I joined CTV NewsChannel anchor Roger Peterson to have a look at new movies coming to theatres, including the live action déjà vu of “How to Train Your Dragon,” the non rom com “Materialists” and the life-affirming “The Life of Chuck.”
Watch the whole thing HERE!
Fast reviews for busy people! Watch as I review three movies in less time than it takes to make the bed! Have a look as I race against the clock to tell you about the live action déjà vu of “How to Train Your Dragon,” the non rom com “Materialists” and the life-affirming “The Life of Chuck.”
Watch the whole thing HERE!
SYOPSIS: in “How to Train Your Dragon,” a new live-action remake of the 2010 animated film of the same name, a young Viking boy named Hiccup goes against his village’s traditional belief that dragons are “the unholy offspring of lightning and death itself,” when he befriends a Night Fury dragon named Toothless. “Dad, I can’t kill dragons,” Hiccup admits to his father, Stoick the Vast.
CAST: Mason Thames, Nico Parker, Nick Frost, Julian Dennison, Gabriel Howell, Bronwyn James, Harry Trevaldwyn, Ruth Codd, Peter Serafinowicz, Murray McArthur, Gerard Butler. Written and directed by Dean DeBlois.
REVIEW: At the movies, it seems that everything old is new again.
Even if it’s not that old.
It was just 15 years ago that the animated “How to Train Your Dragon,” based on the 2003 novel by Cressida Cowell, earned two Oscar nominations and launched a franchise that includes sequels, short films, a television series, a video game and an arena show adaptation featuring 24 animatronic dragons.
This weekend it gets a live-action treatment that includes all the familiar characters, situations plus 27 brand new minutes of story.
It’s new, but it isn’t necessarily improved.
On the plus side Canadian director and writer Dean DeBlois, who has been involved with the franchise as a director since the first film, brings a darker tone to the story. It’s still family friendly (although the finale with the Queen Dragon may haunt younger viewers) but the live action brings with it more exciting aerial action scenes, even if the CGI is sometimes murky in the big sequences.
It also adds complexity to the characters, particularly in the relationship between Hiccup (a terrific Mason Thames) and his father (Gerard Butler, who returns from the animated films).
Also welcome is the return of the emotional core of the original. The animated film’s allegory to 9/11 feels even more poignant today as a message of tolerance. As Hiccup cuts through his father’s Viking jingoism with kindness and compassion, the movie reverberates with the franchise’s humanistic themes.
The heart of the film, the relationship between the boy and his dragon, beats loudly. Thames is up against it, reinterpreting Jay Baruchel’s classic voice work, but he brings an earnestness to the character that works.
Toothless the friendly dragon is lovingly rendered in photorealistic CGI, and even with no dialogue, expresses himself as easily as any of the real-life actors.
On the downside, it feels been-there-done-that. Several scenes are shot-for-shot from the original, which, depending on your level of fandom, will either be an homage or a display of a lack of originality.
“How to Train Your Dragon” will likely entertain original fans, and may win over some new ones, but I missed the snappier pacing of the original. The extra 27 minutes brings with it some impressive look-at-me moments—particularly in the final battle scene—but I found it less charming than it animated counterpart.
I joined CP24 Breakfast to have a look at new movies coming to theatres, including the audacious “Nickel Boys” and the diamond heist movie “Den of Thieve 2: Pantera.”
Watch the whole thing HERE!
I join the CTV NewsChannel to talk about “Young Werther’s” study of complicated friendships, the end of life drama “The Room Next Door,” the audacious “Nickel Boys” and the diamond heist movie “Den of Thieve 2: Pantera.”
Watch the whole thing HERE!
I join the Bell Media Radio Network national night time show “Shane Hewitt and the Night Shift” to talk about the latest entertainment headlines and to tell you about what cocktail to enjoy while watching the diamond heist movie “Den of Thieve 2: Pantera.”
Listen to the entertainment news, including some celebrity real estate listings HERE!
Listen to Booze & Reviews, “Den of Thieves 2: Pantera” edition HERE!
SYNOPSIS: In “Den of Thieves 2: Pantera,” a new action movie starring Gerard Butler and O’Shea Jackson Jr., and now playing in theatres, Los Angeles County Sheriff’s Department Detective Nick “Big Nick” O’Brien’s search for bartender-turned-criminal Donnie Wilson leads him to the dangerous world of diamond thieves and the infamous Panther mafia, as they partner to plot a massive heist of the world’s largest diamond exchange. “I’m broke,” says O’Brien, “and I want in on the action.”
CAST: Gerard Butler, O’Shea Jackson Jr., Evin Ahmad, Salvatore Esposito, Meadow Williams, Swen Temmel. Directed by Christian Gudegast.
REVIEW: Seven years after the first “Den of Thieves” movie debuted comes the sequel, a hard-boiled heist movie that spends most of its time on simmer.
When we first see “Big Nick” O’Brien (Gerard Butkler), he’s a little worse for wear. He tosses his divorce papers, along with his wedding ring, into a bathroom bin, before crawling into the bottom of a bottle. When he learns of a heist in Antwerp (based on the real life 2003 Antwerp diamond heist) he instinctively knows it bears the fingerprints of his old adversary Donnie Wilson (O’Shea Jackson Jr.).
Working with the police in Europe, he tracks down Wilson, who is planning an 850 million Euro heist at the World Diamond Center, one of the most secure facilities in the world. Catching a glimpse of the kind of cash involved the broke cop tells Wilson, “You’re gonna rob that place and I’m going to work with you.” But there’s a catch. “I can haul you in anytime I want,” he says. “Depends on my mood. Right now, I’m in a good mood.”
The bad-guy buddy movie—“Cop goes gangsta,” says Wilson—spends the rest of its runtime (a tad over two hours) in twisty-turny-more-is-less-mode. Elaborate plans are made, flirtations are had, alliances are tested, and diamonds prove to be harder to hang on to than originally thought. It feels cluttered, even when there isn’t much actually happening, which is a lot of the time.
“Den of Thieves 2: Pantera” has all the ingredients of a fun thriller. There’s exotic locations—and the prerequisite drone shots to announce each of them—some fancy cars and stern-faced baddies. What it doesn’t have is the excitement to tie it all together.
Gerard Butler is no stranger to action. On film he’s battled more terrorists than you can shake a stick at, and he once even took on a network of powerful of satellites gone amok.
His latest, “Mission Kandahar” (titled simply “Kandahar” in the United States), now playing in theatres, brings the action earthbound in a story based on the true experiences of screenwriter and former military intelligence officer, Mitchell LaFortune in Afghanistan in the aftermath of the Snowden leaks.
Butler is Tom Harris, a divorced MI5 military intelligence officer working undercover in Afghanistan circa 2021. He is a “total chameleon,” a man who disappears into the job as he poses as technician hired by their government to lay internet cable in the desert, all the while while gathering intelligence on the Taliban.
Just as he is about to end his mission, and head home to England to visit his daughter, an intelligence leak reveals his identity, location and mission goals. “Our cover is blown,” he says. “We leave in fifteen minutes.”
Exposed and in danger, he and his loyal Afghan interpreter and fixer (Navid Negahban) are trapped in hostile territory.
“No one is coming to rescue us,” Harris says, as he takes matters into his own hands to get the two of them across the 640 kilometers to an extraction point at an old CIA base in Kandahar Province before elite enemy forces can stop them. “The distance is not the main issue. It’s what’s in between.”
Butler, like Liam Neeson, makes very specific kinds of action films. With “Mission Kandahar” he filters the very real issue of securing safety for the Afghan citizens who worked alongside U.S. and NATO personnel for twenty years, through the lens of a Butler Action Flick. That means some defying-all-odds action, a loved one waiting at home for him to return, stereotypical baddies and lots of things that go boom. And, of course, there’s The Presence, the bulky Butler leading the action.
Often entertaining—see “Plane”—Butler’s movies exist in a world mostly untouched by reality, as though the golden era of direct-to-DVD action flicks never went away.
For better and for worse, “Mission Kandahar” fits that mold. The story’s real-life backdrop provides a canvas, but melodrama and action are the movie’s reality.
As if flying in real life wasn’t bad enough these days, along comes “Plane,” a new Gerard Butler resourceful hero movie, that brings the experience of a terrible flight to your local theatre.
The story begins on New Year’s Eve aboard the half empty Trailblazer flight 119. Butler is Brodie Torrance, a widowed pilot with a far-a-way look in his eye and a daughter in Hawaii he doesn’t see often enough.
In the cabin are the usual assortment of b-movie types, the hot-headed American, giggling teens posting on social media, the brash Brit, and, of course, Louis Gaspare (Mike Colter), an accused murderer being extradited to face trial.
When a lightning strike forces a crash landing on Jolo, a remote Philippine island run by heavily armed anti-government militias, Torrance must pull out all the stops to save his passengers.Meanwhile, at Trailblazer’s New York headquarters, a crisis management team lead by the tough-as-nails David Scarsdale (Tony Goldwyn), manages the situation from afar.
As action movies go, even with the relatively low expectations that come from an action film with Butler’s name above the title, “Plane” is about as bland as airline food. From its blunt, one word title and one dimensional characters, to its clumsy action scenes and Ed Wood style “toy airplane in flight” sequences, the Jean-François Richet-directed, so-called thriller fails to take flight.
Butler does what he can, grimacing and, occasionally flashing the charisma that made him a star in the first place, while spitting out trademarked action movie dialogue.
“That’s your plan?” asks one of the passengers after Torrance details a risky move. “Do you have a better one?” he replies, echoing a thousand action stars that came before him.
Worse than that, Richet and screenwriters Charles Cumming and J. P. Davis, don’t trust the audience. It’s not enough to show the lightning strike and the havoc it creates. We must also be told that the plane was hit with “enough juice to light a city.” We know. We just saw it. How about giving us new information, or, failing that, interesting dialogue?
If there were still DVD delete bins at the local video store, “Plane” would be gathering dust at the bottom of the barrel.
“Plane” feels like being stuck in the middle seat on a long flight.
