling faces, “Greener Grass” mines the absurdity of keeping up with the Jones for searing social commentary on materialism and our perceptions of success and even the media (check out what happens to the boy who watches a TV show called “Kids With Knives”).
DeBoer and Luebbe keep things lively with surrealistic and awkward humor, never straying from the absurd tone established in the film’s opening moments. Imagine a mix of David Lynch’s soft suburban underbelly and the fearlessness of John Waters and you get an idea of the brand of satire on display. It occasionally feels like a series of skits strung together by theme but even then, it’s so refreshingly unusual, so grounded in the world DeBoer and Luebbe have created and so smart, it earns a recommendation, particularly if you are a fan of midnight movies.
The third episode of season five of “Pop Life,” features an in-depth interview with John Lennon’s personal photographer Bob Gruen. The legendary photographer opens up about taking famous pictures of every rock ‘n roll star from David Bowie and Led Zeppelin to The Clash and The Sex Pistols. Then the “Pop Life” panel, Canada’s most renowned celebrity photographer George Pimentel, photojournalist Richard Lautens and artistic content creator and photographer Elie Jonathan Kimbembe, discuss how to get the perfect shot.
Watch this episode HERE or catch up on any shows you may have missed HERE!
Film critic and pop culture historian Richard Crouse shares a toast with celebrity guests and entertainment pundits every week on CTV News Channel’s all-new talk show POP LIFE.
Featuring in-depth discussion and debate on pop culture and modern life, POP LIFE features sit-down interviews with celebrities from across the entertainment world, including rock legends Sting and Meat Loaf, musicians Josh Groban and Sarah Brightman, comedian Ken Jeong, writer Fran Lebowitz, superstar jazz musician Diana Krall, stand-up comedian and CNN host W. Kamau Bell, actors Danny DeVito and Jay Baruchel, celebrity chefs Bobby Flay and Nigella Lawson, and many more.
On the third episode of season 5 the “Pop Life” panel, Canada’s most renowned celebrity photographer George Pimentel, photojournalist Richard Lautens and artistic content creator and photographer Elie Jonathan Kimbembe, discuss how to get the perfect shot.
Watch this episode or catch up on any you may have missed HERE!
Film critic and pop culture historian Richard Crouse shares a toast with celebrity guests and entertainment pundits every week on CTV News Channel’s all-new talk show POP LIFE.
Featuring in-depth discussion and debate on pop culture and modern life, POP LIFE features sit-down interviews with celebrities from across the entertainment world, including rock legends Sting and Meat Loaf, musicians Josh Groban and Sarah Brightman, comedian Ken Jeong, writer Fran Lebowitz, superstar jazz musician Diana Krall, stand-up comedian and CNN host W. Kamau Bell, actors Danny DeVito and Jay Baruchel, celebrity chefs Bobby Flay and Nigella Lawson, and many more.
Richard sat down with “Gemini Man” director Ang Lee for CTV NewsChannel. The pair discuss the technological challenges in making the film, including creating a “clone” of Will Smith.
RC: What you have here in this film, and this doesn’t give anything awa,y but there is Will Smith at his current age, 50, or 51, that’s the joke in the film, fighting against his 23 year old self. You’ve created a computer generated image. So that means I guess you had to shoot everything twice,
Ang Lee: There were endless measurements to put everything together and a lot of efforts in the post. 500 artists, working for a year.
RC: There are technical challenges in this film that, it occurs to me, just made it a harder film to make. Let’s talk about the frame rate, a little bit, this sounds kind of technical but really what it is, instead of shooting at 24 frames a second, you’re shooting 60 which makes everything look really realistic. But there’s no place to hide. Right. Is it a more complicated process for you as a director?
AL: Of course, because that’s something new to us. The equipment is doesn’t quite accommodate it. It’s not as not handy. It is very clumsy in operation. To raise the frame raise is just raise it to normal for 3D. I think 3d, because your perceptions is sharper, it is more like real life. It’s less tolerable to the strobe, which we actually learn to like in the past. So this is something else is uncomfortable zone but but it is exciting because it’s a new experience.
RC: There’s not so much CG in Brokeback Mountain, but you do use CGI in your other films. Do you just see it as another tool in your toolbox as a filmmaker?
AL: Yeah, ironically, I’m a really low tech I am like really down when it comes to that. Ask the experts. I ask the smart guys to figure out for me how I can see certain things and pursue images that do things to you.
RC: I would think at some point it becomes less about the storytelling. At a certain point and then more about what we have to make sure that the eyeline is right and we have to make sure that when you’re dealing with such technology, how do you as a director as a storyteller as someone who says you’re, you’re not so technologically minded. Keep your enthusiasm up for a project like that,
AL: If it doesn’t look right get scared. You’re making a mess and people are spending a lot of money on it. Also you just want to see that image, how it plays. So naturally, is painstaking, and hopefully we’ll go through there so the audience don’t go through the same thing. They’re just enjoy the picture, and don’t think about that. The visual effects people will tell you that. Ironically, it’s the best compliment they can get is that people don’t know is they had a hard time.
Taika Waititi’s “Jojo Rabbit,” based on the book “Caging Skies” by Christine Leunens, is an anti-hate satire pitched somewhere between “The Death of Stalin” and “Hogan’s Heroes.” The director of “Thor: Ragnarok” and “What We Do in the Shadows” takes some liberties with the book, even conjuring images of Adolph Hitler, but holds true to the book’s exploration of the dark heart of obsession.
