FLORA AND SON: 4 STARS. “a star-making performance, chock full of soul.”
The musical dramedy “Flora and Son,” now streaming on Apple TV+, is a tribute to the power of music as an emotional salve, and hits all the right chords with a breakout performance from Eve Hewson as a single mom trying to connect with her rebellious son.
Hewson is the title character, a party girl and parttime nanny, raising her rebellious 14-year-old son Max (Orén Kinlan) in a tiny Dublin apartment. Their relationship is so fraught, she wonders aloud what it would be like if he wasn’t around.
After forgetting his birthday, she plucks an abandoned acoustic guitar from a dumpster, has it repaired and gifts it to him. “Don’t want to play,” he says dismissively. “Since when am I a guitarist?”
Instead of returning the guitar to the dumpster, Flora decides to take on-line lessons and learn the instrument. She comes across Jeff (Joseph Gordon-Levitt), a charming 1970s singer-songwriter throwback, who teaches from his sun dappled studio in Los Angeles.
“What are you hoping to get out of this?” he asks.
“I thought this guitar might make my son think I’m cool,” she replies.
As Flora studies the guitar, Max is in the small flat’s other room creating rap beats on his laptop.
“How did you make that?” Flora asks. “That sounded epic.”
They’re coming from different corners of the room—she’s Joni Mitchell to Max’s Dr. Dre—but music just might be their middle ground.
“Flora and Son” is a small movie with a big performance that provides its beating heart. As Flora, Hewson is tender and terrible, delightful and disagreeable. She’s made mistakes, and has a hard shell, but in Hewson’s capable hands, her innate goodness shines through. It is, simply put, a star-making performance, chock full of soul.
Gordon-Levitt, Kinlan and Jack Reynor, as Flora’s ex, complete the picture with strong performances, each representing a piece of the puzzle that is Flora’s life.
At its core, “Flora and Son” is a love story, but it’s not a rom com. This is about the love of family, music and self and is a rousing crowd-pleaser that breathes the same air as director John Carney’s other films, “Sing Street” and “Once.”
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