The new all Smurf, all-animated movie may be the most adult take on the pint sized blue creatures ever. “Smurfs: The Lost Village” is a hero’s journey, a character in search of a purpose. It’s Joseph Conrad via Smurf Village. Smurfette’s “Heart of Darkness.”
Smurf fans know she is the only female Smurf, created by wizard Gargamel (Rainn Wilson) from a lump of clay to sow the seeds of jealousy in Smurf Village. With the help of Papa Smurf (Mandy Patinkin) she transformed, becoming a beacon of sweetness-and-light and the love interest of Smurfs everywhere.
The new story finds Smurfette voiced by Demi Lovato and pondering her place in the world. All the other perky pint sized blue creatures have descriptive names—Clumsy Smurf (Jack McBrayer), Jokey Smurf (Gabriel Iglasias) and Baker Smurf (Gordon Ramsey)—but what exactly, she wonders, is ‘ette’ supposed to mean?
Her quest of self-discovery leads to the Forbidden Forest where, for the first time, she sees others just like her, girl Smurfs with names like Smurfstorm (Michelle Rodriguez), Smurfwillow (Julia Roberts) and Smurfblossom (Ellie Kemper).
Unfortunately Gargamel, on the hunt for fresh Smurfs to drain of their essence so he can become the most powerful wizard in the world, takes note and makes a plan to invade this previously uncharted Smurf settlement. “If it wasn’t for you,” Gargamel cackles to Smurfette, “I wouldn’t have known about those other Smurfs!” With the help of Clumsy, the bespectacled Brainy (Danny Pudi) and strongman Hefty (Joe Manganiello) the plucky Smurfette sets off to sound warning bells.
First though, the little blue ones must navigate the perils of the Forbidden Forest, a colourful place where the flora and fauna are have minds of their own and aren’t happy to receive visitors. “Nice forest, nice flowers,” says Hefty. “Not nice flowers!” In the inevitable showdown between our heroes, the new Smurfs of the Lost Village and Gargamel, someone shouts, “Smurfette, why did you do this to us?” Gargamel’s chilling response? “Because it was her purpose.”
There’s that word again, purpose. It’s at the heart of Smurfette’s journey. Is she a pseudo-Smurf, a former lump of clay masquerading as part of the tribe? Of course not. The story is one long set up for a feel good message about being anything you want to be and defying labels placed upon you by other people.
Along the way there is loads of gently paced action for young viewers, silly jokes and lots of ear-wormy songs.
“30 Rock’s” Jack McBrayer naturally has the Smurfiest voice of all the Smurfs in Smurfdom but is supported by playful work from Wilson, Kemper, Manganiello and Lovato.
“Smurfs: The Lost Village” may have an adult subtext but unless a surfing pun—“Let’s go smurfboarding!”—cracks you up few over the age of fifteen will find the journey particularly engrossing. This is first and foremost a kid’s movie without the pop culture references that sometime add a layer of maturity to keep things interesting for parents. Older folks might want to put the kids to be and watch this as a drinking game. Do a shot every time one of the characters says the word “Smurf” and you’ll be blue in the face in no time.
The first “Magic Mike” was a sexy slithering slice of cinema that was about the dancers, the men who shook their booties for the pleasure of anyone with a few dollars to spare. It was about, as Mike said, “women, money and good times,” but it also told the story behind the glittery G-strings.
As the title suggests, the sequel, “Magic Mike XXL,” is bigger than the first film, but is disappointingly (depending on your point of view) about the dancing, rather than the dancers.
The new movie begins with Magic Mike (Channing Tatum) struggling to make a go of his new furniture business. Out of the male entertainment game for three years, he hasn’t quite left his old life behind. His girlfriend has run off, his one employee is owed big bucks and, in his private moments, he still spontaneously breaks into exotic dance routines. At loose ends, he decides to find solace in stripping, making one last run with his old outfit The Kings of Tampa. “It’s like when Justin came back to Backstreet,” says one of his co-peelers.
His mentor Dallas (Matthew McConaughey) is out of the picture, promoting shows over seas, but that doesn’t stop the well-toned but aging crew (Joe Manganiello, Kevin Nash, Matt Bomer and Adam Rodriguez) from doing one last show at a Myrtle Beach stripper convention and earning a “tsunami of dollar bills.”
“Magic Mike XXL” is a road trip through the undergarments… er… the underbelly of the male entertainment business. It skims the surface of the life it portrays, playing like a more revealing “Entourage” bromance. The spiritual journey of the first film has been replaced by a burlesque show with skin-deep depth. It’s a blockbuster with an indie film feel—any slicker and this would be little more than “Showgirls”—but none of the introspection that would make it special. A profound lack of drama or conflict make it feel like a slightly sexier “Road to Bali.”
Having said that, the naturalistic performances and chemistry between the cast is appealing and there is an undeniable appeal to the dirty dancing scenes, but, depending on your point of view, they either make the film worth watching or push the movie into R-rated make-you-blush territory. One thing that can’t be denied is that Channing Tatum could have had a career as a gymnast if the whole acting thing didn’t work out. All of his dance scenes look as though he performing inside a snow globe full of dollar bills thrown by excited onlookers.
As revealing as “Magic Mike XXL” is, it doesn’t give us enough of an inside look at the characters to be really interesting.
Here’s the answer to the first question most people have asked me about “Magic Mike”: Yes, Channing Tatum appears naked but not nekkid. In movie terms naked means posterior shots, nekkid is when he turns around. Channing is now too big a star to turn around, but rest assured, within a minute of appearing on screen he leaves little to the imagination.
Directed by Steven Soderbergh, “Magic Mike” is a loosely biographical account of Tatum’s time spent dancing for money in a Tampa strip club. He plays the title character, a thirty-year-old entrepreneur and stripper with one foot on the stage and one in the business world. When he recruits the hot-headed Adam (Alex Pettyfer) to dance at the club he gets drawn deeper into the dark side of the art of selling sex.
Let me first say “Magic Mike” is abtastic.
There haven’t been this many finely sculpted stomach muscles in one place since the Dr. Ho infomercials of the late 1990s. The genetic blessings of stars Tatum, Matthew McConaughey, Joe Manganiello, Matt Bomer and Adam Rodriguez as Chippendales stereotypes like cowboys, firemen and construction workers, mixed with the little details–how Mike smoothes out the sweaty, rumpled bills that get shoved down his G-string and then presses them under a large book–and moves that redefines dirty dancing, paint an effective portrait of the dancers who liberate the sexual passions of the giddy girls in their audiences.
That part the story gets right. When the movie is showing some skin it works, it’s when it gets to the stuff underneath–the heart and soul–that it falters. Up until the final half-hour it’s all about, as Mike says, “women, money and good times,” but the inevitable turn toward the dark side isn’t nearly as interesting as everything that came before it. “Boogie Nights” did it first and did it better.
By the time “Magic Mike” reaches its redemptive moment, with the classic rock anthem of rebirth “Feels Like the First Time,” blaring in the soundtrack, the movie feels like something we’ve seen before.
But for those who stopped reading after the words “Channing Tatum” and “naked” “Magic Mike” offers the pleasures of an endearingly charming performance from the titular character, an unhinged one from McConaughey and lots of buff, hairless men doing things that would make your grandmother blush.
The new all Smurf, all-animated movie may be the most adult take on the pint sized blue creatures ever. “Smurfs: The Lost Village” is a hero’s journey, a character in search of a purpose. It’s Joseph Conrad via Smurf Village. Smurfette’s “Heart of Darkness.”
