Posts Tagged ‘Glynn Turman’

CFRA IN OTTAWA: THE BILL CARROLL MORNING SHOW MOVIE REVIEWS!

Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to theatres, VOD and streaming services including the Chadwick Boseman drama “Ma Rainey’s Black Bottom” (Netflix), the time loop rom com “Palm Springs” (Amazon Prime Video), the loud and proud “Monster Hunter” (in theatres) and the recent winner of the Best European Film Award, “Another Round” (in select theatres and the Apple TV app and other VOD platforms).

Listen to the whole thing HERE!

MA RAINEY’S BLACK BOTTOM: 4 STARS. “of the moment and indispensable.”

It’s hard not to watch “Ma Rainey’s Black Bottom,” the vibrant adaptation of August Wilson’s play of the same name, now streaming on Netflix, without feeling a sense of loss. It’s Chadwick Boseman’s last performance and the life he brings to the role of ambitious trumpet player Levee acts as a poignant reminder of a career cut tragically short.

Set in the roaring 1920’s Chicago, Viola Davis plays the titular character, a real-life musical trailblazer known as “Mother of the Blues.” On a sweltering day in a dank basement recording studio, the band, pianist Toledo (Glynn Turman), trombonist Cutler (Colman Domingo), and string bassist Slow Drag (Michael Potts) and Levee, rehearse as they wait for the fashionably late Ma to arrive.

The heat, claustrophobia, frayed egos and twitchy Levee’s insistence on changing tried-and-true musical arrangements, fuel a war of words and wills as they attempt to put Ma’s signature “Black Bottom” song to disc.

“Ma Rainey’s Black Bottom” theatrical roots are very much on display in director George C. Wolfe (a five-time Tony winner) and screenwriter Ruben Santiago-Hudson’s adaptation. The presentation is energetic but simple; a showcase for the performances. Like bandleader Cutler says, “a-one, a-two, a-you know what to do.”

And they sure do. The core cast is uniformly excellent.

Domingo is understated but powerful as the bandleader, heading off interpersonal crisis with a few well-chosen words. Turman, recently seen as the stately Doctor Senator, consigliere to Chris Rock’s crime boss, on “Fargo,” is the sage of the group, gives Toledo’s monologues gravitas as he speaks of racial pride and personal sovereignty.

Davis is flamboyant, a diva who uses her demands to maintain control over her band and respect from her white producers (Jeremy Shamos and Jonny Coyne). “They don’t care nothin’ about me,” she says. “All they want is my voice. I learned that and they are going to treat me the way I want to be treated no matter how much it hurts them.” It’s a bravura performance that’s almost as loud and proud as the garish make Ma has slathered on her face.

Ma Rainey’s name may be on the marquee but the most memorable character is Boseman’s Levee. Ambitious, he wants to leave behind the sideman gigs and form his own band, Levee Green and His Foot Stompers, but his bluster hides a deep well of pain that overflows during the steamy afternoon recording session. Levee is a tragic character, a classically flawed man straining against the weight of personal trauma, hoping that his talent will bring him the respect he needs to survive. The distressing effects of racial discrimination are written large on Boseman’s expressive face, informing every twist and turn in his character’s journey. It’s a skillful and heartbreaking performance that doesn’t just hint at his great talent, but lays it bare. It’s the kind of performance, filled with fury and frustration, that makes you hungry for more. Sadly, it’s his swan song.

Although set in the 1920s and written in the 1980s, the ideas and the anger in “Ma Rainey’s Black Bottom” feels of the moment and indispensable. The dialogue crackles and the context resonates because Wilson’s source material has not only stood the test of time, but transcends it.

RICHARD’S WEEKEND MOVIE REVIEWS FROM CP24! FRIDAY MARCH 06, 2020.

Richard and CP24 anchor Cortney Heels have a look at the weekend’s new movies including “Run This Town,” Pixar’s “Onward,” the social criticism of “Sorry We Missed You” and the sports drama “The Way Back.”

Watch the whole thing HERE!

RICHARD’S CTV NEWSCHANNEL WEEKEND MOVIE REVIEWS FOR MAR. 06!

Richard sits in on the CTV NewsChannel to have a look at the newsy “Run This Town,” Pixar’s “Onward,” the social criticism of “Sorry We Missed You” and the sports drama “The Way Back.”

Watch the whole thing HERE!

CFRA IN OTTAWA: THE BILL CARROLL MORNING SHOW MOVIE REVIEWS!

Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to theatres including Pixar’s quest flick “Onward,” the sporty you-can-never-go-home-again story “The Way Back,” the social commentary of “Sorry We Missed You” and the ripped-from-the-headlines “Run This Town.”

Listen to the whole thing HERE!

CTVNEWS.CA: THE CROUSE REVIEW ON “ONWARD” “THE WAY BACK” AND MORE!

A weekly feature from ctvnews.ca! The Crouse Review is a quick, hot take on the weekend’s biggest and most interesting movies! This week Richard looks at Pixar’s newest, “Onward,” the new sports drama from Ben Affleck , “The Way Back” and the new social message movie “Sorry We Missed You.”

Watch the whole thing HERE!

THE WAY BACK: 3 ½ STARS. “‘The Days of Wine and Rose’ with basketball.”

“The Way Back,” a new drama starring Ben Affleck, is a riff on the you-can-never-go-home-again story with a sports twist.

Affleck is Jack Cunningham, a former high school basketball phenom who left a full scholarship at the University of Kansas on the table as he walked away from a promising career and into years of addiction. “I spent a lot of time hurting myself,” he says. “I made a lot of bad decisions. I got a lot of regrets.”

Cut to years later. Jack’s drinking—he starts the day with a beer in the shower—has cost him everything but when his alma mater recruits him to coach their basketball team he reluctantly agrees. “Is the team any good? he asks. “No,” he’s told. “In fact, the last time they made the playoffs, you were still playing.”

The team is in tatters, a laughing stock in the league but being back on the court gives Jack a renewed sense of being. “It keeps me busy,” he says. “Keeps my mind off other things.” As he molds the ragtag team into a force to be reckoned with, he discovers that the inspirational lessons he is teaching the kids—”The players decide the game!”—apply to his life as well.

“The Way Back” has the form of many other sports flicks—a new coach helps a failing team find their mojo—but this one digs deeper to focus on the characters rather than the rah rah of the sports. It’s “The Days of Wine and Rose” with basketball and a bleary eyed, beer-bellied and vulnerable Affleck at the center.

A quiet movie that tells the story of a man living in quiet desperation, “The Way Back” benefits greatly from Affleck’s raw but understated performance. Jack is damaged goods, a man wounded by life who subverts his pain by staring at the bottom of a pint glass. Director Gavin O’Connor gives Affleck nowhere to hide, shooting up-close-and-personal, and you can practically smell the beer breath as he shouts instructions at his players from the sidelines.

Rebuilding his life doesn’t come easily for Jack and the lack of easy life hacks, and a great central performance, elevates “The Way Back” above the run-of-the-mill sports drama.

CJAD IN MONTREAL: THE ANDREW CARTER SHOW WITH RICHARD CROUSE ON MOVIES!

Richard sits in on the CJAD Montreal morning show with host Andrew Carter to talk about the weekend’s biggest releases including Pixar’s newest, “Onward,” the new sports drama from Ben Affleck , “The Way Back” and the new social message movie “Sorry We Missed You.”

Listen to the whole thing HERE!