Posts Tagged ‘Emmy Raver-Lampman’

RICHARD’S WEEKEND MOVIE REVIEWS FROM CP24! FRIDAY FEBRUARY 18, 2022.

Richard joins CP24 to have a look at new movies coming to VOD, streaming services and theatres including the Tom Holland action adventure “Uncharted,” the newfangled werewolf tale “The Cursed” and the man-and-his-dog tale of “Dog” with Channing Tatum.

Watch the whole thing HERE!

CFRA IN OTTAWA: THE BILL CARROLL MORNING SHOW MOVIE REVIEWS!

Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to theatres including Tom Holland action adventure “Uncharted,” the neo-werewolf story “The Cursed” and the man-and-his-dog tale of “Dog” with Channing Tatum.

Listen to the whole thing HERE!

THE SHOWGRAM WITH DAVID COOPER: DOES RICHARD CROUSE LIKE THESE MOVIES?

Richard joins NewsTalk 1010 host David Cooper on the coast-to-coast-to-coast late night “Showgram” to play the game “Did Richard Crouse Like This?” This week we talk about the Tom Holland action adventure “Uncharted,” the neo-werewolf story “The Cursed” and the man-and-his-dog tale of “Dog” with Channing Tatum.

Listen to the whole thing HERE!

DOG: 3 ½ STARS. “doesn’t teach a lot of new tricks to the dog or to the audience.”

In his first film in five years Channing Tatum trades in the g-strings and dance moves of “Magic Mike” for a dog leash and self-awareness. “Dog,” now playing in theatres, is a pet project of a sort for Tatum, who not only stars but also makes his directorial debut in a movie about the power of the dog to change a life.

Tatum plays Jackson Briggs, a former U.S. Army Ranger sidelined by a traumatic brain injury and PTSD. Cut adrift of the military, in civilian life he is lost, separated from the only world he truly feels part of. He wants back in, but his medical status won’t allow a return to service.

When his best Ranger friend dies in Arizona, Briggs is offered a way back into the military. “You want to get back in the game?” asks Ranger Jones (Luke Forbes). “Prove it. Sergeant Rodriguez was a legend. Family funeral is Sunday outside of Nogales. They want his dog at the funeral. You do this, and you’re back in the game.”

The dog is Lulu, a Belgian Malinois military working dog, who vicious nature worked well in the field, less so back on base. “One minute she’s good,” says Briggs, “the next minute she’s sending three guys to the ER.”

Despite Lulu’s temper, Briggs agrees to drive her down the Pacific Coast from Joint Base Lewis–McChord in Washington to the funeral in Arizona. The unlikely pair head out on an eventful road trip, one that may lead to redemption for both.

“Dog” is a low-key man and his dog movie that quietly examines the after effects of trauma and the healing power of companionship and respect. As the miles tick by, Briggs comes to understand the shared bond between man and dog. Both are figuring out life outside the war zones that were their homes for many years, and both are forever marked by the experience. As their relationship deepens, it’s clear the key to their recovery is mutual TLC.

The movie takes some strange detours along the way—like a long sequence where Briggs pretends to be blind to get a fancy hotel suite or an odd encounter with a cannabis farmer who believes Briggs is an assassin—but the beating heart of the movie is the relationship between man and dog.

Tatum brings his likeable self to a character who isn’t always likeable. The film places Briggs is comedic and dramatic situations, which gives the movie an uneven tone—there are some “ruff” spots—but Tatum levels the field, providing continuity between the film’s goofy and gallant moments. Most importantly, he shares great chemistry with Lulu, who is actually played by three different canine actors. Tatum and co-director Reid Carolin make sure to include lots of close-ups of the Lulu’s soulful eyes, and in those scenes Tatum’s warmth shines through.

“Dog” is not a movie that teaches a lot of new tricks to the dog or to the audience but it does end on an emotional note with a welcome, if well-worn message, of the healing power of companionship.

YOU TUBE: THREE MOVIES/THIRTY SECONDS! FAST REVIEWS FOR BUSY PEOPLE!

Watch as Richard reviews three movies in less time than it takes to flag a cab! Have a look as he races against the clock to tell you about the all-star murder mystery “Death on the Nile,” the rom com (heavy on the com) “I Want You Back” and the Liam Neeson actioner “Blacklight.”

Watch the whole thing HERE!

NEWSTALK 1010: BOOZE AND REVIEWS WITH RICHARD CROUSE ON THE RUSH!

Richard joins host Jim Richards of the NewsTalk 1010 afternoon show The Rush for Booze and Reviews! Today we talk about the Agatha Christie all-star mystery “Death on the Nile,” the Valentine’s Say Prime Video entry “I Want You Back” with Jenny Slate and Charlie Day and “Blacklight,” the latest shoot ’em up from Liam Neeson. We’ll also give you the history of a two ingredient Spanish drink that was named after the ugliest man in the village where it was invented!

Listen to the whole thing HERE!

CFRA IN OTTAWA: THE BILL CARROLL MORNING SHOW MOVIE REVIEWS!

Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to theatres, VOD and streaming services including two rom coms for Valtentine’s Day, “I Want You Back” (Amazon) and “Marry Me” (in theatres), the Agatha Christie murder mystery “Death on the Nile” (in Theatres), the Liam Neeson actioner “Blacklight” (theatres) and the Oscar nominated “Drive My Car” (in theatres).

Listen to the whole thing HERE!

THE SHOWGRAM WITH DAVID COOPER: DOES RICHARD CROUSE LIKE THESE MOVIES?

Richard joins NewsTalk 1010 host David Cooper on the coast-to-coast-to-coast late night “Showgram” to play the game “Did Richard Crouse Like This?” This week we talk about the Agatha Christie all-star mystery “Death on the Nile,” the Valentine’s Say Prime Video entry “I Want You Back” with Jenny Slate and Charlie Day and “Blacklight,” the latest shoot ’em up from Liam Neeson.

Listen to the whole thing HERE!

BLACKLIGHT: 2 STARS. “invites comparisons to other, better movies.”

At this point, it is just a given that if you are related to Liam Neeson in a movie, you’re likely going to end up in a bad way. Most famously, the “Taken” movies saw his wife and kids get abducted and in “Cold Pursuit” his son was killed by drug dealers.

Neeson and he and his special set of skills are back with the release of “Blacklight,” a kidnapping flick that breathes the same air as the franchise that made him an action star.

The Irish actor plays Travis Block, an “off the books” FBI agent who fixes sticky situations by any means necessary. “Breaking and entering, physical coercion,” he says, “you name it, I’ve probably done it.”

He specializes in rescuing operatives whose covers have been blown but, late in his career, he develops doubts about his life’s work. He wants to be more involved with his granddaughter Natalie’s (Gabriella Sengos) upbringing than he was with his daughter Amanda (Claire van der Boom).

He’s serious about changing his ways, so when his granddaughter Natalie (Gabriella Sengos) asks, “Grandpa, are you a good guy?” he truthfully replies, “I want to be.”

His plan for being a retired grandpa, however, are kicked to the curb when an unstable deep cover agent (Taylor John Smith) goes rogue, and tells Block about a special FBI operation that targets and kills innocent U.S. citizens under the guise of protecting democracy.

“One day you wake up,” he says, “and realize you’re not sure who the good guys are anymore.”

Journalist Mira Jones (Emmy Raver-Lampman), who has been sniffing around the story for some time, fills him in on the details, including a link between the conspiracy and FBI director Gabriel Robinson (Aidan Quinn). “How many have to die for you to look the other way?” she asks.

Looking the other way isn’t an option when Block’s daughter and granddaughter go missing. He suspects Robinson had something to do with their disappearance and vows to do something about it. “If I find out you had anything to do with my granddaughter going missing,” he warns the FBI head honcho, “you’re going to need more men.”

And the plot, such that it is, thickens.

With none of the fun Eurotrash panache of “Taken,” too many movie-of-the-week characters and a plot with all the suspense of a Tim Horton’s commercial, “Blacklist” doesn’t belong on the same shelf with Neeson’s best action flicks. Inert and stodgy, it never gets to lift-off.

Still, there is no denying Neeson’s screen presence. Even in cut rate fare like this he’s watchable. It’s just that he has visited this well too many times. Once again, he’s the tough guy cliché, a loner fighting against impossible odds, using his special set of skills to even scores and, in doing so, invites comparisons to other, better movies.