THE ALTO KNIGHTS: 2 ½ STARS. “this isn’t exactly ‘Nutty Professor II: The Klumps’”
SYNOPSIS: Set in the 1950s, and based on a true story, “The Alto Knights” stars Robert De Niro in the double role of gangsters Frank Costello and Vito Genovese and their battle to control the streets of New York City.
CAST: Robert De Niro, Debra Messing, Cosmo Jarvis, Kathrine Narducci, and Michael Rispoli. Directed by Barry Levinson.
REVIEW: A story of friendship and betrayal, “The Alto Knights” is the tale of gangsters Vito Genovese and Frank Costello, one a violent hothead, the other a cautious diplomat, both played by Robert De Niro.
Director Barry Levinson keeps De Niro busy, but this isn’t exactly “Nutty Professor II: The Klumps,” which saw Eddie Murphy play five of the Klump family members in the same scene. De Niro is the star X 2 of the show, the fourth wall-breaking narrator, and even appears as the de-aged Costello.
It’s a whole lotta De Niro, which his fans may enjoy, but you can’t help but think he’s breathing new life into two old characters.
His Frank Costello plays like “Casino’s” Sam “Ace” Rothstein with a few years more experience while his Vito Genovese feels like a riff on Joe Pesci “Goodfellas” role. It’s a fun gimmick, but De Niro’s double the fun approach doesn’t add much to the film overall.
De Niro differentiates the two characters with vocal inflections, and Vito usually wears a hat, but other than that and their temperaments, it’s sometimes difficult to keep track of who is who.
Written by Nicholas Pileggi, whose book “Wiseguy” was the basis for “Goodfellas,” it covers familiar ground. According to IMDB, the rivalry between Costello and Genovese, and the resulting busts at the famed The Apalachin mob boss meeting, have been part of no less than 22 other productions.
A deeper dive into their relationship as kids and ultimately, their Cain and Abel conflict—we are mostly told about the past through Costello’s expository narration—may have freshened things up, raised the stakes to and turned “The Alto Knights” into a human drama of power and betrayal rather than a retelling of a shop-worn tale.
“The Alto Knights” is a slick movie, with nice period details, but the shallow look at the relationships of the protagonists and a repetitive, drawn-out script blunts the power of the story.