This week on a “Pop Life” encore presentation Canadian soprano Measha Brueggergosman is our feature guest. The opera singer opens up about life-changing moments and what it means to her to have a ‘full’ life. Then the panel, musician Royal Wood, Michelle Casimiro and Dr. Greg Wells, open up about creating a life you want.
Film critic and pop culture historian Richard Crouse shares a toast with celebrity guests and entertainment pundits every week on CTV News Channel’s talk show POP LIFE.
Featuring in-depth discussion and debate on pop culture and modern life, POP LIFE features sit-down interviews with celebrities from across the entertainment world, including rock legends Sting and Meat Loaf, musicians Josh Groban and Sarah Brightman, comedian Ken Jeong, writer Fran Lebowitz, superstar jazz musician Diana Krall, stand-up comedian and CNN host W. Kamau Bell, actors Danny DeVito and Jay Baruchel, celebrity chefs Bobby Flay and Nigella Lawson, and many more.
On an encore presentation of “Pop Life” the panel, musician Royal Wood, Michelle Casimiro and Dr. Greg Wells, open up about life-changing experiences and creating a life you want. Be sure to catch the full discussion, Saturday at 8:30 p.m. ET on CTV News Channel and Twitter and at midnight on CTV.
Film critic and pop culture historian Richard Crouse shares a toast with celebrity guests and entertainment pundits every week on CTV News Channel’s talk show POP LIFE.
Featuring in-depth discussion and debate on pop culture and modern life, POP LIFE features sit-down interviews with celebrities from across the entertainment world, including rock legends Sting and Meat Loaf, musicians Josh Groban and Sarah Brightman, comedian Ken Jeong, writer Fran Lebowitz, superstar jazz musician Diana Krall, stand-up comedian and CNN host W. Kamau Bell, actors Danny DeVito and Jay Baruchel, celebrity chefs Bobby Flay and Nigella Lawson, and many more.
This week on a “Pop Life” encore presentation Canadian soprano Measha Brueggergosman is our feature guest. The opera singer opens up about life-changing moments and what it means to her to have a ‘full’ life.
“When I pray for my life to be full it means full of all of the things that make life interesting,” says Brueggergosman. “The people who leave you should not be there and the losses that you suffer are meant to break you through to a larger capacity, a larger capacity for patience for grief or loss. Those are the ingredients that actually build an interesting character; a character that can withstand the storms.”
Film critic and pop culture historian Richard Crouse shares a toast with celebrity guests and entertainment pundits every week on CTV News Channel’s talk show POP LIFE.
Featuring in-depth discussion and debate on pop culture and modern life, POP LIFE features sit-down interviews with celebrities from across the entertainment world, including rock legends Sting and Meat Loaf, musicians Josh Groban and Sarah Brightman, comedian Ken Jeong, writer Fran Lebowitz, superstar jazz musician Diana Krall, stand-up comedian and CNN host W. Kamau Bell, actors Danny DeVito and Jay Baruchel, celebrity chefs Bobby Flay and Nigella Lawson, and many more.
“Jeff Barnaby’s story of a world ravaged by zombies except for an isolated Mi’gmaq reserve promises both solid horror and insightful social commentary.” — Richard Crouse, host of CTV’s Pop Life. (Wild card: The Burnt Orange Heresy)
Richard fills in for Barb DiGiulio on NewsTalk 1010’s The Nightside. Richard speaks to Rotten Tomatoes Editor-In-Chief Joel Meares on how his company is helping a more diverse group of film critics be heard.
Richard fills in for Barb DiGiulio on NewsTalk 1010’s The Nightside. Richard takes calls on the happy ending to the story of a woman who forgot her husband after a traumatic brain injury.
When we first meet twenty-eight-year-old Brittany (Jillian Bell) she’s at a low point in her life. Broke and unhappy, she drinks away her morning hangovers and is so unreliable an animal kill shelter rejects her adoption request because they don’t feel she can give the dog the future it deserves.
When her doctor (Patch Darragh) tells her she has a high BMI, placing her firmly in the obese category, she wisecracks, “I feel you completely missed the point of those Dove commercials,” but the news has an effect.
Feeling crappy, an influenced by her upstairs neighbour Catherine (Michaela Watkins) she decides to make some dramatic life changes. “I’m starting to feel like everyone’s life is going somewhere and mine isn’t,” she says.
Step one is exercise. She tries to sign up at a local gym but can’t afford the monthly fee. “I see under your fitness goals you have drawn a frowny face,” says her recruiter (Mikey Day). Instead she takes tentative steps that turn into a run through the streets around her walk-up apartment. With the help of new running friends Catherine, who is changing her life post-divorce and Seth, and Seth (Micah Stock) a novice athlete who wants to run the 26.2-mile New York Marathon to prove to his son it can be done. Together they train with the mantra, “We don’t have to win,” they say, “we just have to finish.”
She’s taking back her life, one block at a time but weeks before the big run Brittany is sidelined, forcing her to examine the deeper reasons she needed to change her life and begin to focus on the things she can control.
There’s a quick shot of Rocky Balboa, another great underdog who transformed through sheer will, in the film’s Philadelphia section. The comparison is apt. Both movies are underdog tales that transcend the sports on display. On the surface “Rocky” is about boxing, just as “Brittany Runs a Marathon” is about running but both have larger themes that examine dissatisfaction, respect, ambition and family. These universal themes, coupled with winning performances from the cast, particularly Bell and Utkarsh Ambudkar as Brittany’s sorta-kinda boyfriend Jern, and big laughs make “Brittany Runs a Marathon” more than an inspirational sports film. It digs deep and the story packs an unexpected emotional punch as it uplifts.
The statistics are familiar but still astounding. Take for instance the Academy Awards. In the ninety-year history of the Oscars only five women have been nominated in the director category and only one, Kathryn Bigelow, has taken a statue home. 85% of 2018’s Top 100 films were written by men. Women represent only one fourth of lead characters on the big-screen. A new documentary, “This Changes Everything,” showcases the statistics that show the female bias in Hollywood’s old boy network, but the film works best when telling the stories direct from the mouths of the women whose careers have been directly affected.
Using archival footage and interviews with a-listers like Meryl Streep, Natalie Portman, Taraji P. Henson, Reese Witherspoon and Cate Blanchett, people who have been “otherized by men,” plus director Maria Giese, showrunner Shonda Rhimes and producer Lauren Shuler Donner, the film is a first-hand account of decades of discrimination.
Director Tom Donahue uses graphs and pie-charts to present the cold hard data but the movie’s beating heart is in its testimonials.
Tiffany Haddish recalls the sense of empowerment she felt watching a fight scene between “Dynasty’s” Alexis Carrington (Joan Collins) and Dominique Deveraux (Diahann Carroll). “This is the first time I saw a Black woman with money, wearing diamonds. She’s having conversations with white women like she’s not even Black. She slapped this white woman so hard and they wrestled. I was like, ‘What!’ She didn’t even go to jail.
Chloe Grace Moretz looks back at the making movies as a teenager. On one shoot her wardrobe included breast enhancement “chicken cutlets.” At just fourteen she realized that the industry saw her as an “actress” rather than an actor. It was a self-esteem destroying exercise in being regarded as an object of male gaze rather than performer.
Oscar winner Geena Davis, founder of the Geena Davis Institute on Gender in Media, discusses her examination into gender inequality in Hollywood and the steps she has taken to generate the data that can affect industry-wide change. “I had been awakened to how women were portrayed in the media,” she says. “I realized we give them so few opportunities to feel inspired by the female characters.”
The presentation of the information is basic, talking heads, title cards and charts, but its retelling of the legal fights by the ACLU and DGA for equality coupled with the women’s personal stories make for a fascinating and compelling lesson.
“This Changes Everything’s” title is a tongue-in-cheek reference to the industry’s mantra that every successful female aimed project will lead to sweeping change. As the film makes perfectly clear that progress is being made, but there is still has a long way to go. “It is time for our business to wake up and realize it is good economics as well as the right thing to do,” says Witherspoon.