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LAST MOMENT OF CLARITY: 2 STARS. “isn’t as clever as it needs to be.”

In the publicity material for “Last Moment of Clarity,” a new crime drama starring Samara Weaving and Zach Avery, the movie is being billed as a Hitchcockian thriller. I have a different, more accurate term. Hitchschlockian. It’s a little clumsy, I know, but it sums up the film’s mix of schlocky twists and turns that make up the plot.

Georgia (Samara Weaving) and Sam (Zach Avery) are a couple. She’s an aspiring actress and photographer and he has the incredible misfortune to have an apartment window that faces a crime scene. When he picks up one of her cameras and absentmindedly snaps a photo he captures Russian mobster Ivan (Udo Kier) kill a woman. Ivan sends his henchmen over to kill Sam and get the camera. They botch the job, and after several stray bullets fly, Georgia is shot. Thinking she is dead Sam hoofs it, hiding out in Paris.

Cut to three years later. Sam, now working in a café run by Gilles (Brian Cox), takes a day off to go to a movie and lo and behold the lead actress, Lauren Creek, looks just like Georgia, except now she has blonde hair. One Google search later he discovers she is an up-and-comer but has virtually no on-line personal history. Convinced this movie star with an enigmatic past is the love of his life, he jets off to Hollywood to track her down.

There he reconnects with Kat (Carly Chaikin), an old high school friend, now working as a film publicist. She doesn’t believe his story but agrees to help him find the truth—is it George in disguise? Is it mistaken identity? Or has Sam gone over the edge?

The clichés come hard and fast in “Last Moment of Clarity.” Characters are imported directly from the thriller department at Central Casting with dialogue to match. The best and most authentic line in the whole film comes from Chaikin, who is more interesting than either of the lead characters, when she says, “This is so f***ing dumb!” As a viewer you’ll be saying the same thing.

“Last Moment of Clarity” simply isn’t as clever as it needs to be. Twists are telegraphed in advance and worse, the very idea that a dye job is enough of a disguise to keep Georgia incognito… while starring in Hollywood films. No amount of stylish low angle shots and atmospheric cinematography can fill the holes in this plot.

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