Posts Tagged ‘Hallelujah’

YOU TUBE: THREE MOVIES/THIRTY SECONDS! FAST REVIEWS FOR BUSY PEOPLE!

Watch Richard Crouse review three movies in less time than it takes to buy a dress! Have a look as he races against the clock to tell you about the feel-good “Mrs. Harris Goes to Paris,” the music documentary “Hallelujah: Leonard Cohen, A Journey, A Song” and the drama “Where the Crawdads Sing.”

Watch the whole thing HERE!

RICHARD’S CTV NEWSCHANNEL REVIEWS FOR JULY 17 WITH ANGIE SETH.

I join CTV NewsChannel anchor Angie Seth to talk about the feel-good “Mrs. Harris Goes to Paris,” the music documentary “Hallelujah: Leonard Cohen, A Journey, A Song” and the drama “Where the Crawdads Sing.”

Watch the whole thing HERE!

CTV NEWS AT SIX: NEW MOVIES AND TV SHOWS TO CHECK OUT THIS WEEKEND!

Richard appears on “CTV News at 6” with anchor Pauline Chan to talk about the best movies and television to watch this weekend. This week he has a look at Dakota Johnson in Netflix’s Jane Austin adaptation “Persuasion,” Jennifer Hudson as Aretha Franklin in “Respect” on Crave, “Mrs. Harris Goes to Paris” on the big screen and the documentary “Hallelujah: Leonard Cohen, A Journey, A Song.”

Watch the whole thing HERE! (Starts at 38:16)

RICHARD’S WEEKEND MOVIE REVIEWS FROM CP24! FRIDAY JULY 15, 2022.

Richard joins CP24 to have a look at new movies coming to VOD, streaming services and theatres.  Today we talk about the murder mystery “Where the Crawdads Sing,” the historical feel-good flick “Mrs. Harris Goes to Paris” and the story of one of an iconic Canadian’s most famous song, “Hallelujah: Leonard Cohen, A Journey, A Song.”

Watch the whole thing HERE!

RICHARD’S CTV NEWSCHANNEL REVIEWS FOR JULY 15 WITH MARCIA MACMILLAN.

Richard joins CTV NewsChannel anchor Marcia MacMillan to talk about the feel-good “Mrs. Harris Goes to Paris,” the music documentary “Hallelujah: Leonard Cohen, A Journey, A Song” and the drama “Where the Crawdads Sing.”

Watch the whole thing HERE!

NIAGARA IN THE MORNING: TIM DENIS MORNING SHOW MOVIE REVIEWS!

Richard sits in on the CKTB Niagara in the Morning morning show with guest host Stephanie Vivier to talk the new movies coming to theatres. This week we look at the mystery drama “Where the Crawdads Sing,” the feel-good historical drama “Mrs. Harris Goes to Paris” and the documentary “Hallelujah: Leonard Cohen, A Journey, A Song.”

Listen to the whole thing HERE!

CFRA IN OTTAWA: THE BILL CARROLL MORNING SHOW MOVIE REVIEWS!

Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to theatres including the mystery drama “Where the Crawdads Sing,” the feel-good historical drama “Mrs. Harris Goes to Paris” and the documentary “Hallelujah: Leonard Cohen, A Journey, A Song.”

Listen to the whole thing HERE!

THE SHOWGRAM WITH DAVID COOPER: DOES RICHARD CROUSE LIKE THESE MOVIES?

Richard joins NewsTalk 1010 host David Cooper on the coast-to-coast-to-coast late night “Showgram” to play the game “Did Richard Crouse Like This?” This week we talk about the southern drama “Where the Crawdads Sing,” the feel-good “Mrs. Harris Goes to Paris” and the documentary “Hallelujah: Leonard Cohen, A Journey, A Song.”

Listen to the whole thing HERE!

HALLELUJAH: LEONARD COHEN, A JOURNEY, A SONG: 3 ½ STARS. “a fascinating character.”

“Hallelujah,” Leonard Cohen’s haunting hymn of desire, spirituality and the mystery of life, took seven years to write. Begun when Jimmy Carter was president, it wasn’t released until Ronald Reagan was in his second term.

How does that compare to other songwriters? In a famous story, Bob Dylan and Leonard Cohen are having lunch. “I really like ‘Hallelujah,’” Dylan said. “How long did it take you to write that?”

“Seven years,” came the reply.

Returning the compliment, Cohen said, “I really like ‘I and I,’” a tune from Dylan’s album “Infidels” album. “How long did it take you to write that?”

“About fifteen minutes,” Dylan said.

“I always thought I sweated over this stuff,” Cohen says in “Hallelujah: Leonard Cohen, A Journey, A Song,” a new documentary now playing in theatres, “but I had no idea what sweating over this stuff meant until I found myself in a shabby hotel room trying to finish ‘Hallelujah’ and not being able to finish it.”

The new documentary expands beyond the seven years of Cohen’s endless scribbling of lyrics, to essay what he calls, “my curious career and marginal presence on the edges of the music scene.”

Directed and edited by Daniel Geller and Dayna Goldfine, the film stitches together new interviews with old friends of the singer, archival footage, musical performances and photographs. It paints a portrait of a spiritual seeker, a poet on an endless hunt for meaning through career ups and downs.

One of the downs was the release of “Various Positions,” the album that contained the original version of “Hallelujah.” Hindsight is 20/20, of course, but at the time the album was rejected by

Walter Yetnikoff, the head of Columbia. Refusing to release it domestically, Yetnikoff gave Cohen a show biz kiss-off. “Leonard, we know you’re great. But we don’t know if you’re any good.”

The album and the song languished, ignored and virtually unheard, until John Cale revived the tune for a tribute album called “I’m Your Fan.” Revamping the arrangement and incorporating several of Cohen’s unused verses, the song finally caught the ear of the public, including folk-rock singer Jeff Buckley. His version (based on Cale’s interpretation) would go on to be named one of Rolling Stone’s The 500 Greatest Songs of All Time, and is likely the best known in a field that includes covers by everyone from Rufus Wainwright and k.d. lang to Pentatonix and Willie Nelson. “It’s a great song,” said Buckley. “I wish I had written it.”

Strangely enough, it was a sequence in the Mike Myers animated film “Shrek,” featuring Cale’s arrangement, that gave tune a whole new energy for a younger audience. Eventually, the “cleaned-up” “Shrek” version would become an “American Idol” and “X-Factor” talent show staple, and re-enter the charts several times. At one point it took the top two spots on the British charts at the same time, while Cohen’s 1984 was in the Top 40, a fact that tickled Cohen. “It was an ironic sidebar because the record that it came from wasn’t considered good enough for the American market,” he says in the film. “There is a certain sense of revenge that rose in my heart.”

Fans of Cohen may not learn too much they don’t already know in “Hallelujah: Leonard Cohen, A Journey, A Song.” But, from music to meditation, poetry to prayer, he remains, even in the broadest of biographical strokes, a fascinating character.

As for the song? Cohen says he’s happy for its success but, “I think people should stop singing it for a little while.”