Posts Tagged ‘Erin Dignam’

WIDOW CLICQUOT: 3 STARS. “a toast-worthy testament to the Grand Dame.”

SYNOPSIS: Set in France during the Napoleonic Wars, “Widow Clicquot,” now playing in theatres, stars Haley Bennett, as Madame Clicquot, a fiercely independent vintner who spurned convention by continuing to run the fledgling wine business she and her husband nurtured before his death. Steering the company, which still bears her name, through hard times, personally and professionally, she defies critics and revolutionizes the champagne industry. “When they struggle to survive, they become more reliant on their own strength,” says the Widow Clicquot of her grapevines. “They become more of what they were meant to be.”

CAST: Haley Bennett, Tom Sturridge, Sam Riley, Anson Boom, Leo Suter, Ben Miles, Natasha O’Keeffe. Directed by Thomas Napper, from a screenplay by Erin Dignam and Christopher Monger based on the book “The Widow Clicquot” by Tilar J. Mazzeo.

REVIEW: Like the vines she so lovingly cares for, Madame Clicquot’s struggles—against weather, the patriarchy and restrictive Napoleonic trade embargoes—make her stronger. It’s a bit of an overworked metaphor, but screenwriters Dignam and Monger make it work in context to this very specific story.

At the heart of it all is Bennett, who not only highlights Clicquot’s determination and talent, but also the passion it took to stay firm, in the face of adversity, to become a successful female entrepreneur in a male dominated industry. What could have been a one-note performance, all determination, or all grief, is instead, a powerhouse mix of emotion. Passion, for her late husband, their dream and their grapes, drives her, but Bennett plays all the notes on the scale. Her Clicquot contains multitudes, beginning with heartbreak that bubbles up to become triumph by the time the end credits roll.

Handsomely photographed, with fine period details, excepting the English accents favored by the actors playing French roles, “Widow Clicquot” spends a bit too much time on the ins-and-outs of wine making, but, at an economical ninety minutes, it’s a toast-worthy testament to the Grand Dame and her indomitable spirit.

LAND: 4 STARS. “does not trip over itself to offer easy answers.”

“Land,” directed by Robin Wright in her feature directorial debut and now in theatres, is a quiet movie about something that has been on all our minds this last year, isolation.

“I’m not running from anything,” says Edee (Wright) of her new home in the Wyoming wilderness. “I’m not a criminal. I’m here because I choose to be.” Leaving her old life behind after an unspeakable tragedy, she is determined to shut herself off from the world. Woefully unprepared for a Jeremiah Johnson’s style life, she is saved from a near-death experience by Miguel (Demián Bichir), a gentle local hunter and nursed back to health by Alawa Crow (Sarah Dawn Pledge). With Miguel’s guidance Edee learns to navigate the harsh new world she has chosen for herself, and possibly learn to embrace humanity once again. “If you won’t think of the past,” Miguel says, “have you thought about what you want your life to be moving forward?”

Filmed on location in Alberta, “Land” is a breathtaking movie that does not trip over itself to offer easy answers to the big, existential questions it poses. Deliberately paced with little dialogue, it uses the beautiful but brutal landscape and subdued performances to paint its picture of resilience and friendship. It’s a story of the circle of life, how those circles intersect and the impact an act of kindness can have in that overlap.

Wright doesn’t overplay one frame of “Land.” Instead, she allows the heartfelt connection at the center of the story to subtly tell the story of how a friendship can change a life.