A weekly feature from ctvnews.ca! The Crouse Review is a quick, hot take on the weekend’s biggest and most interesting movies! This week Richard looks at the Beatles fantasy “Yesterday,” the maniacal manikin movie “Annabelle Comes Home” and the psychological drama “Isabelle.”
Watch the whole thing HERE!
Richard sits in on the CJAD Montreal morning show with host Andrew Carter to talk the new movies coming to theatres including “Yesterday,” a musical fantasy about a struggling musician who gets by with a little help from his friends, “Annabelle Comes Home,” the continuation of the devil doll story from “The Conjuring” and “Isabelle,” a psychological drama with a neighbourly twist.
Listen to the whole thing HERE!
Richard has a look at the new movies coming to theatres, including the Beatles-based musical fantasy “Yesterday,” the devil doll flick “Annabelle Comes Home” and the psychological drama “Isabelle” with CFRA Morning Rush host Bill Carroll.
Listen to the whole thing HERE!
Becoming a new parent is scary, filled with unknowns. Will the baby be healthy and happy? What kind of parent will I be? A new film called “Isabelle,” starring Amanda Crew and Adam Brody, imagines the unimaginable, the unknowable psychological torment that follows a miscarriage.
Larissa (Crew) and Matt (Brody) are a happy young couple. Expecting a baby, they move to a new house to start their new life as parents. Next door is a stately old home, occupied by the schoolmarm-ish Ann Pelway (Sheila McCarthy) and eerie daughter Isabelle (Zoë Belkin), who is usually only seen peering through a second story window. After an encounter with Ann on the street Larissa is rushed to the hospital. Though clinically dead for a minute Larissa survives. Sadly, the child does not. Once at home Larissa is plagued by guilt and depression. She hears her dead child crying in the other room and is tormented by Isabelle’s seemingly unbreaking gaze.
After a brief set up director Rob Heydon sets a fast pace for the brisk 80-minute movie, diving right into the psychological terror. Much of the horror is subtle but effective as we learn about why Ann and Isabelle seem so otherworldly and follow Larissa on her terrifying journey. Midway through, however, “Isabelle” becomes cluttered with plot devices; there’s a hospital priest (Dayo Ade), demonic possession, a spiritual healer (Michael Miranda), Devil worship and more. More is sometimes less, and in this case the film feels rushed, over-stuffed with every trope out of the Supernatural Drama Handbook.
“Isabelle” does have its pleasures. McCarthy is a standout as Ann, a pious woman tormented by the past, and Brody and Crew who humanize the horror of the aftermath of a tragedy.
A weekly feature from from ctvnews.ca! The Crouse Review is a quick, hot take on the weekend’s biggest movies! This week Richard looks at the missing daughter story of “Searching,” the adult rom com charms of “Juliet, Naked” and the slow burn of “Cardinals.”
Watch the whole thing HERE!
Richard joins CP24 anchor Nathan Downer to have a look at the weekend’s new movies including the missing daughter story of “Searching,” the adult rom com charms of “Juliet, Naked” and the slow burn of “Cardinals.”
Watch the whole thing HERE!
Richard sits in with CTV NewsChannel anchor Marcia MacMillan to have a look at the weekend’s big releases, the missing daughter thrills of “Searching,” the adult rom com charms of “Juliet, Naked” and the slow burn of “Cardinals.”
Watch the whole thing HERE!
Richard has a look at the high tech Hitchcockian thrills of “Searching,” the adult rom com charms of “Juliet, Naked” and the slow burn of “Cardinals” with the CFRA Morning Rush host Bill Carroll.
Listen to the whole thing HERE!
Thomas Wolfe said, “You can’t go home again,” but some people do it anyway. Take Valerie (Sheila McCarthy), protagonist of “Cardinals.” After spending a decade in prison for vehicular manslaughter while intoxicated she returns home to an unexpected reception.
The story begins the night of her crime. Without spoiling the film’s set up I can tell you we see Valerie guzzling vodka in the front seat of her car as a lifeless body is illuminated by her tail lights. Fast-forward ten years. On the day of her release from prison her daughters (Grace Glowicki and Kate Boland) welcome her back. Not everyone is happy to see her, however. Next door neighbour and victim’s son Mark (Noah Reid) has waited ten years to confront her, to find out what, exactly, happened that fateful night. Valerie’s stoicism and lack of contriteness stonewalls Marks’ attempts to uncover the truth. Is there more to this story than he originally thought?
“Cardinals” is a slow burn that focuses on the reaction to Valerie’s actions. She brought tragedy to two familes, Mark lost a father and her daughters lost their mother, but as details are revealed in a harrowing climax, more questions about culpability and consequences are raised. It’s an interesting “Dateline” worthy crime story with an effective central performance from McCarthy.
