SYNOPSIS: In “G20,” a new action thriller starring Oscar and Emmy winner Viola Davis, and now streaming on Prime Video, terrorists take over the G20 Summit in Cape Town, South Africa. American President Danielle Sutton evades capture and uses her military training to defend the captured world leaders and her family. “If you want to survive,” she says, “you’ll follow me.”
CAST: Viola Davis, Anthony Anderson, Marsai Martin, Ramón Rodríguez, Antony Starr, Douglas Hodge, Elizabeth Marvel, Sabrina Impacciatore, and Clark Gregg. Directed by Patricia Riggen.
REVIEW: It comes as no surprise that Artificial Intelligence is the weapon of choice for the “G20” baddies. Their evil plan to use AI to create Deep Fake videos of world leaders plays on Hollywood’s fear of the disruptive technology, which is odd because the movie, with its clichés and throwbacks to movies like “Air Force One,” feels like it could have been written by AI. It wasn’t, there are four “screenplay by” credits (Caitlin Parrish, Erica Weiss, Noah Miller and Logan Miller), but it certainly feels like the script originated with a prompt on ChatGPT.
Take the snarling bad guys for instance.
Little more than a list of modern grievances come to “life” they are bonded by a belief in a litany of fringe conspiracy theories and tote high caliber guns which they don’t know how to use (more on that later). Led by Rutledge (Antony Starr), they’re standard issue new world order villains straight out of central casting who use violence and AI to stage a global coup and spout meme-worthy sayings about “rebelling against world leaders who strip away the rights of their citizens.”
As President Danielle Sutton, Viola Davis delivers a standard issue action movie heroine. She can throw fists and, like so many action stars before her, is able to run through a hail of bullets unharmed. For some reason, the evildoers in movies like this shoot like their gun barrels are bent at a ninety-degree angle while her aim is true. Her character is all pluck, equally comfortable using her wits as she is pressing a hulking bad guy’s face on a hot grill.
Amid the chaos are her precocious teen kids, Serena and Demetrius (Marsai Martin and Christopher Farrar) who watch their mom kill the bad guys and joke, “Did you know she could do that all the time? Lucky we only got grounded.”
“G20” is a parade of cliches that leads up at an unlikely twist and a logic defying climax that only plays out in the way that it does to provide another opportunity for some showy action theatrics. By the time the end credits roll it’s clear that AI isn’t the only threat facing Hollywood. Unoriginality is.
Fans of Adam Sandler’s patented man-child character will be pleased to note he revives it for his newest film “The Meyerowitz Stories (New And Selected).” But those not enraptured with his childlike alter ego shouldn’t write this movie off. For the most part Sandler’s new one leaves the lowest-common denominator jokes behind in favour of highbrow (ish) humour. In other words, this is more “Punch Drink Love,” less “Billy Madison.”
Dustin Hoffman is Harold Meyerowitz, embittered sculptor, former art professor and walking, talking embodiment of New York neurosis. He’s also father to Danny (Sandler), Matthew (Ben Stiller) and Jean (Elizabeth Marvel). Harold is a crusty old man, self-centered and very aware of his lack of legacy. Newly divorced Danny has moved into the Greenwich Village home Harold shares with his fourth wife, Maureen (Emma Thompson).
The film studies the strained relationships between Harold and his kids but spends much of the movie detailing the half brothers Danny and Matthew. Danny stayed home to raise his daughter, has never had a job and now feels like a failure compared to the younger Matt, a Los Angeles hot shot with his own financial management company.
When Harold takes ill his children have to reassess their feelings for their difficult dad and each other.
“The Meyerowitz Stories (New And Selected)” doesn’t have the guffaws that Sandler at his best can deliver. Instead it is dusted laughs derived from the situations and characters. At its heart it’s a story of family dysfunction populated by people who never dip into self-pity. Marvel makes the best of her few moments but it is Sandler and Stiller who deliver the goods. Both hit career highs playing toned down versions of their carefully crafted comedic characters. Adding real humanity to Danny and Matthew elevates them from caricature. By not going for the broad strokes they are able to create tender and stinging moments that are some of the best in both their careers.
Hoffman is a hoot, perfectly complimented by Thompson who has some of the film’s best lines. Of the supporting cast Grace Van Patten, Danny’s loving daughter, is a standout.
“The Meyerowitz Stories (New And Selected)” could have been maudlin but when filtered through director Noah Baumbach’s sensibility is a smart and heartwarming.