CTVNEWS.CA: Golden Globes: Will ‘A Star is Born’ be the biggest winner?
Richard provides a quick and easy guide to tonight’s Golden Globes. Who will win and who will go home empty handed? Click HERE to find out.
Richard provides a quick and easy guide to tonight’s Golden Globes. Who will win and who will go home empty handed? Click HERE to find out.
To paraphrase James Baldwin, “The most dangerous creation of any society is the woman who has nothing to lose.” “In the Fade” (“Aus dem Nichts”), the new thriller from German director Fatih Akin, brings this truism to life.
When we first meet Katja (Diane Kruger in her first German language film) she has a normal life. Living in Germany, married to Turkish immigrant accountant Nuri (Numan Acar), she has a young son named Rocco and a large extended family. Her well ordered life is disrupted, forever changed, when Nuri and Rocco are killed in a Neo-Nazi nail bomb attack. Her life in shards she attempts suicide, endures a drawn out court trial—“Imagine if they had gotten me and Rocco and Nuri had lived. He wouldn’t have stood for all this chit chat,” she says of the court case.—and finally, a showdown between her and the people responsible for tearing her life apart.
“In the Fade’s” story of terrorism and violence against immigrants is a timely one. Footage like the bombed out storefront where Nuri did business have become commonplace on the nightly news. What is less commonplace, on the news anyway, is the revenge aspect. Her need for vengeance, no matter the cost, drives the final third of the film.
Broken into three distinct segments, “The Family,” “Justice” and “The Sea,” the film almost feels like three separate shorts bound together by one character. Kruger is the glue that makes the movie as compelling as it is. A churning vessel of rage, hurt and despair, she is a very human presence at the centre of a bleak story.
“In the Fade” closes with a title card detailing the violence against immigrants in Germany each year. It is a powerful statement made in a movie that drives the point home by honing the horror of widespread violence down to one, very personal story.
Richard sits in with CP24 to discuss the Golden Globes, Seth Myers and Oprah.
Watch the whole thing HERE!
Here are some rough notes from the Golden Globes:
The political commentary began already with Debra Messing, while being interviewed on the E! Red carpet said, “I was shocked to hear E! doesn’t believe in paying their female cohosts the same as their male cohosts.”
Subtle and not so subtle comments continued with Natalie Portman pointing out that all the best director nominees were men in an evening clearly designed to commemorate the brave women who spoke out this year.
Seth Meyers did well enough in what is probably the toughest job in show business this year. Striking a balance between making pointed comments and still making people laugh, he managed to find a way to work Harvey Weinstein into a comedy routine.
Likely it will be the speeches that her best remembered when people look back at this Golden Globes. Elizabeth Moss was eloquent and heartfelt, quoting Margaret Atwood. “We are of the story and we’re writing it ourselves.“
Also memorable was Sterling K. Brown from This is Us, who spoke about the importance of role models for African American actors.
That was a theme echoed in the most powerful speech of the night from Cecil B DeMille award winner Oprah Winfrey. She spoke about Sidney Pottier but also of speaking truth to power in a speech that brought the audience to their feet early on and kept them there the whole time.
There was no clear front runner, but Saoirse Ronan, who won Best Actress for Lady Bird and Guillermo del Toro, who won best director for The Shape of Water became serious Oscar contenders tonight. Lady Bird got a push, winning best Comedy or Musical. Frances McDormand also took a few steps toward Oscar with her win for Three Billboards.
Sad to see Get Out snubbed for both it’s nominations.
Funny moments included James Franco shooing Tommy Wiseau, the guy he portrayed in The Room, away from the microphone when he tried to crash the acceptance speech. Also loved that Saoirse Ronan’s mom was watching on FaceTime.
Frances McDormand: The women in this room tonight are not here for the food. They’re here for the work. Trust me.
By Richard Crouse – Metro Canada
Overrated is the last word I would use to describe Meryl Streep as an actress or interview subject. Like everybody else I’ve admired her work from the early fresh-faced roles in films like Manhattan to the emotional catharsis of Kramer vs. Kramer, through her accent phase and beyond.
I’ve also interviewed her several times. In our conversations, as in her controversial speech at the Golden Globes, she’s always been forthright, fearless and nothing less than gracious.
Our first chat was eleven years ago at the A Prairie Home Companion television junket in Minnesota. I’ve done dozens, probably hundreds of these things and the only thing they have in common is the amount of time wasted sitting in hotel hallways, cooling heels until the stars are ready to speak. Experience taught me to always bring a book, the thicker the better, to pass the time.
I read until it was time to talk with Streep. With a list of questions and my book I sat opposite her under hot TV lights and the unblinking gaze of the cameras, familiar but formal territory. Then she did remarkable. Before my first question she asked me one.
“What book are you reading?” No actor had ever asked me about my ever-present book. She then asked me what I liked about it. As we chatted amiably I realized I was being seduced by the Streep charm.
She was working her magic, doing what she does in her work; taking our time beyond the professional and into the personal. She took a moment to make a connection with me before we got down to the task at hand. That bond to her audience and her characters is what makes her great, not just as an actress or speechmaker but also as a person.
Overrated? I think not.
“Canada AM”: Richard and host on the Golden Globes nominations 2015
Watch the whole thing HERE!
MOTION PICTURES
Best Drama
Best Comedy
Best Director
Best Actress in a Drama
Best Actor in a Drama
Best Actor in a Musical or Comedy
Best Actress in a Musical or Comedy
Best Supporting Actress
Best Supporting Actor
Best Screenplay
Best Foreign Language Film
Best Animated Feature
Best Original Song
Best Score
Follow the Golden Globes with this handy nomination sheet. No predictions from Richard but the picture is a clue…
Motion picture, drama
“12 Years a Slave”
“Captain Phillips”
“Gravity”
“Philomena”
“Rush”
Motion picture, musical or comedy
“American Hustle”
“Her”
“Inside Llewyn Davis”
“Nebraska”
“The Wolf of Wall Street”
Actress in a motion picture, drama
Cate Blanchett – “Blue Jasmine”
Sandra Bullock – “Gravity”
Judi Dench – “Philomena
Emma Thompson – “Saving Mr. Banks”
Kate Winslet – “Labor Day”
Actor in a motion picture, drama
Chiwetel Ejiofor – “12 Years a Slave”
Idris Elba – “Mandela: Long Walk To Freedom”
Tom Hanks – “Captain Phillips”
Matthew McConaughey – “Dallas Buyers Club”
Robert Redford – “All Is Lost”
Actress in a motion picture, musical or comedy
Amy Adams – “American Hustle”
Julie Delpy – “Before Midnight”
Greta Gerwig – “Frances Ha”
Julia Louis-Dreyfus – “Enough Said”
Meryl Streep – “August: Osage County”
Actor in a motion picture, musical or comedy
Christian Bale – “American Hustle”
Bruce Dern – “Nebraska”
Leonardo DiCaprio – “The Wolf Of Wall Street”
Oscar Isaac – “Inside Llewyn Davis”
Joaquin Phoenix – “Her”
Supporting actress in a motion picture
Sally Hawkins – “Blue Jasmine”
Jennifer Lawrence – “American Hustle”
Lupita Nyong’o – “12 Years a Slave”
Julia Roberts – “August: Osage County”
June Squibb – “Nebraska”
Supporting actor in a motion picture
Barkhad Abdi- “Captain Phillips”
Daniel Brühl – “Rush”
Bradley Cooper – “American Hustle”
Michael Fassbender – “12 Years a Slave”
Jared Leto – “Dallas Buyers Club”
Director
Alfonso Cuarón – “Gravity”
Paul Greengrass – “Captain Phillips”
Steve McQueen – “12 Years a Slave”
Alexander Payne – “Nebraska”
David O. Russell – “American Hustle”
Screenplay
Spike Jonze – “Her”
Bob Nelson – “Nebraska”
Jeff Pope and Steve Coogan – “Philomena”
John Ridley – “12 Years a Slave”
Eric Warren Singer and David O. Russell – “American Hustle”
Foreign Language Film
“Blue is the Warmest Color”
“The Great Beauty”
“The Hunt”
“The Past”
“The Wind Rises”
Animated Feature film
“The Croods”
“Despicable Me 2”
“Frozen”
Original Song
“Atlas” – “The Hunger Games: Catching Fire”
“Let It Go” – “Frozen”
“Ordinary Love” – “Mandela: Long Walk to Freedom”
“Please Mr. Kennedy” – “Inside Llewyn Davis”
“Sweeter Than Fiction” – “One Chance”
Original Score
Alex Ebert – “All is Lost”
Alex Heffes – “Mandela: Long Walk to Freedom”
Steven Price – “Gravity”
John Williams – “The Book Thief”
Hans Zimmer – “12 Years a Slave”
TV series, drama
“Breaking Bad”
“Downton Abbey”
“The Goodwife”
“House of Cards”
“Masters of Sex”
TV Series, Comedy
“The Big Bang Theory”
“Brooklyn Nine-Nine”
“Girls”
“Modern Family”
“Parks and Recreation”
TV movie or mini-series
“American Horror Story: Coven”
“Behind the Candelabra”
“Dancing on the Edge”
“Top of the Lake”
“The White Queen”
Actress in a TV series, drama
Julianna Margulies – “The Good Wife”
Tatiana Maslany – “Orphan Black”
Taylor Schilling – “Orange is the New Black”
Kerry Washington – “Scandal”
Robin Wright – “House of Cards”
Actor in a TV series, drama
Bryan Cranston – “Breaking Bad”
Liev Schreiber – “Ray Donovan”
Michael Sheen – “Masters of Sex”
Kevin Spacey – “House of Cards”
James Spader – “The Blacklist”
Actress in a TV Series, Comedy
Zooey Deschanel – “New Girl”
Lena Dunham – “Girls”
Edie Falco – “Nurse Jackie”
Julia Louis-Dreyfus – “Veep”
Amy Poehler – “Parks and Recreation”
Actor, TV Series Comedy
Jason Bateman – “Arrested Development”
Don Cheadle – “House of Lies”
Michael J. Fox – “The Michael J. Fox Show”
Jim Parsons – “The Big Bang Theory”
Andy Samberg – “Brooklyn Nine-Nine”
Actress in a mini-series or TV movie
Helena Bonham Carter – “Burton and Taylor”
Rebecca Ferguson – “White Queen”
Jessica Lange – “American Horror Story: Coven”
Helen Mirren – “Phil Spector”
Elisabeth Moss – “Top of the Lake”
Actor in a mini-series or TV movie
Matt Damon – “Behind the Candelabra”
Michael Douglas – “Behind the Candelabra”
Chiwetel Ejiofor – “Dancing on the Edge”
Idris Elba – “Luther”
Al Pacino – “Phil Spector”
Supporting actress in a series, mini-series, or TV movie
Jacqueline Bisset – “Dancing on the Edge”
Janet McTeer – “White Queen”
Hayden Panettiere – “Nashville”
Monica potter – “Parenthood”
Sofia Vergara – “Modern family”
Supporting actor in a series, mini-series or TV movie
Josh Charles – “The Good Wife”
Rob Lowe – “Behind the Candelabra”
Aaron Paul – “Breaking Bad”
Corey Stoll – “House of Cards”
Jon Voight – “Ray Donovan”
Pete Hammond from Deadline.com and film critic Richard Crouse dish about the surprises and snubs among the Golden Globe nominations.
Watch the whole thing HERE!
Last week I had an idea. The “brilliant and beloved” Richard Crouse, who has interviewed so many celebrities, would make a good subject for an interview. I posed this question to him last Thursday, asking if it would be okay to send over some questions. He gave me his phone number, and graciously said I could call. I spoke to him for just over 20 minutes this past Friday afternoon. .
We talked about everything from the genius of Pixar, to the brilliant state of family entertainment in 2009, and the pop culture phenomenon that is Avatar. He gave me his picks for the best and worst movies of last year, and told me what he would nominate for Best Picture if he had a ballot.
To the right is a picture of Richard wearing his awesome Mr. Fox “tail tie”, (which we also briefly discussed)
_____________________________________________
When did you start reviewing movies? Well, I started reviewing movies probably about 15 years ago. Before that I had written about music, and movies a little but mainly music.
And when did you know that’s what you wanted to do? When I first saw a film and realized ‘you know what? I liked that, but I think that they could have done this better’. And that was probably when I was about 5 years old. I grew up in a very small town in Nova Scotia, and they had a beautiful old movie theatre. Now the population of the town was only about 1500, and this place was built to be a grand opera house with space for 900, or so people. So often there were only like 10 or 15 other people in there, so it was like this really cavernous place. I was entranced by it, and we would often go a few times a week, but it was so far out of the way that often the selection playing would be far behind what was playing elsewhere, so one day you could be seeing a Bruce Lee movie, and the next a Russian art film, and the next Santa Claus Conquers The World, except in June. This gave me a broad appreciation for movies – as for the first one I saw, I don’t remember.
What were the best movies you saw in 2009? They were actually all kids movies this year, (or last year if you get technical). I feel that they really set the bar high. My favourites would have to be Up, Coraline, Fantastic Mr. Fox, The Princess and The Frog, and Where The Wild Things Are. Those are the ones that stand out for me. Another one would possibly be Avatar, which is living at the centre of pop culture right now as such a big movie, but 10 years I think I might look back on the phenomenon and of the year we will remember the kids movies the most.
That’s kind of what I feel about Avatar as well. It was visually stunning though. Absolutely, it was really an overwhelming experience to watch.
But the other films you mentioned will be more timeless. I think so. The Princess and The Frog was one that gives a good example of avoiding the trap that a lot of other animated kids films get into. When they think they must have jokes for adults, like pop culture references, mentioning Brittany Spears, etc., eventually, they will seem dated because of that. If you make classics, with good stories well told, then they will appeal to everyone at the very basic emotions. You have to trust that when you tell a good story, you don’t need to add all kinds of references in order to keep people interested.
And TPatF had a great soundtrack… Absolutely.
My next question for you today is, what were the worst movies you saw this past year? The worst movie was I Hope They Serve Beer in Hell. I think that it is not only worst of the year, but, and this may sound clichéd, but the worst certainly that I’ve seen as a professional. I felt like I was leaving a crime scene when I walked out of the theatre – a crime scene against entertainment. It was just really poorly made from top to bottom. I’m having a little trouble remembering some of the bad movies of last year. Just let me pull up a list. I’m currently writing an article about movies opening in April, so 2009 seems like a while ago.
Yeah, and the bad ones are the ones that you try not to remember. Right. So when did you start your website?
It was started in June, 2008 with a review of Get Smart.
So was that a positive or a negative? Fairly positive. That had The Rock in it, who I just finished reviewing in The Tooth Fairy.
Oh, I haven’t seen that one yet. Don’t bother, it’s terrible. Other ones that can be considered failures, are those that try to shoot the bar, but don’t attain it. Probably the ones I would really consider some of the worst movies are, when there are great movies like Mr. Fox, on the flip side there are films like Ice Age: Dawn of the Dinosaurs and Astro Boy, those are movies that, unlike something like Mr. Fox, treat kids like they’re stupid and can’t handle anything that isn’t goofy and shiny. And then there’s The Ugly Truth, that’s another movie that tried to put two appealing stars together in a premise that could have worked but just started rehashing, so could be considered one of the worst movies.
Especially when you look at a romantic comedy that really worked like (500) Days of Summer. Right, that one was really charming, interesting, and funny too. Joseph Gordon-Levitt should be an enormous star, I mean he’s already famous, and Zooey Deschanel, well, she should be my girlfriend.
What movies are are you most looking forward to in 2010? In 2010, there’s a movie called Kickass – the trailers look completely politically incorrect, like a 10 or 11 year old girl as a trained assassin, but I honestly think that the line ‘Good call, baby doll’, could become the new I’m Rick James, b****!.
And it looks hilarious. It does look hilarious.
Other ones that I’m curious about are the new Robin Hood remake, I mean Russell Crow has had some up’s and down’s, and then there’s Cate Blanchett as Maid Marion… And I’m also interested about Chris Nolan’s Inception – I mean the trailer looks amazing – and the description says it’s a sci-fi action film set within the architecture of the mind. Then there’s Greenberg, which is by the director of The Squid and the Whale, which I liked, and I’m interested to see more of a drama with Ben Stiller rather than a straight comedy and also it’s with Greta Gerwig. I’m curious to see whether she can make the leap to something that is a little bigger budget than usual.
Also, there’s I Love You Phillip Morris – I’m just really curious to see Jim Carrey and Ewen McGregor in that one, and Alice in Wonderland, which obviously we all know the story of, so it’s not for that, but I saw the props, and they are absolutely gorgeous, so it’ll be a beautiful film. And then – I don’t know when it’s coming out, if it even is this year – the new ‘Three Stooges’ movie. I’ve heard different things, although at this point I think there’s talk that it will have Sean Penn, Jim Carrey, and Benicio Del Toro. But the interesting thing is that it’s not a biography, it’s actually a new Three Stooges movie.
And then there’s also Toy Story 3 coming out as well. What are your thoughts on that one? Well, to me, I think Pixar can do no wrong. They chose to make TS3 and these aren’t people who need the money, or do something for the money, so if they’re doing it, then I’m sure they’ll make it cool or interesting.
What’s the coolest promotional item you’ve ever received? I don’t keep them all, since there’s only so much space, but as for DVD’s, I really liked the Planet of the Apes set, where all of the DVD’s are in a life-sized bust of Cornelius (one of the characters). It was stuffed with as many discs as could fit in the back of his head. Also, there was this Russian horror science fiction movie – and this was a few years ago – and it came with a little doll like creature with spider legs, a replica from the movie, that you can wind it up and it scurries around the floor. I actually have that right here.
What’s the most practical? The most practical are the clothes, since you can actually use them. T-shirts, hats, so that stuff’s pretty practical, and you also get lots of pens, which are always useful because I’m a writer, and I have gotten a lighter…
I remember seeing a picture of you wearing a Fantastic Mr. Fox tail tie… I love the tail tie, I wore the tail tie on Canada AM. I just thought it was a really cool promotional item, that was really unique to the film it was promoting. So I had some fun and wore it on TV.
Do you believe that 3D is the future of cinema? No. People right now are suggesting that the only way to make huge money is to make 3D movies. Avatar is a movie that is enhanced by the 3D, but if you tell a good story, then you can still succeed without it. The 3D in Avatar is beautiful, and I certainly don’t object to 3D…
I haven’t, so I was wondering if you’ve seen Avatar in 2D? I haven’t, but my girlfriend saw it in Bangkok in 2D, and she was underwhelmed by it, so I don’t know how it will hold up in 2D.
Not like a film like Up…
…or Coraline.
What are your thoughts on Avatar and it’s Best Picture chances? Well you know, I wasn’t surprised that the Golden Globes gave it a Best Picture. It’s like how they were more apt to go with Robert Downey Jr., since they knew that he would give a funny, charming, engaging little speech. I don’t know whether or not the Academy will work by the same standards, The Hurt Locker is a superior movie, and if it won, it might get enough attention to get more eyes on it, since not as many people saw it as they should have. Also, it would be interesting to see Kathryn Bigelow and James Cameron, who are ex’s, go up against each other…
Do you think a film like, one of my favourites, Up, is secured a nomination for Best Picture, or do you think there will there be an upset come February 2nd? I don’t know. I think that since they have 10, the only reason it wouldn’t be, would be because it’s animated. Certainly if you have a list with 10, its gotta be here.
What are your predictions for the Oscars? The only one to put money on is Jeff Bridges – I think it’s a lock. I think he’s a master, and Crazy Heart is some of his best work in a very long time.
…and The Weary Kind for Best Song… Yes, it has really good shot of getting it in. You know, the irony, is that it’s by Ryan Bingham, and Ryan Bingham is the name of the character in Up in the Air.
Right…
Next, what would you nominate for Best Picture if you had a ballot? If I had a ballot, I would probably nominate Up in the Air, Inglourious Basterds, all of the kids movies I’d mentioned as favourites before, The Hurt Locker, Avatar might be in there, (I don’t know if that’s 10 yet), and Tyson – in terms of a documentary it just really stood out.
It seems like with 10 nominations, what doesn’t get nominated? It feels that way I read an article by Pete Hammond saying that Academy members are having trouble coming up with ten films to nominate. I find that ridiculous – they don’t want to recognize something that they call kids and genre movies. Star Trek could sneak in, but it’s a genre movie, aimed more at a younger audience, and some of the Academy voters who are older may not connect to it the same way.
There is the nostalgia factor with it though. Right, and it’s one of the best of the year.
So, is there anything else that you’d like to add before we wrap up? Keep reading film criticism. Find someone that you like to read, and continue reading them.
One Movie, Five Views thanks Richard Crouse for taking the time to do this interview.
Presenting an award at last year’s Golden Globes with a drink in hand, going off script and making his annoyance known about not being nominated, didn’t seem to hurt Ricky Gervais’ credibility.
In fact, the impromptu banter with the audience likely helped him land the hosting spot for this year’s show, airing Jan. 17 at 8/7C on CTV.
Gervais casually sipped his beer and talked about how he couldn’t believe he didn’t get acknowledged for his role in “Ghost Town,” especially since the Hollywood Foreign Press Association told him how much they loved the movie.
“Not enough obviously. Brilliant. What a waste of a campaign! That’s the last time I have sex with 200 middle-aged journalists,” quipped Gervais.
“It was horrible. Really. A lot of them didn’t even speak English. Europeans with wispy beards. The men were worse.”
It left the audiences in stitches and obviously left quite the impression on the association as this marks the first time the 67th annual awards, which honour the year’s best in film and television, have had a host since 1995.
“That may be exactly the reason they brought him on is because he’s not afraid to just have a little bit of fun with it all,” says Richard Crouse, Canada AM movie critic.
Some of the funniest moments in recent awards show history have actually come from Gervais but can the British funnyman keep the crowd laughing for the entire ceremony?
Crouse believes he can.
“He’s a very gifted improvisational comic so he can really go with whatever the situation might be, so if things go wrong, I think he can probably turn it around into something really funny.”
Gervais is best known for co-creating and starring in BBC’s “The Office” and “Extras” and has also found success in Hollywood with 2008’s “Ghost Town” and 2009’s “The Invention of Lying.”
At previous award shows he’s done everything from commend Kate Winslet for listening to him about doing a Holocaust movie to get the awards to come in (making reference to a cameo she made on “Extras” a few years earlier) to poking fun at Steve Carell – his counterpart on the U.S. version of “The Office.”
During the 2008 Emmys, Gervais made reference to Carell accepting an award in his absence the year before and that he now wanted it back. He badgered Carell, who was sitting in the front row, until he surrendered the Emmy. Carell was obviously in on it but the shtick was hilarious none the less.
The following year at the Emmys, Gervais called it the greatest awards ceremony in the world, making reference to how at the Oscars and the Golden Globes the room is always filled with film stars who have “jaw lines and chiseled looks,” making him feel bad about himself, but in this room he is above average. He again poked fun at Carell, saying that in this crowd even he’s considered handsome.
With Carell up for a Best TV Actor in a Comedy or Musical award for “The Office” this year, it’s possible Gervais might have a similar trick up his sleeve. But the actor has previously said he plans to play his hosting duties loose and off the cuff, taking cues from Frank Sinatra and the rest of the Rat Pack.
“I think it will be well planned in advance but by the time he gets on stage he’ll probably end up throwing out the script,” says Crouse. “That seems to be from my estimation of him the way he works.”
Whatever he does, Crouse is confident Gervais will bring even more unpredictability to the typically booze-filled affair.
“I think he’ll just have kind of an irreverent sense of fun with the whole proceeding and keep the show motoring along.”