Posts Tagged ‘Olga Merediz’

ETERNITY: 3 ½ STARS. “a romcom filtered through a ‘Twilight Zone’ sensibility.”

SYNOPSIS: Set in the afterlife, “Eternity,” a new supernatural rom com starring Miles Teller and Elizabeth Olsen, and now playing in theatres, sees a woman forced to make a decision between her two loves, the man she was married to for 65 years or her first love who died young. “This is the junction,” says afterlife coordinator Anna (Da’Vine Joy Randolph). “Where you choose one place to spend eternity and who to spend it with.”

CAST: Miles Teller, Elizabeth Olsen, Callum Turner, John Early, Olga Merediz, Da’Vine Joy Randolph. Directed by David Freyne.

REVIEW: A romcom filtered through a “Twilight Zone” sensibility, “Eternity” is a whimsical but emotional story of an impossible choice between lost and found love.

When we first meet Joan and Larry, played by Betty Buckley and Barry Primus, they’ve been married for 65 years. When Larry drops dead at a gender reveal party, he enters the afterlife junction, a kitschy 1960s pop art stopover, confused as to how he got there and why he now looks like Miles Teller. “When you get here your form reverts to your happiest self,” says his afterlife coordinator Anna (Da’Vine Joy Randolph). “It can be any age.”

Anna tells him he has one week to figure out where he’d like to spend eternity and with whom. When Joan, now played by Elizabeth Olsen, arrives days later, Larry assumes the two will spend eternity as they spent their lives, together. “Now we can finally have that holiday, but it’s a one and done thing,” he tells her. “They’re very strict on that here. If you want to go to the mountains we can, because the cold won’t kill us now.”

Trouble is, Joan’s first husband Luke (Callum Turner), who died in the war, is also there, and has been waiting for her for decades. “Let me explain exactly what’s happening to my client,” Joan’s afterlife coordinator Ryan (John Early) says, whisking her away. “She clearly has a tough decision to make.”

Placed against a backdrop of the afterlife junction, the colorful gateway to forever, “Eternity” is a metaphysical romance that feels grounded in real emotion. The terrific cast bring both humor and heartache to the high concept story, keeping it light, while diving deep into Joan, Larry and Luke’s relationship.

It’s a tricky balance to juggle humor, some definitely of the slapstick variety, and existential romance, but director David Freyne never fumbles. The mid-section loses the giddy good fun of the opening scenes, relying on flashbacks and soul searching as the characters grapple with what exactly the vow “Til death do us part” means but, even then, the bureaucratic Randolph and Early do the comedic heavy lifting.

“Eternity’s” story of making choices and finding closure tackles heavy topics but never loses its charm and playfulness.

CROUSE CLIP: JIMMY SMITS ON “IN THE HEIGHTS” AS A “VAX FOR JOY!”

“In the Heights” (in theatres and on PVOD) is a crowd pleaser that offers heart and uplift in almost every frame. HERE’S Richard’s interview with stars Jimmy Smits and Olga Merediz! HERE’S a a shorter version OF “Vax for Joy!”

IN THE HEIGHTS: 4 STARS. “offers heart and uplift in almost every frame.”

“In the Heights,” now playing in theatres, is a joyful movie based on Lin-Manuel Miranda’s Tony award-winning musical, that will make you feel better by the end of the movie than you did when it began. Energetic, exultant and empathetic, it feels like a long weekend away from real life.

A series of connected stories, “In the Heights” transcends its Broadway bound beginnings with a production cut loose from the confines of the stage. Shot on the streets of Washington Heights, New York, the story of a bodega, gentrification, a winning lottery ticket, love, community and the dreams of its characters is lovingly painted in big, bright colors by director John M. Chu.

The spider-web of a story weaves in and out of its character’s lives, centering around bodega owner Usnavi, played by the charismatic Anthony Ramos. Like almost everyone in the film Usnavi has a dream of a life beyond his neighborhood, and, in a sentiment borrowed from another famous musical, soon, most everyone discovers there’s no place like home.

“In the Heights” is a story of the immigrant experience that touches on the DREAM Act and fear of deportation, but is more concerned with its characters and their day dreams of creating better lives for themselves. It’s a story of resilience, of hope and it’s a tonic during these pandemic times when it seems the media, both social and mainstream, are incapable of delivering anything but unsettling news.

In an eager cast, Olga Merediz, who reprises her Broadway role as the neighborhood’s grandmother Abuela Claudia, and Melissa Barrera as Usnavi’s love interest Vanessa, are standouts.

The sheer spectacle of it all, however, may be the real star. Chu’s camera is in constant motion, capturing the many ensemble dance numbers that accompany the soundtrack’s hip-hop, salsa, merengue, soul and R&B, in an eye-popping manner. The Busby Berkeley-style “96,000” number, shot at a public swimming pool is a total throwback to Hollywood’s Golden Age, as is a terrifically staged gravity-defying dance on the side of a building.

It doesn’t all work, however. A framing device that sees Usnavi tell his story to a group of kids is clunky and the opening number, “In the Heights,” an almost eight-minute set-up to the story, is stylish but overstays its welcome.

Still, those are small issues in an invigorating crowd pleaser that offers heart and uplift in almost every frame.