Posts Tagged ‘Alicia Silverstone’

CFRA IN OTTAWA: THE BILL CARROLL MORNING SHOW MOVIE REVIEWS!

Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to theatres including the Rebel Wilson coma comedy “Senior Year,” the Stephen King “Firestarter” reboot and the Ron Perlman neo-western “The Last Victim.”

Listen to the whole thing HERE!

THE SHOWGRAM WITH DAVID COOPER: DOES RICHARD CROUSE LIKE THESE MOVIES?

Richard joins NewsTalk 1010 host David Cooper on the coast-to-coast-to-coast late night “Showgram” to play the game “Did Richard Crouse Like This?” This week we talk about the Rebel Wilson coma comedy “Senior Year,” the Stephen King “Firestarter” reboot and the Ron Perlman neo-western “The Last Victim.”

Listen to the whole thing HERE!

 

SENIOR YEAR: 2 ½ STARS. “a mix between ‘While You Were Sleeping’ & Billy Madison.’”

A high school, coma comedy with a fish-out-of-water twist, “Senior Year,” a new Netflix movie starring Rebel Wilson, plays like a mix between “While You Were Sleeping” and “Billy Madison.”

Stephanie Conway (Angourie Rice as teenager, Wilson as an adult) was on track to have a perfect life. A high school star, she was a cheerleader, president of the fashion club and prom queen candidate until a head injury, caused by a tumble off the top of a cheerleading pyramid, put her into coma for twenty years.

Waking up at age 37, it is like no time has passed. As far as she knows, it’s 2002, words like “shiznit” and “bomb diggity” are still hip and she still wants to be prom queen, the pinnacle of high school success. “It’s more than just a crown to me,” she says.

But she is a relic. Social media is a new-fangled thing, political correctness is like science fiction, cheerleaders now do routines about the climate crisis and gun control, and her former classmates are now the parents of high schoolers.

To get on with her new life, its’s time for some adult education… in high school. “I can’t move on to the next chapter in my life,” she says, “if I am still stuck in the old one for twenty years.”

With just a month before graduation, she enrolls, trying to pick up where she left off. But she finds times gave changed. “I had more fun in the coma,” she sighs.

“Senior Year” is a comedy with a scattergun approach.

The coming-of-age story is meant to be a poignant look at Stephanie as she matures and comes to understand that there is more to life than cheerleading and being prom queen. The power of friendships and loyalty are examined—”It doesn’t matter who has the most friends, or likes, or followers,” says Stephanie. “If you just have one or two great friends, they will support you. Then you have got it all. That is worth fighting for.”—butted up against the notion of being true to yourself and the idea that who you are in high school doesn’t define you.

Doesn’t sound that funny, does it?

That’s because it isn’t. At least, not all the way through. “Senior Year” takes a one joke premise and milks it for humor in the first couple of acts. Funny, situational lines are sprinkled throughout the first hour or so. “You survived twenty years without solid food,” says Stephanie’s dad (Chris Parnell), “you can make it through a weekend without your phone,” but they dry up as the movies goes on.

It also goes for laughs from the culture clash between 2002 and 2022. Stephanie has much to learn about political correctness and world events, but to its credit, the film doesn’t treat the teens as woke zombies, spouting catchphrases, but as decent kids who care about their friends and the future.

It sounds like a lot, because it is a lot. Wilson does what she can to keep things moving along, but when the feel-good messaging begins, she is saddled with prosaic, by-the-book truisms that suck away the whatever fun had been established in the film’s first part.

Talented comic actors like Mary Holland and Zoë Chao bring both humor and heart to their roles, but “Senior Year” still feels messy. Too long, it toggles back-and-forth between the sincere and the silly like it is changing gears in a high-speed Formula One race, but, unfortunately, never finds its pace.

CFRA IN OTTAWA: THE BILL CARROLL MORNING SHOW MOVIE REVIEWS!

Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to VOD and streaming services including the psychological drama “The Lodge,” the poignant Brit com “Military Wives,” the Netflix comedy “The Lovebirds,” the family drama “The Roads Not Taken” and the Steve Coogan and Rob Brydon comedy “The Trip to Greece.”

Listen to the whole thing HERE!

THE LODGE: 3 STARS. “a haunting exploration of trauma.”

“The Lodge,” now on VOD, may be mostly set in the great outdoors it is, nonetheless, a claustrophobic thriller that plays on dark psychological trauma.

Richard Hall (Richard Armitage) is the father of Aidan (Jaeden Martell) and Mia (Lia McHugh) and the soon-to-be-ex-husband of Laura (Alicia Silverstone). The estranged couple share custody until Richard breaks the news that he has met someone new and wants a divorce so he can marry Grace (Riley Keough). Distraught, Laura kills herself. The kids, traumatized, blame Grace for their mother’s death. In an attempt to bring his kids and fiancée to something close to speaking terms, Richard plans a “family” trip to a remote cabin so they can all get to know one another.

Almost as soon as they arrive Richard is called back to the city for work, leaving Grace, Aiden and Mia alone. “Things are very uncomfortable between us,” Grace says to the kids, “but we’re stuck in a house together.” That growing sense of unease is exacerbated after Aiden and Mia google their soon-to-be-step-mom and discover she is the daughter of religious leader and the only survivor of his cult’s mass suicide.

They are stranded—the car won’t start and the weather has made travelling on foot impossible—as strange things happen in the cabin and Grace begins to spiral. “We need to sacrifice something for the Lord,” she says.

“The Lodge” builds slowly creating eerie unease while peppering in some shocking scenes. Directors Veronika Franz and Severin Fiala play up the small details to create an uncomfortable atmosphere. The vastness of the icy outdoors playing against the claustrophobia of the cabin provides the backdrop for story ripe with religious imagery and surreal touches.

As the aura of paranoia grows, so do the questions. Is Grace is being tormented by the kids, or is she a victim of a supernatural force—possibly her father—who wishes her harm. Keough is terrific as a woman tormented by the past, unpredictable in the present. It’s hard to know whether she is dangerous or in danger and that pouch and pull is the movie’s strong point.,

“The Lodge” is a bit too ponderous in its early moments but finds its groove in the haunting exploration of Grace’s trauma.

RICHARD’S WEEKEND MOVIE REVIEWS FROM CP24! FRIDAY FEBRUARY 21, 2020.

Richard and CP24 anchor Cortney Heels have a look at the weekend’s new movies including “The Call of the Wild,” the alpha dog of dog movies, the homecoming dramedy “Standing Up, Falling Down,” the family drama “Ordinary Love” and the psychological drama “The Lodge.”

Watch the whole thing HERE!

CFRA IN OTTAWA: THE BILL CARROLL MORNING SHOW MOVIE REVIEWS!

Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to theatres including the canine-coming-of-age story “The Call of the Wild,” the you-can-never-go-home-again dramedy “Standing Up, Falling Down” and the heartfelt cancer drama “Ordinary Love.”

Listen to the whole thing HERE!

CTVNEWS.CA: THE CROUSE REVIEW ON “THE CALL OF THE WILD” & “THE LODGE”!

A weekly feature from ctvnews.ca! The Crouse Review is a quick, hot take on the weekend’s biggest and most interesting movies! This week Richard looks at “The Call of the Wild,” the alpha dog of dog movies, the homecoming dramedy “Standing Up, Falling Down” and the psychological drama “The Lodge.”

Watch the whole thing HERE!

RICHARD’S WEEKEND MOVIE REVIEWS FROM CP24! FRIDAY MAY 18, 2018.

Richard joins CP24 anchor Nathan Downer to have a look at the weekend’s new movies including the anti-superheroism of an X-Man in training, as played by Ryan Reynolds in “Deadpool 2,” the not so literate jhoys of “Book Club,” starring Diane Keaton, Jane Fonda, Candice Bergen and Mary Steenburgen and the Canadian psycho drama “The Child Remains.”

Watch the whole thing HERE!