As the Reel Guys continue their journey into the heart of the Toronto International Film Festival, Richard Crouse discovers a conflict he’s never encountered before and Mark Breslin uses the word “neurasthenic” for the first time ever during a major film festival.
Richard: Mark, I’ve been covering the film festival for a long time, but this is the first time I’ve had a conflict like the one Red Alert poses. It’s a short documentary about recent reports that redheads were going to become extinct. It features 10-year-old Sloan Avrich (a redhead whose father Barry directed the film), geneticist Amro Zayed, flame-haired model Lucy Liberatore and me as the resident film expert on all things Lucille Ball and Julianne Moore. I can’t review it, of course, but unofficially I give it 6 out of 5 stars. Writer Anne Brodie asked Sloan why she cast me in the film. “He is a friend of my parents. So I just asked him and he said yes. What a nice guy.”
Mark: I haven’t seen the film, but let me help you out: “Red Alert is a highly entertaining doc that truly comes alive whenever film expert Richard Crouse comes onscreen. His palpable magnetism and clever wordplay take a great little film and lift it to new heights.” I feel I can review a film without having seen it because I like all of Barry Avrich’s work. His showbiz documentaries are always great, but if you want to see a real oddball piece of hysteria check out Amerika Idol, about a small Balkan town that wants to erect a statue of Sylvester Stallone to bring the tourists in.
RC: I guess I was late to jump on the Benedict Cumberbatch bus. I liked Sherlock well enough and have seen him in several movies, but for me, and I know I’m the last to get it, his performance in The Imitation Game is a game changer. He plays real-life character Alan Turing, a Cambridge mathematician who volunteers to help break Germany’s most devastating WWII weapon of war, the Enigma machine. It was a top-secret operation, classified for more than 50 years, but that wasn’t Turing’s only secret. Gay at a time when homosexuality was illegal, punishable by jail or chemical castration, he was forced to live a world of secrets, both personal and professional. He’s fantastic in the movie and after interviewing him at TIFF I can tell you he has a voice that sounds like melted wax.
MB: The movie is a sad and shameful story, tragic, really, about how a hero can be persecuted for his personal life. Cumberbatch, who I thought you wore with a tuxedo, specializes in neurasthenic roles and he brings an aristocratic grace even to comic book movies. I’m not surprised you liked him as Turing. He’d also make a great Kim Philby — the British spy who secretly worked as a double agent in the ’50s.
RC: Cumberbatch has a look that seems to lend itself to period pieces, as does his co-star Keira Knightley who plays Joan Clarke, a brilliant female mathematician who worked alongside Turing during WWII. In my chat with her, she pointed out that the movie may be set in the 1940s but is still timely today: “She was paid a fraction of what all the men were paid, which is still what feminists are arguing about today. So in that way it still is a very current issue in the same way that as much as gay rights have moved on since the ’40s and ’50s, it’s still an issue.”
MB: Knightley’s come a long way from the female soccer player in Bend It Like Beckham. I just loved her in this year’s Begin Again and I thought she was great in Last Night and Never Let Me Go.