“Never Saw it Coming,” based on the novel by Linwood Barclay, is a very dark comedy set against a backdrop of violence, murder and fraud.
Emily Hampshire is Keisha Ceylon, a con artist in an unhappy relationship who puts food on the table as a pseudo psychic. For a fee—always upfront—she preys on vulnerable families, offering phony information in outstanding missing person’s cases. An edgy character through and through, she even occasionally sets up a disappearance and later split the finder’s fee with a the supposedly disappeared person. When a consultation with Wendell Garfield (Eric Roberts), a wealthy man whose wife had vanished, takes a bad turn, Keisha discovers an even darker path in life.
Tightly constructed, “Never Saw it Coming” is a story about the lengths a person will go to survive, to provide for their family. Keisha’s morally dubious—to say the least—actions have unexpected results and that’s what keeps the story buoyant. In any other film Keisha would be the villain, or at the least, a very shady character not to be trusted. Here Hampshire infuses her with considerable charm, even when she is doing terrible things. She is one of the rare baddies you might just end up rooting for.
“Never Saw it Coming” isn’t a complicated tale. It’s an aptly named story that sees its main character thrown into a bad situation, ripe with violence and deceit, that provides enough twists to keep you guessing until the end credits roll.
Richard sits in on the CJAD Montreal morning show with guest host Ken Connors to talk about the first Hollywood movie in 25 years to star an all-Asian cast, “Crazy Rich Asians,” the mystery thriller “Never Saw it Coming” and the rock ‘n roll biopic “Nico, 1988.”
For the third year in a row, Telefilm Canada and Birks have partnered to celebrate Canadian women in film during the Toronto International Film Festival (TIFF). Nine Canadian women, film directors and actors who have made their mark this year have been selected by a pan-Canadian jury of arts, culture and entertainment journalists. The 2015 honourees of the Birks Diamond Tribute to the Year’s Women in Film are directors Sophie Deraspe; Anne Émond; Patricia Rozema; Kari Skogland; and Ingrid Veninger, as well as actors Katie Boland; Suzanne Clément; Catherine O’Hara; and Karine Vanasse. The recipients will be honoured on September 15 at the Shangri-La Hotel in Toronto.
“2015 is another great year for Canadian women in film! These are remarkable individuals with major talent, who are much admired and who bring honour to our country,” said Carolle Brabant, Executive Director of Telefilm. “They have greatly distinguished themselves across the country and around the world in a variety of genres. We are proud to continue our partnership with Birks in order to spotlight the important contribution of Canadian women to the film industry.”
“It is an honour for Birks to highlight the talent and important contribution of Canadian women in film again this year,” said Eva Hartling, Vice President, Marketing & Communications of Birks Group Inc. “Much like Canadian diamonds who allow our country to shine beyond its borders, the nine women we recognize this year are a great example of Canada’s talent and leadership in the arts.”
Katie Boland, actor, was one of four Canadian actors named a TIFF Rising Star at the Toronto International Film Festival in 2011. In 2013, she appeared in Gerontophilia by Bruce LaBruce, which had its world premiere at the opening night of Venice Days (Venice Film Festival), and in the award-winning comedy Sex After Kids by Jeremy LaLonde. In 2015, Katie most notably appears in Born to Be Blue by Robert Budreau, which has its premiere at TIFF.
Suzanne Clément, actor, won Best Actress for her role in Laurence Anyways by Xavier Dolan at the 2011 Cannes Film Festival. In 2015, she received a Jutra and a Canadian Screen Award for Best Supporting Actress for her role in Mommy. She appears in Guibord s’en va-t-en guerre by Philippe Falardeau, which is screening at TIFF following its world premiere on the Locarno International Film Festival’s Piazza Grande, and in Early Winter by Michael Rowe, which will have its world premiere at Venice Days in September 2015.
Sophie Deraspe, director, recently completed The Amina Profile, which premiered at the Sundance Film Festival in 2015. It has since screened at more than 10 film festivals, including Hot Docs, where it won the Special Jury Prize for Canadian Feature Documentary. The filmmaker also directed Missing Victor Pellerin (2006) and Les Signes Vitaux (2009), which won 15 prizes from around the world.
Anne Émond, director, filmed Les Êtres chers, which recently premiered at Locarno. For her first film, Nuit #1 (2011), she took home the Claude-Jutra Award for best debut feature. It premiered at TIFF, where it received a Special Mention from the jury for Best First Canadian Feature Film, and was named Best Canadian Feature Film at the Vancouver International Film Festival.
Catherine O’Hara, actor, started her comedy career in 1974 as a cast member of Second City Television. An Emmy Award winner (1982), she has more than 90 TV and film credits to her name—including After Hours, Home Alone and Beetlejuice. In 2007, she was inducted into Canada’s Walk of Fame. In 2015, she appears in Schitt’s Creek and What Lives Inside.
Patricia Rozema, director, has directed some 20 films. This year she is presenting Into the Forest at TIFF. Her feature film debut, I’ve Heard the Mermaids Singing (1987), won the Prix de la Jeunesse at Cannes’ Directors’ Fortnight. The film was released worldwide becoming one of Canada’s most successful films, both critically and commercially. Her award-winning films include Mansfield Park (1999), When Night Is Falling (1995) and White Room (1990).
Kari Skogland, director, has more than 40 directing credits, among them the feature films Stone Angel (2007) and 50 Dead Men Walking (2008). Her impressive TV credits include major international coproductions such as Vikings and The Borgias. This year she directed the mini-series The Sons of Liberty and episodes for the Tyrant and Penny Dreadful series.
Karine Vanasse, actor, is popular on both sides of the border. In 2015, she appeared in Forbidden Room by Guy Maddin, which had its world premiere at Sundance. Her award-winning film roles include Polytechnique (2009), which she also produced; Séraphin: Heart of Stone (2002); and Set Me Free (1998). On television, she is well known for roles in the U.S. series Pan Am and Revenge.
Ingrid Veninger, director, began her career as an actor before writing and directing her own shorts and features. Ingrid most notably directed The Animal Project (2013), which screened at some 20 international festivals and won the EDA Award at the Whistler Film Festival; i am a good person/i am a bad person (2011), which won the Toronto Film Critics Association’s Jay Scott Prize; and Modra (2010), which was selected to TIFF’s Canada’s Top Ten for the year.
Jury
The pan-Canadian jury is made up of renowned journalists covering arts, culture and entertainment: Jason Anderson (Cinema Scope), Katie Bailey (Playback), Linda Barnard (Toronto Star), Richard Crouse (Metro), Maxime Demers (Le Journal de Montréal), Manon Dumais (freelance journalist), Noreen Flanagan (Elle Canada), Teri Hart (Entertainment City), Tanya Lapointe (Radio-Canada), Marc-André Lussier (La Presse), Bernadette Mora (Fashion Magazine), Katherine Monk (The Ex-Press), Herby Moreau (herby.tv), Andrea Nemetz (The Chronicle Herald), Ingrid Randoja (Cineplex Magazine), Kiva Reardon (freelance journalist), Johanna Schneller (The Globe and Mail), Cassandra Szklarski (The Canadian Press) and Odile Tremblay (Le Devoir).
The jury selected the women to be honoured based on the impact of their work and their talent, the recognition they have received from respected organizations and their peers, and the visibility they generated for Canada this past year. Nominees were also required to have either directed or appeared in a production during that year.
One night, two events. Richard hosted two events on Thursday April 9: the POV 3rd Street Gala and “King John” Q&A.
ABOUT POV 3rd STREET: Established in 2007 by members of the film, TV, and commercial production industries who were interested in increasing access to employment in their community and broadening its diversity. We are dedicated to assisting at risk young adults (18-25) gain the skills and experience needed to secure jobs and have long-term careers in the media industry. We run four programs: The Media Training Program, The 3rd Street (Critical Thinking) Program), The Job Placement Program, and the Alumni Support Program. Learn more HERE! Telling their stories at the POV 3Rd Street Gala were directors Sudz Sutherland, Jennifer Holness, Warren P. Sonoda and actors Zoie Palmer, Ennis Esmer, Tara Spencer Nairn, Katie Boland and Natalie Brown.
ABOUT KING JOHN: When the rule of a hedonistic and mercurial king is questioned, rebellion, assassination and excommunication ensue, culminating in a chilling attempt to commit an atrocity against a child, whose mother’s anguished grief cannot atone for her blinkered ambitions for her son.
Don’t miss this rare opportunity to see Shakespeare’s King John, in a magnificent production by the renowned Stratford Festival, North America’s leading classical theatre company, whose HD production of King Lear, directed by Artistic Director Antoni Cimolino and starring Colm Feore, opened to rave reviews last month.
With commanding performances by Tom McCamus, Seana McKenna, Graham Abbey and Patricia Collins, King John was directed by Tim Carroll, whose recent Shakespeare productions of Richard III and Twelfth Night were the toast of Broadway.
Filmed in spectacular HD under the direction of Barry Avrich, King John will be in cinemas across Canada on Thursday, April 9, and throughout the U.S.on Wednesday, April 8. The Canadian encore screening is on April 12. U.S. encore dates vary. For more information click HERE! Richard hosted a Q&A with director and Tony nominee Tim Carroll, Stratford Festival artistic director Antoni Cimolino, actor Tom McCamus and film director Barry Avrich.
“Never Saw it Coming,” based on the novel by Linwood Barclay, is a very dark comedy set against a backdrop of violence, murder and fraud.
