Posts Tagged ‘Kit Harington’

Pompeii movie offers cardboard acting, and plenty of molten cheese.

pompeii1By Richard Crouse and Mark Breslin – Reel Guys Metro Canada

Synopsis: Set in the shadow of the gurgling volcano Mount Vesuvius, Pompeii stars Game of Thrones heartthrob Kit Harington as the muscle-bound Milo. His tribe, including his entire family, was wiped out by the vicious Roman Senator Corvus (Kiefer Sutherland) dooming him to a lonely life of servitude under the thumb of Roman masters. Years later as a gladiator in Pompeii’s coliseum he sees a way to exact revenge and save Cassia (Emily Browning), the most beautiful girl in the lush resort town. As warriors Milo and Atticus (Adewale Akinnuoye-Agbaje) battle Roman soldiers in the coliseum, the volcano erupts, causing havoc. Will Milo get vengeance and save Cassia before a rolling mountain of lava and ash covers the city?

•    Richard: 2/5
•    Mark: 2/5

Richard: Mark, the spirit of Steve Reeves lives on. If you aren’t familiar with Mr. Reeves’ oeuvre, he was Hercules before Kevin Sorbo, a legend of beefcake historical drama movies. His movies were all about bulging muscles, swinging swords and damsels in revealing togas. Which brings me to the spiritual cousin to the Reeves movies — Pompeii — which adds spewing lava, but not much else to the sword and sandal genre. Physically, Jason Statham sound-a-like Harrington is up to the heroic Reeves role but is slowed down by the thick layer of molten cheese that covers almost every frame of this film.

Mark: Richard, the movie reminded me of Titanic, but not in a good way. It’s 90 minutes of derivative and irrelevant narrative, a love story between an upper class woman and a commoner, followed by a half hour of the special effects you came to see in the first place. Harrington is fine, but it doesn’t matter. The real star is the volcano, and unfortunately, it has the best lines. The gladiator plotline is inferior to other films in the same genre, although I thought the 20 slaves versus 20 centurions scene was handled with great verve.

RC: It does take too long for Mount Vesuvius to blow its top — complete with flying lava meteorites — and when it does, the special effects aren’t quite as spectacular as you might hope from a CGI extravaganza. On top of that is muddy-looking 3D. The film overall is dark as though the whole thing was shot through a cloud of volcanic ash. Having said that, I didn’t think the volcano had all the best lines. I got a kick out of a prison guard loudly waking up the jailed gladiators by shouting, “Wake up, scum!”

MB: Oh. I thought he was shouting that to the audience. And poor Kiefer Sutherland, given a cardboard role in a papier-mâché film. I kept expecting him to look at the volcano and shout, “We’re running out of time!” What I think I would have liked was a drama that showed a cross section of Pompeii life all too tragically snuffed out by the erupting volcano. But maybe that would have been Pomp-ous.

RC: Ha! I felt that when slave trader Graecus said, “You dragged me from a perfectly good brothel for this?” he was speaking directly to me.

MB: Unfortunately the movie didn’t speak to me in any way, shape or form.

 

Pompeii in the movies: A brief history of sword, sandal, and volcanoes.

pompeiiBy Richard Crouse – Metro Canada

It’s said the people of Pompeii regarded the eruption of Mt. Vesuvius in 79 A.D. with “a response more of curiosity than of alarm.” The volcano had burped and belched as many as 50 times over the years, so most of the city’s 20,000 citizens didn’t pay attention when Vesuvius started to gurgle.

Perhaps they were too busy visiting one of the city’s many brothels — like a proto-Las Vegas, this was the richest city of ancient times, ripe with amenities and vice — or enjoying their lunches of broad beans, olives, dormice (plumped up by chefs in terracotta jars) or even garum, made from the first blood of a still-gasping mackerel, to detect the cloud of deadly volcanic ash headed their way.

By the end of the day the dust “poured across the land,” claiming 2,000 lives. Buried beneath, “a darkness… like the black of closed and unlighted rooms.” The remains of Pompeii and its people were preserved, left untouched for two millennia.

Today the ancient city of Pompeii is one of the most popular attractions in Italy, drawing almost three million tourists annually. But if you can’t make it to the Italian region of Campania, a new movie aims to recreate the experience for you.

Pompeii stars Kit Harington, Carrie-Anne Moss, Emily Browning and Kiefer Sutherland in a love story about a slave-turned-gladiator (Harington) who must rescue his beloved, Cassia (Browning), before a rolling mountain of lava and ash dooms her to the ages.

The big action adventure take on the story directed by Resident Evil helmer Paul W.S. Anderson has an ancestor in The Last Days of Pompeii, a 1913 silent sword-and-sandal movie based on the Sir Edward Bulwer-Lytton novel of the same name. That book has been remade eight times.

The most famous version came in 1959. The big budget CinemaScope production was to have been directed by Mario Bonnard, but when he fell ill on the first day of shooting, screenwriter Sergio Leone (who would go on to make classics like The Good, the Bad and the Ugly) stepped in. It’s big on pageantry, just as the advertising taglines would suggest. It’s a “Fiery Summit of Spectacle,” the posters screamed, promising an inside look at, “the City that Lived in Sin and Died in Flame!”

Certainly it’s more puffed-up than Up Pompeii, a 1971 Frankie Howerd comedy that featured a speech by emperor Ludicrus Sextus during Vesuvius’ eruption.

“I say, Lurcio, how did my speech go?” he asks his servant as the city crumbles.

“Master, you brought the house down!”