Richard sits in with Marcia MacMillan to have a look at the weekend’s new movies, the up-close-and-personal action of “Jack Reacher: Never Go Back,” the supernatural thrills of “Ouija: Origin of Evil,” the spy comedy “Keeping Up with the Joneses” and the new Canadian indie “Mean Dreams.”
Watch the whole thing HERE!
By Richard Crouse – Metro Canada
Cobie Smulders has been in action movies a plenty, but she’s rarely part of the action. That changes in Jack Reacher: Never Go Back.
Opposite Tom Cruise, Smulders plays Major Susan Turner, a decorated solider accused of espionage. To prove her innocence she teams with Jack Reacher in a battle for the truth.
“I was really excited about doing some action scenes,” says the Canadian born actress who played former director of the planetary intelligence service S.H.I.E.L.D. Maria Hill in various Avengers movies as well on television.
“I’d done some quote, unquote action movies before, through The Avengers and the Marvel Universe. I’d be part of some of their stuff but I missed out on most of the fun fight sequences. Jumping on this, I knew I would get to do more fighting, hands on, rather than standing next to the superheroes while they do all the fighting.”
She has more than her share of up-close-and-personal battle sequences, bare knuckling her way through the story at a breakneck pace, but were the scenes as fun to shoot as she thought they would?
“That’s a great question because sometimes they are not,” she laughs. “They are quite technical and they can drag on. When it is fast and intense, they’re really fun because it’s like an adrenaline rush. It’s like doing a choreographed dance with somebody. But when they drag on and it becomes about the minutia of like, ‘We have to do the insert of the picking up of the meat tenderizer and we have to do it from this angle and that angle,’ it takes the magic out of it.”
A magical experience or not, Smulders, who will next be seen in the action comedy Why We’re Killing Gunther opposite Arnold Schwarzenegger, says the scenes helped her performance.
“For me all the training and all the fighting helped me get into the character,” she says. “There were days when I would push past breaking points and think, I can’t take this anymore, and then I would go further. It got easier and easier. It was really painful at first but I always kept that in the back of my mind, what this woman would have had to go through, and what women and men in the military have to go through.
“I think anybody who decides to enlist in the military and do all the work it takes to become a major is somebody who is much stronger than I will ever be.
“She’s a woman we say has graduated Ranger School. When we started shooting the movie that hadn’t happened yet; no women had graduated from Ranger School. Then during the shoot the first two women graduated. If I am playing a woman who can endure that type of training, then this should be like a piece of cake, what I’m doing on set.”
Cruise and Smulders play a sort of Mr. & Mrs. Smith, a deadly duo who never allow romance to get in the way of their appetite for bodily destruction. Their relationship is a mix of Roadhouse style fighting and humorous rom com dialogue.
“To not have these characters get together romantically,” Smulders says, “was more interesting to watch than having a love scene in the middle of the movie.”
Who exactly is Jack Reacher? If you are a reader, he’s the protagonist of twenty books by British author Lee Child. If you’re a moviegoer, he’s a bone crunching former Major in the United States Army Military Police Corps who looks a lot like Tom Cruise. According to the new movie “Jack Reacher: Never Go Back,” he’s “the guy you didn’t count on.”
When we first see Reacher it’s four years after his exploits in his eponymous debut film. With the help of Major Susan Turner (Cobie Smulders) he has just broken up—and beaten up—a ring of smugglers. When he arrives in Washington to thank her, and possibly wine and dine her, he is shocked to discover she’s been court-martialled, accused of espionage. His efforts to get to the bottom of the case suggest she was arrested because she had a hard drive with sensitive info. “What did you expect,” he’s asked, “a picture of her in a Burka and having drinks with the Taliban?” After a daring prison break, he and Turner hit the road, trading quips and punching faces with a deadly ex-military hit man (Patrick Heusinger) hot on their trail. Their efforts to clear her name and uncover a far-reaching conspiracy are complicated by the presence of Samantha (Danika Yarosh), a fifteen year old who may or may not be Reacher’s daughter.
The addition of a kid changes the dynamic of the film. The first Reacher movie was a fun but violent ride, designed to keep fans of Cruise’s actionman persona happy until the next “Mission Impossible” instalment came along. It was an old fashioned movie, the kind of flick that Steven Seagal might have starred in circa 1992. It was a bare-bones action movie and predictable but Van Dammit, taken for what it was, it was also a bit of fun.
The new one delivers much of what we expect—the Statham-esque levels of hand-to-hand kick assery and the Tom Cruise Run©, hands extended, arms akimbo, are present—but this is a kinder, gentler Reacher. He’s still a violent animal who can kill you in three hundred different ways, but he’s more human now. At least he’s not a total monster, even while he’s snapping someone’s spine.
The movie rips along at a fast pace, bareknuckling its way through the story at a breakneck pace. Cruise and Smulders are sort of a Mr. & Mrs. Smith, a deadly duo who never allow romance to get in the way of their appetite for bodily destruction. Their relationship is a mix of “Roadhouse” style fighting and cutesy rom com dialogue.
It all adds up to an action movie for those who like a dose of sentimentality with their spinal injuries.
Richard’s “Canada AM” interview with “Delivery Man” co-star Cobie Smulders.
“It’s a blown up version of something that happens in real life,” she says. “You had a relationship when you were younger and all of a sudden a woman contacts the father and, ‘Oh, by the way, you have a seven year old.’ Obviously there is room for comedy there but everyone wants him to step up and be the hero and watch him do that journey.”
“We were so lucky to have [original director] Ken Scott. He did it so well the first time that he was able to do it a second time and have those same sentiments in it and spoken in English.”
Watch the whole thing HERE!
Film critic Richard Crouse dishes about this weekend’s big movie releases: ‘The Hunger Games: Catching Fire,” “Delivery Man” and “Nebraska.”
Watch the whole thing HERE!
At one point in “Delivery Man,” a remake of the much-loved French film “Starbuck,” David Wozniak’s (Vince Vaughn) father (Andrzej Blumenfeld) says, “If you can live with his countless faults you’ll have some marvelous times.”
David is a sweet tempered, kind oaf who never seems to make the right decision. That’s a fault that has landed him $80,000 in debt, desperate for cash and, as if that wasn’t enough, he’s also the biological father of over 500 children. To say he brings some baggage with his good nature is an understatement along the lines of calling Miley Cyrus show-offy.
Vaughn subs in for French star Patrick Huard in this almost shot-for-shot remake of the original film. He’s a man-child who, “everyday finds new ways to push the limits of incompetence,” but learns commitment and responsibility after discovering that his sperm bank donations unwittingly made him the father of 533 children, 142 of whom have filed a class action lawsuit to learn their biological father’s real identity.
“Delivery Man” features a much more low key Vaughn than we’ve seen lately, and that’s a good thing. His slick motor mouth act got tired around the same time the housing bubble burst but with very few exceptions—Into the Wild being one of them—he’s been coasting through movies like “Fred Claus,” “Couple’s Retreat” and (worst of all) “The Watch.”
But he’s not a one trick pony and “Delivery Man” reminds us that there is more to him than verbal dexterity and sardonic wit.
He hands in a charming performance with all the rough edges buffed away in a movie that is unabashedly sweet—some might say corny—but there is no cynicism here and that is the movie’s main strength.
In a recent tweet-a-thon to promote Delivery Man Cobie Smulders teased that people should go see the film because Chris Pratt gets naked.
“He doesn’t get naked,” she says a week later, admitting to the fib.
“That was very overwhelming. I had never done that before. There were 9000 tweets and I didn’t know what to do. It was crazy. I was trying to write and my phone was (shaking).”
The Canadian-born How I Met Your Mother actress stars opposite Vince Vaughn in a remake of Starbuck, a popular French-Canadian film about a man who finds personal redemption when he learns he is the father of 533 children.
“I went into watching Starbuck and then reading this script, like, ‘533 kids… from a sperm donor! What’s this going to be?’
“It’s still super funny, but I found myself affected by the way he connected with the children. The way they connected as human beings. Going out and doing a good deed and having it affect somebody in a positive way. I’ve always believed when you do good, you get good in return. That’s when I feel my best and there are many aspects of that in this film.”
The sweet, uplifting message of Delivery Man struck a chord with Smulders who says she “related to it on a parental level. I’m a mom myself and I think it touched upon so many themes of family and of being a parent.”
The story has also resonated with audiences.
The original film was 2011’s most successful homegrown film in Quebec. Smulders thinks the appeal of this very specific story has to do with its universality.
“It’s a blown up version of something that happens in real life,” she says. “You had a relationship when you were younger and all of a sudden a woman contacts the father and, ‘Oh, by the way, you have a seven year old.’ Obviously there is room for comedy there but everyone wants him to step up and be the hero and watch him do that journey.”
“We were so lucky to have [original director] Ken Scott. He did it so well the first time that he was able to do it a second time and have those same sentiments in it and spoken in English.”
Now there’s even talk of a Bollywood remake.
“We should have done a Bollywood song and dance at the end of our movie,” Smulders laughs.
