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THE KING TIDE: 3 ½ STARS. “atmospheric parable of dependence and desperation.”

An atmospheric parable of dependence and desperation, “The King Tide,” a new Newfoundland and Labrador thriller now playing on theatres, uses an extraordinarily gifted character to reveal basic human nature.

Set on a remote island off the coast of Newfoundland and Labrador, the story begins as an infant washes up on shore after a ship wreck. Rescued by the town’s mayor Bobby Bentham (Clayne Crawford), the child is named Isla (Alix West Lefler) and adopted by the mayor and his wife Grace (Lara Jean Chorostecki).

That Isla survived is miraculous, but even more astonishing are the powers of healing and prosperity she brings to the town. In her first ten years on the island, people are healed of everything from hangovers to serious injuries and illnesses. Crops thrive and when she dips her hand in the water, fish are drawn to her, making for easy catching. Her influence profoundly changes the community, allowing them freedom from the constraints that come from being part of the mainland.

But things change when she is unable to save a local girl. Traumatized, Isla’s powers disappear, leaving the community divided as to how to move forward. Is Isla the responsibility of Bobby and Grace, or is she responsible for the betterment of the community?

A slow burn, “The King Tide” uses Isla’s magical gifts as a catalyst for a larger story. Director Christian Sparkes knows “The King Tide” isn’t about Isla per se, but about the community’s reaction to her and how fragile some belief systems are in the face of upheaval. As such, he carefully builds a very specific world in which this isolated microcosm of society exists. But in its specificity, it becomes a universal story about the lengths people will go to preserve their way of life.

Insightful and unsettling, it brings with it a sense of foreboding that covers the movie like a shroud as it works its way to a rushed, but compelling climax.

“The King Tide” features fine performances and has atmosphere to burn, but it is in its examination of the dangers of protectionism and self-interest that it is most effective.


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