Posts Tagged ‘It’s a Wonderful Life’

TEN THINGS YOU PROBABLY DIDN’T KNOW ABOUT CINEMATIC SNOW

It-s-A-Wonderful-Life-its-a-wonderful-life-32928273-1200-900“January 12, 1965. Very snowy that day. 7.2 inches of snow that day.” – Rain Man

1. Snow Business Hollywood, a leader in providing fake snow for movies, says they have 168 products they can use to create screen snow. What’s the advantage to filmmakers of using artificial snow on a film set? “You can control it,” says owner Roland Hathaway. “Also, you’re never dealing with the cold weather.”

2. To create the sound of swirling snow heard on Hoth in The Empire Strikes Back

Foley Artists recorded surf sounds and tinkered with the sound by raising and lowering the volume. The Empire Strikes Back was shot at Elstree Studios, Borehamwood, Hertfordshire, England, the same film studio where The Shining was made. As a result much of the fake snow used for Kubrick’s film was also used for the Hoth scenes.

3. Asbestos was often used as fake snow in Hollywood films in the 1930s and 40s. The White Christmas sequence in Holiday Inn—showing Bing Crosby singing the classic tune amid the falling snow—exposed the cast and crew to asbestos fiber.

4. The “snowy” maze near the conclusion of The Shining consisted of 900 tons of salt and crushed Styrofoam.

5. Fake snow was also used during the uncharacteristically snowless Denver shoot for Die Hard 2.

6. Sam Raimi learned some techniques about shooting in heavy snow or A Simple Plan from the Coen brothers, friends of his who had been responsible for Fargo.

7. It’s a Wonderful Life was shot in the sweltering heat of a Los Angeles summer in 1946, necessitating the need for fake snow. Instead of using cornflakes painted white—which was loud when stepped on—director Frank Capra and RKO studio’s head of special effects Russel Sherman invented a quiet—and sprayable—version by mixing foamite with sugar, water and soap flakes to create the winter wonderland of Bedford Falls.

8. The usually snowy Minneapolis/St. Paul International Airport was chosen as the location for the field and terminal scenes in Airport but the film’s producers had to use bleached sawdust as a supplement, to make up for the lack of falling snow, until a snowstorm hit the Twin Cities area during the production of the film.

9. A “beginner” model movie snow machine will set you back about £1000 ($1584.02 in Canadian dollars.)

10. To create blowing snow for a scene, throw laundry soap flakes or instant potato flake in front of a powerful fan. Be warned! Soap flakes can make the set slippery. To make laying snow mix 1⅓ cups of liquid starch, 4 cups of laundry soap flakes and several drops of blue food colouring. To add a sparkling effect, add glitter.

Silent Hill: Revelation 3D latest in long line of alternate reality movies By Richard Crouse Metro Canada In Focus October 24, 2012

silenthillrevelation4In the song Bohemian Rhapsody, Freddy Mercury poses questions that must have passed through the minds of many movie characters. “Is this the real life? Is this just fantasy?”

Over the years in movies, like Bohemian Rhapsody, Freddy Mercury, filmmakers have used the idea of an alternate reality, a variation of a real place, but turned by 180 degrees, to tell their stories.

For example, in this weekend’s Silent Hill: Revelation 3D a teenager, (Adelaide Clemens), stumbles into her town’s dark side when she crosses over into an alternate reality — the ultimate bad side of the tracks. It’s a hellish, but vaguely familiar place where she finally comes to understand the nightmares that have tormented her since childhood.

One of the most famous filmic alternate realities appears in It’s a Wonderful Life, starring Jimmy Stewart as George Bailey, a man who is shown what would have happened to the town of Bedford Falls had he never been born. In that world, the idyllic small town turned into a tough, unfriendly place called Pottersville, where George’s friend Violet is a stripper, his uncle is in an insane asylum and his wife is a spinster. “Strange, isn’t it?,” says his

Guardian angel Clarence. “Each man’s life touches so many other lives. When he isn’t around, he leaves an awful hole, doesn’t he?”

Bill Murray learns about self-redemption via alternate realities in two films. In Scrooged, he’s a cutthroat television executive taken to the past, future and alternate present by three spirits who teach him about the spirit of Christmas. After his strange journey, he says, “I was a schmuck, and now I’m not a schmuck!” Redemption.

Groundhog Day has Murray as a grumpy weatherman sent to the small town of Punxsutawney, Pennsylvania to report on whether or not the weather predicting groundhog Punxsutawney Phil sees his shadow. He hates the gig until the day he wakes up and realizes he is doomed to live the same day over and over again. His trip to the alternate reality teaches him to make the most of everyday.

Finally, the alternate reality in Being John Malkovich was a more confined place. Craig, played by John Cusack, finds a portal that leads into John Malkovich’s brain, where, he says, “You see the world through John Malkovich’s eyes. Then, after about 15 minutes, you’re spit out into a ditch on the side of the New Jersey Turnpike!”