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ANATOMY OF A FALL: 3 ½ STARS. “Places the onus of judgment on the viewer.”

A look at a strained marriage through the lens of a public murder trial, “Anatomy of a Fall,” the Palme D’Or winning film now playing in theatres, is more concerned with human drama than the procedural aspects of the story. The result is a complex look at the search for truth in relationships and justice in court.

Set at a remote country residence in the Swiss Alps, home to best-selling writer Sandra (Sandra Hüller), her less-successful writer husband Samuel (Samuel Theis) and their visually impaired 11-year-old son Daniel (Milo Machado Graner). When Samuel is found dead outside the home, a pool of blood surrounding his head like a halo, questions arise.

Was it suicide or murder? Did he fall from an upstairs window, or was he pushed?

Sandra’s muted response to her husband’s death raises eyebrows, and soon suspicion leads to murder charges. In court her compassionate defense lawyer Vincent (Swann Arlaud), a man she once had an affair with, is pitted against a confrontational state prosecutor played by Antoine Reinartz in a trial that puts Sandra and Samuel’s complicated lives on display.

“Anatomy of a Fall” is not a “Law & Order” style procedural. As director Justine Triet moves through the story, the courtroom framework becomes a backdrop for a captivating study of human behavior.

At the film’s stone-cold heart is Hüller. In her hands Sandra is a compelling and complex person who confronts the usual courtroom trope of widowed wife as a sympathetic character. Her independence, powerful presence and chilly demeanor, broken by the occasional emotional outburst, stares down preconceived notions and subconscious prejudices about Sandra’s life and behavior.

Triet isn’t asking if Sandra is guilty or not. She is more interested in why we, as the observer, might pass judgment on the character, one way or another. Placing the onus of judgment on the viewer is a fascinating way to subvert the procedural genre.

At 2 hours and 30 minutes “Anatomy of a Fall” may test some viewer’s attention spans as it slowly layers detail upon detail, both procedurally and personally, but for patient audiences it offers up an interesting mystery and an opportunity to examine personal biases.


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