Archive for April, 2018

CTVNEWS.CA: THE CROUSE REVIEW LOOKS AT “RAMPAGE” & MORE!

A weekly feature from from ctvnews.ca! The Crouse Review is a quick, hot take on the weekend’s biggest movies! This week Richard looks at the angry ape movie “Rampage,” the timely and touching drama “Indian Horse” and the boy-and-his-horse drama “Lean on Pete.”

Watch the whole thing HERE!

NEWSTALK 1010 LISTEN IN!: THE RICHARD CROUSE SHOW FROM APRIL 14, 2018!

Check out the Richard Crouse Show on NewsTalk 1010 for April 14, 2018! This week Richard welcomes guests, from the web series Chateau Laurier, director/producer James Stewart and co-writer Emily Weedon and Trista Suke, director Foxy .

Here’s some info on The Richard Crouse Show!: Each week on The Richard Crouse Show, Canada’s most recognized movie critic brings together some of the most interesting and opinionated people from the movies, television and music to put a fresh spin on news from the world of lifestyle and pop-culture. Tune into this show to find out what’s going on behind the scenes of your favorite shows and movies and get a new take on current trends. Richard also lets you know what movies you’ll want to run to see and which movies you’ll want to wait for DVD release. Click HERE to catch up on shows you might have missed! Read Richard NewsTalk 1010 reviews HERE!

The show airs:

NewsTalk 1010 –  airs in Toronto Saturday at 9 to 10 pm. 

For Niagara, Newstalk 610 Radio – airs Saturdays at 6 to 7 pm 

For Montreal, CJAD 800 – Saturdays at 6 to 7 pm 

For Vancouver – CFAX 1070 – Saturdays 6 to 7 pm. 

For London — Newstalk 1290 CJBK, Saturdays 10 to 11 pm

RICHARD’S WEEKEND MOVIE REVIEWS FROM CP24! FRIDAY APRIL 13, 2018.

Richard joins CP24 anchor Nathan Downer to have a look at the weekend’s new movies including the giant ape movie “Rampage,” the touching drama “Indian Horse,” the Middle East thriller “Beirut” starring Jon Hamm and Joaquin Phoenix in “You Were Never Really Here.”

Watch the whole thing HERE!

RICHARD’S CTV NEWSCHANNEL WEEKEND MOVIE REVIEWS FOR ARPIL 13.

Richard sits in with CTV NewsChannel anchor Marcia MacMillan  to have a look at the weekend’s big releases, the giant ape movie “Rampage,” the touching drama “Indian Horse,” the Middle East thriller “Beirut” starring Jon Hamm and Joaquin Phoenix in “You Were Never Really Here.”

Watch the whole thing HERE!

They had me at ape. “Rampage,” primate power and other simian cinema.

By Richard Crouse 

They had me at ape. Rampage stars Dwayne Johnson as primatologist Davis Okoye along with an all-star cast, including Naomie Harris and Malin Åkerman, but for me it’s all about the ape with the unlikely name of George.

Based on the 1986 arcade game Rampage, the new film directed by Newfoundland native Brad Peyton sees a genetic experiment go horribly wrong. “We’ve created the next chapter in natural selection. Project Rampage works.” Except when it doesn’t.

George, a giant but gentle silverback gorilla, a winged wolf and a reptile are transformed into monsters with an appetite for destruction. That’s right, there’s a gorilla so big it makes The Rock and his oversized muscles look like a first grader by comparison.

Luckily Okoye raised George and they share an unbreakable bond, a connection so strong the primatologist just might be able to reason with the gorilla and put an end to the invasion of the mega-beasts.

Primate power! I go ape over simian cinema. Whether it’s the Disneynature Earth Day documentary Chimpanzee which follows the story of Oscar, an African chimpanzee born into a troop led by alpha male Freddy or the animated simian reworking of The Right Stuff called Space Chimps, I’m buying a ticket. I even enjoyed The Hangover 2 largely because of Crystal the Monkey who played a drug dealer.

Paving the way for Crystal and her primate kin was simian superstar Peggy the Chimp who appeared alongside future president Ronald Reagan in Bedtime for Bonzo. “I fought a losing battle with a scene-stealer with a built-in edge,” said the 40th President of the United States, “he was a chimpanzee!” Actually he was a she, a trained chimp who once almost strangled Reagan by mistake. The inquisitive ape grabbed the actor’s necktie and pulled it so tight the knot was “as small as my fingernail,” Reagan remembered. A quick thinking crew member cut the tie off before the Republican turned blue, setting him free to finish the cheesy movie Johnny Carson joked would become, “a favourite of old movie buffs and Democrats.”

The Tarzan movies made a superstar out of Cheetah the Chimp even though no chimpanzees appear in the Edgar Rice Burroughs novels that inspired the films. Over a dozen apes worked on the Tarzan movies and TV shows but the most famous must be Cheeta who starred in two dozen films. In 2008 he released Me Cheeta, a memoir ghostwritten by James Lever. “’I acted into my thirties,” “he” wrote. “Most chimps retire by the age of ten because they won’t do what they’re told. I didn’t want to end up in a lab with an electrode in my forehead.”

Long before computer generated special effects made digital apes like the ones featured in movies like Rampage and War for the Planet of the Apes possible, a makeup artist named John Chambers pioneered primate makeup. His work on the original Planet of the Apes was based on a technique he developed during World War II to give disfigured veterans a natural look.

The makeup process was so intense that Kim Hunter, who played chimpanzee psychologist and veterinarian Zira, had to be prescribed valium to keep her calm during the sessions. Chambers’ makeup work was extreme, but it earned him a special Academy Award his statue was presented by—who else?—a tuxedo-clad chimpanzee.

“It isn’t about the horse,” says “Lean on Pete” director Andrew Haigh.

By Richard Crouse

“In all honesty if I heard about a film about a boy and his horse I wouldn’t want to go see that because I would think it was a family movie,” says English director Andrew Haigh. We are talking about his newest film Lean on Pete, which is, ironically, a film about a boy and his horse.

Based on the book by Willy Vlautin, it sounds like family fare but it is anything but. The cast should be the first clue. Steve Buscemi, Chloë Sevigny and Steve Zahn, all edgy 90s indie virtuosos, are the above-the-title stars, hinting that this isn’t going to be another National Velvet retread.

“The book is sad at times and tragic at times so the movie felt like a faithful adaptation of that. Oddly, I think that’s why I liked it because it was seemingly playing with more traditional ideas but telling the real life version of that. There could be a family movie about a boy on the road with a horse but it not going to be real. It was only after I finished the film that I realised, ‘This is going to be quite a challenge.’”

Charlie Plummer, last seen as John Paul Getty III in All the Money in the World, plays Charley Thompson a fifteen-year-old looking for permanence in his hardscrabble life. To pass the time he gets a job tending to an aging Quarter Horse named Lean On Pete. When the horse’s owner, a crusty old horse trader played by Buscemi, decides to get rid of Pete, to “send him to Mexico”—i.e.: the glue factory— Charley makes off with the horse, embarking on a road trip in search of a better life for both of them.

“It isn’t about the horse,” says Haigh. “It is about Charley’s desperate need for some stability, some security, someone to care for him, someone to care about him. That’s what’s driving him.”

As Charley the eighteen-year-old Plummer is magnetic, quietly creating the character of a desperate young man who does bad things for mostly the right reasons.

“It is not easy trying to cast someone about that age. Especially someone who has to both physically feel right, that they are still a kid but very nearly an adult. I knew I wanted him, in a frame, to look like a kid and then suddenly go older, then younger.

“There a lot of good boys that we had seen but Charley had something different. He approaches scenes in a different way. He doesn’t go the easy emotional way. He finds something a more challenging which sometimes keeps you at even more of a distance but then sometimes pulls you in with that amazing face he has.”

Haigh, who next project is The North Water, a sprawling TV movie about a disgraced ex-army surgeon now working as ship’s doctor on a whaling expedition, hopes people respond to Lean on Pete’s messages of kindness and compassion.

“If people leave the cinema and they feel for that kid and think about him that is all I can really hope for,” he says. “I hope it speaks to the importance of the need to help people who are suffering. I don’t know if people will take that away or not but it is certainly in the DNA of the film.”

RAMPAGE: 2 STARS. “I didn’t expect “Coriolanus” with a giant flying wolf.”

Dwayne Johnson has finally found a co-star bigger and musclier than he is, a giant silverback gorilla named George, the only living thing on earth large enough to flip The Rock the bird and get away with it.

Based on the 1986 arcade game “Rampage,” the new film directed by Newfoundland native Brad Peyton, sees a genetic experiment go horribly wrong. “We’ve created the next chapter in natural selection. Project Rampage works.” Except when it doesn’t.

George, the giant but gentle silverback gorilla, a winged wolf and a reptile are transformed into monsters with an appetite for destruction. That’s right, there’s a gorilla so big it makes The Rock, who plays Davis Okoye, a Dr. Doolittle talking-to-animals type with king-size muscles, look like a first grader by comparison.

Luckily Okoye raised George and they share an unbreakable bond, a connection so strong the primatologist just might be able to reason with the gorilla and put an end to the invasion of the mega-beasts.

I’m no different than anybody else. I’m happy to spend cash to watch nature go wild as humungous beasts (including the pumped up Johnson) battle one another. It should be loads of fun, peppered with Johnson’s trademarked one-liners, some heavy beast-on-beast action topped off with an evil corporation with an appetite for destruction and a scientist with something to prove but instead it’s a about spectacle and little else. Don’t give me wrong I didn’t expect “Coriolanus” with a giant flying wolf but in the CGI era when anything is possible I know the visuals will pop. I’d also like the script to do some of the work as well. It’s the kind of big budget b-movie where it takes four credited writers to come up with bon mots like, “I can’t believe we survived that,“ and “Thank you for saving the world.” (That is not a spoiler. You know the world will survive the rampaging creatures.) Johnson is an engaging performer, so is co-star Naomie Harris, but imagine how much better the movie would be if they were given better things to say than, “Davis, try not to get killed.” Without characters you care about who cares if giant beasts made of pixels destroy a pretend city?

“Rampage” isn’t the only oversized fiend film coming this year. To warm us up for “Rampage” they showed a trailer for “The Meg,” a.k.a. “Jason Statham and The Giant Shark.” Call it the year of the gigantic beast if you like but so far—I haven’t seen “The Meg” yet–bigger isn’t always better.

INDIAN HORSE: 3 ½ STARS. “no denying the important and timely nature of the story.”

Based on author and journalist Richard Wagamese’s book of the same name “Indian Horse” is a personal story that brings issues of cultural assimilation and displacement policies to the fore.

Structured like a film noir the story begins at the end with Saul Indian Horse (Ajuawak Kapashesit) in rehab, recounting the details of his life. “You can’t understand where you’re going if you don’t know where you’ve been,” he says.

Flashback to 1959. Saul is orphaned and left in the care of his grandmother before being scooped up and sent to the St James Residential School. Ripped away from his family and culture he says, “The world I had known was replaced by a black cloud.” Indigenous children had their mouths washed out with soap for speaking Ojibwe, names changed to “good biblical names“ and were disciplined with paddles and fists. When that didn’t work, they were sent to “contrition,” a dank basement prison. “Our goal here is to help you succeed in this world,” says Father Quinney (Michael Murphy).

A school in only the loosest sense of the word, piousness was valued above everything else. “The only test was our ability to endure,” Saul says. The youngster survives in part because of his love of hockey. Teaching himself to skate, he uses frozen horse manure as make-do pucks. Despite his young age he has an innate ability, honed by watching hockey on TV, and can outplay the older boys. With the encouragement of kindly priest Father Gaston (“Game of Thrones’” Michiel Huisman) he flourishes and is soon recruited to an outside league where his ability attract the attention of Toronto Maple Leafs recruiter Jack Lanahan (Martin Donovan).

In the big city he is subjected to abject racism and feels even more removed from his cultural roots. “There is no better life for me,” he says to Lanahan. “There never will be.”

“Indian Horse’s” portrayal of the cruelties of the residential school system is uncompromising and horrific. It’s not overly graphic but the human effects of the humiliating and dangerous treatment the students were subjected to are undeniable and unforgettable. Director Stephen Campanelli—Clint Eastwood’s steadicam operator from “The Bridges of Madison County” to the recent “The 15:17 to Paris”—sets the stage for Saul’s later-in-life trauma with matter-of-fact storytelling and characters that embody the results of cultural alienation.

Overall the film could use a little more nuance but there is no denying the important and timely nature of the story.