Archive for December, 2015

CP24: Richard’s gives Spoiler Free “Star Wars: The Force Awakens” review

Screen Shot 2015-12-17 at 1.36.04 PMRichard’s spoiler free CP24 “Star Wars: the Force Awakens” review on CP24.

Watch the whole thing HERE!

 

 

CTV News at Noon: “The Force Awakens” has Canadian premier!

Screen Shot 2015-12-16 at 4.24.09 PMRichard chats with the CTV “News at Noon” about “Star Wars: The Force Awakens.”

Watch the whole thing HERE!

Check out Richard’s “Star Wars: The Force Awakens” review in today’s Metro!

Screen Shot 2015-12-16 at 6.17.25 AMCheck out Richard’s “Star Wars: The Force Awakens” review in today’s Metro!

STAR WARS: THE FORCE AWAKENS: 4 ½ STARS. “it’s a blast, nostalgic and otherwise.”

Screen Shot 2015-12-13 at 10.54.44 AMThere’s good news for Star Wars fans. The initials in director J.J. Abrams’s name definitely do not stand for Jar Jar. His take on the “Star Wars” universe does everything the much-maligned prequels did not; that is it focuses on character and adventure not treaties or political dealings. It delivers a nostalgic blast while at the same time offering a new hope that the series can be freshened up.

Set thirty years after “Star Wars: Episode VI – Return of the Jedi” and the defeat of the Galactic Empire, “The Force Awakens” sees Han Solo (Harrison Ford), Chewbacca (Peter Mayhew) and a new set of allies—including scavenger Rey (Daisy Ridley), Finn (John Boyega) an AWOL Stormtrooper and budding resistance fighter, daredevil pilot Poe Dameron (Oscar Isaac) and the lovable basketball-shaped droid BB-8—battle against “a dark shadow spreading across the galaxy,” Darth Vader wannabe Kylo Ren (Adam Driver). They all have one goal in common, to locate missing Jedi Knight Luke Skywalker (Mark Hamill).

That’s it, just a barebones synopsis with no spoilers. I’m going to leave you to discover “Star Wars: The Force Awakens” with fresh eyes because for the first time in over thirty years there is a “Star Wars” movie that delivers the same kind of wide-eyed joy as Lucas last delivered when Luke still had two hands.

Abrams gets away from the political bafflegab that made the prequels such a chore. Instead he returns to the basics, good vs. evil, fathers and sons, keeping it on track as an action-adventure with great characters.

Rey is the female lead everyone has been waiting for Marvel to make a movie about. Abrams beat them to the punch. She’s powerful, human, self sufficient—“Don’t take my hand,” she snarls at Finn as he tries to lead her to safety—and would never even consider wearing a gold bikini.

As a Stormtrooper who finds redemption Finn is the catalyst for much of the film’s action. He’s a little bit goofy, a lot brave and in over his head but because he thinks with his heart and not his head he’s a welcome, charming presence.

Poe Dameron has the swagger of a young Han Solo while BB-8 has personality plus and purrs like a cat. Kylo Ren, on the other hand, is a robed evildoer prone to childish temper tantrums.

Connecting these new characters to the universe are legends from the past, Han Solo, Chewbacca and Leia (Carrie Fisher).

Teaming Solo, Chewie and the Millennium Falcon provides an undeniable nostalgic rush but they are here as more than just cameos to pay tribute to the past. Ford’s Spencer Tracy-esque vibe allows him the gravitas to utter lines like “The galaxy is counting on us,” while sidekick Chewie says much without actually speaking words. Leia has a smaller role, but it’s a blast to see Ford and Fisher, both looking age appropriate, together again.

Their first meeting exemplifies the movie’s playful tone. “You’ve changed your hair,” Hans says to his old flame, noticing her famous bagel hair buns are gone. What could have been a grand reunion is underplayed and instead the call back to the past is presented as a warm moment between two old friends.

It’s that kind of warmth and humanity that separates “The Force Awakens” from other big budget blockbuster entertainment. The finale is big and loud like the Marvel movies but unlike “The Avengers” films Abrams keeps the emotional core alive right up until the end. It’s the right mix of space-opera-cool and character that will please the hard-core fans that see this as just another piece of a much larger puzzle but also works as a standalone story as well.

“Star Wars: The Force Awakens” is a blast, nostalgic and otherwise.

Canada AM: ‘Daddy’s Home’: Funny man Will Ferrell back with a new flick

Screen Shot 2015-12-15 at 4.32.25 PMRichard and Will Ferrell chat about the new movie “Daddy’s Home,” drinking at the Stay Classy, the world’s only Will Ferrell themed bar and whether or not he’ll be back on “SNL” doing his George W. Bush routine!

Watch the whole thing HERE!

RICHARD’S WEEKEND MOVIE REVIEWS FROM CP24! FRIDAY DECEMBER 11, 2015.

Screen Shot 2015-12-11 at 2.17.15 PMRichard’s “Canada AM” reviews for the new releases “In the Heart of the Sea” with Chris Hemsworth, Cate Blanchett and Rooney Mara in “Carol,” Eddie Redmayne in “The Danish Girl” and “Youth” with Michael Caine!

Watch the whole thing HERE!

RICHARD’S “CANADA AM” REVIEWS FOR DECEMBER 11 WITH TEDDY WILSON.

Screen Shot 2015-12-11 at 2.21.13 PMRichard’s “Canada AM” reviews for the new releases “In the Heart of the Sea” with Chris Hemsworth, Cate Blanchett and Rooney Mara in “Carol” and Eddie Redmayne in “The Danish Girl.”

Watch the whole thing HERE!

Metro: Chris Hemsworth lost 33 pounds for In the Heart of the Sea

Screen Shot 2015-12-07 at 10.23.33 AMBy Richard Crouse – Metro In Focus

In the Heart of the Sea features less of Chris Hemsworth than we’ve seen on screen before. He’s in virtually every scene,  but for much of the film the usually bulked up Thor star is set adrift in a raft, starving and physically much less imposing than usual.

The movie is an old-fashioned whale of a tale. Literally.

Based on the true story said to have inspired Moby Dick, it’s about whalers battling not only repeated assaults from the one whale who fought back, but also malnourishment and dehydration.

At sea for three months in tiny whaleboats the men are pushed to the edge of sanity, taking drastic steps to survive.

To convincingly play a starving sailor Hemsworth trimmed 33 pounds off his already toned 6’2 3/4” frame.

“My crazy diet would make you pass out from exhaustion,” he said.  At certain points he was eating just 500 or 600 calories — that’s less than a combo lunch meal at most fast-food places — in the form of a boiled egg, two crackers and a celery stick a day.

Hemsworth and his underfed cast mates passed away the time with conversations “about our favourite foods and what we would eat when we finished the film.”

The actor says losing that amount of weight isn’t something he’d like to do again, but adds, “by those final sequences when we were supposed to be exhausted and emotional. We were feeling that way off screen too, so it helped.”

Dramatic weight loss isn’t new — actors have been yo-yo dieting for roles for years — but doctors say rapid body mass reduction can lead to malnutrition, maladies like gallstones and worse. In other words, as Christian Bale who dumped 60 pounds for his role in The Machinist says, “It ain’t great for your health.”

Still, actors take on dramatic diets to aid in their dramatic work. Anne Hathaway dropped 25 pounds by food deprivation and exercise to make Les Miserables while Matthew McConaughey survived eating only Diet Coke, egg whites and a piece of chicken a day to play AIDS patient Ron Woodroof in Dallas Buyers Club. According to The Playlist he stopped dieting when “people stopped asking if he was all right and started suggesting he seek help.”

Just as common are actors who gain weight. Russell Crowe gained 63 pounds to play a CIA bigwig in Body of Lies, George Clooney gained 35 pounds for Syriana and Renee Zellweger gained 30 pounds for Bridget Jones’s Diary, lost it, only to regain it for the sequel.

Jared Leto who lost 40 pounds to play Rayon in Dallas Buyer’s Club, gained 67 pounds for the film Chapter 27 by drinking melted pints of chocolate Haagen Dazs ice cream mixed with olive oil and soy sauce “to get me bloated even more.”

Why do actors alter their bodies? Some call it dedication  while cynics suggest it’s an easy Oscar. Physical transformations (plus acting talent) brought Robert DeNiro, Charlize Theron and McConaughey to the winner’s circle.

But some actors have sworn off manipulating their weight. Jim Carrey turned down a role in the Three Stooges biopic that would have required him to gain 40 to 50 pounds and Tom Hanks blames gaining and losing weight for roles with him developing Type 2 diabetes.

“I’ve talked to a number of actors who have gained weight for roles and — just out of the sheer physical toll on one’s knees and shoulders — no-one wants to do it again,” he told the BBC.