THE CREATOR: 3 ½ STARS. “values emotional fireworks more than spectacle.”
Despite citing everything from “Apocalypse Now” and “Blade Runner” to “District 9” and “Paper Moon” as influences for his new sci fi epic “The Creator,” director Gareth Edwards has made a strikingly original film that doesn’t feel derivative.
Set in 2065, a decade long war between humans and artificial intelligence continues unabated.
“Ten years ago today, the artificial intelligence, created to protect us, detonated a nuclear warhead in Los Angeles. For as long as AI is a threat, we will never stop hunting them. This is a fight for our very existence.”
When the architect of AI, The Creator, builds an unstoppable weapon that could control all technology, recently widowed special forces agent Joshua (John David Washington) and his team are brought in to find and retrieve the weapon.
“Our mission is to find the weapon designated Alpha O,” says Colonel Howell (Allison Janney). “You are authorized to kill on sight.”
Behind enemy lines on occupied AI territory, they discover the deadly weapon is actually an AI in the form of a small child named Alphie (Madeleine Yuna Voyles).
“We are close to winning the war,” says General Williams. “Execute her, or we go extinct.”
There is a lot happening in “The Creator.” It is an ambitious allegory for oppressed minorities and American imperialism, but above all it is soulful sci fi.
Visually, director Edwards looks to “District 9” and “Apocalypse Now” for inspiration to create a unique looking slice of speculative fiction. Shot in Thailand, the film takes advantage of that country’s other-worldly, old-world locations, juxtaposed against the high-tech AI robots and sleek, futuristic aircraft and weapons. The mix of old and new, of nature and technology, make for a grand backdrop to a story that thrives on intimate moments.
Big action scenes do light up the screen, but Edwards appears to value emotional fireworks more than spectacle.
At its heart, “The Creator” is a love story. Joshua, still hurting from the disappearance of his wife (Gemma Chan), is driven by heartache. The discovery of Alphie, played with heartrending innocence by Voyles, shifts the story to a father-daughter dynamic, à la “Paper Moon,” but maintains the film’s emotional core as the young robot looks at humanity filtered through AI eyes.
“The Creator” builds a dystopian world that feels unique, and it is certainly nice to have a new sci fi tale not based on existing IP, even if it feels like a pastiche. But for all the admirable ambition and emotion, Edwards occasionally runs off in all directions all at once, leaving nuance and subtlety behind.
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