We’ll never know exactly what was said between Cassius Clay, Nation of Islam leader Malcolm X, soul singer Sam Cooke, and football superstar Jim Brown behind closed doors in a Miami hotel room on February 25, 1964, but a new film by Oscar winner Regina King in her directorial debut, offers up a fascinating what-if scenario.
Going into the boxing ring on that night against heavy weight champion Sonny Liston, Cassius Clay (Halifax-born Eli Goree), who had not yet officially changed his name to Muhammad Ali, was a 7-to-1 underdog. When the fight was over Clay was the youngest boxer to ever grab a title from a reigning heavyweight champion.
Helping him celebrate the landmark win are his three closest friends, mentor Malcolm X (Kingsley Ben-Adir), hit maker Cooke (Leslie Odom Jr.) and athlete Brown (Aldis Hodge). Convened at their Miami hotel on the warm February night, the foursome, all at turning points in their lives, share their thoughts, get heated, debate about how to end segregation, all with an eye toward the future.
That two of them would be murdered within the next year adds poignancy to an already charged conversation.
Cooke and Brown mull over career choices. A discussion of Cooke’s slick but conventional pop songs led to the writing and recording of “A Change Is Gonna Come,” one of the greatest anthems of the Civil Rights Movement. Brown, already a superstar on the football field, comes under fire for appearing in a movie Western called “Rio Conchos,” as a minor character, killed off early in the action.
Clay is celebratory, but plotting his next moves, both professionally and personally as he decides when to announce his conversion to Islam and his name change to Muhammad Ali.
The firestarter is X, the public figure under surveillance by the FBI, who encourages his friends to take a more militant stand, to use their celebrity and standing in a more meaningful way. He is the discontent, an activist who predicts hard times ahead.
“One Night in Miami” began life as a stage play by “Star Trek: Discovery” staff writer Kemp Powers, who also penned the movie’s script. As such, there’s a theatrical feel to King’s staging of the scenes, most of which take place in the hotel room. She has opened up the play, adding new locations and a series of vignettes at the beginning of the film, but this isn’t about action, it’s about the verbal fireworks of Powers’ script and authoritative performances.
It’s a snapshot of the cultural importance of this quartet; a history lesson made even more potent in the era of Black Lives Matter. “Power,” says Clay, “is a world where it’s safe to be ourselves.”
Richard joins CP24 anchor Jee-Yun Lee to have a look at the weekend’s new movies including “The Lego Movie 2: The Second Part,” the creepy kid movie “The Prodigy” and the Taraji P. Henson comedy “What Men Want.”
Richard sits in with CTV NewsChannel anchor Marcia McMillan to have a look at the weekend’s big releases including the sensory overload of “The Lego Movie 2: The Second Part,” the silly fun of “What Men Want” and the revenge flick “Cold Pursuit.”
Richard has a look at “Cold Pursuit” and the Liam Neeson controversy, the outer space Lego adventure “The Lego Movie 2: The Second Part,” the creepy kid movie “The Prodigy and the supernatural comedy “What Men Want” with Taraji P. Henson with CFRA Morning Rush host Bill Carroll.
Welcome to the House of Crouse. C’mon on in, settle into a comfy chair by the fireplace and meet Cobie Smulders and director Uwe Boll. Cobie has been in action movies a plenty, but she’s rarely part of the action. That changes in Jack Reacher: Never Go Back. She talks about it hear. Then Uwe tells us why, after making thirty movies, the critics won’t have him to kick around anymore. Join us. It’s more fun in here than it is out there!
Richard and CP24 anchor Stephanie Smythe have a look at the weekend’s new movies, the up-close-and-personal action of “Jack Reacher: Never Go Back,” the supernatural thrills of “Ouija: Origin of Evil,” the spy comedy “Keeping Up with the Joneses” and the new Canadian indie “Mean Dreams.”
Richard sits in with Marcia MacMillan to have a look at the weekend’s new movies, the up-close-and-personal action of “Jack Reacher: Never Go Back,” the supernatural thrills of “Ouija: Origin of Evil,” the spy comedy “Keeping Up with the Joneses” and the new Canadian indie “Mean Dreams.”
Cobie Smulders has been in action movies a plenty, but she’s rarely part of the action. That changes in Jack Reacher: Never Go Back.
Opposite Tom Cruise, Smulders plays Major Susan Turner, a decorated solider accused of espionage. To prove her innocence she teams with Jack Reacher in a battle for the truth.
“I was really excited about doing some action scenes,” says the Canadian born actress who played former director of the planetary intelligence service S.H.I.E.L.D. Maria Hill in various Avengers movies as well on television.
“I’d done some quote, unquote action movies before, through The Avengers and the Marvel Universe. I’d be part of some of their stuff but I missed out on most of the fun fight sequences. Jumping on this, I knew I would get to do more fighting, hands on, rather than standing next to the superheroes while they do all the fighting.”
She has more than her share of up-close-and-personal battle sequences, bare knuckling her way through the story at a breakneck pace, but were the scenes as fun to shoot as she thought they would?
“That’s a great question because sometimes they are not,” she laughs. “They are quite technical and they can drag on. When it is fast and intense, they’re really fun because it’s like an adrenaline rush. It’s like doing a choreographed dance with somebody. But when they drag on and it becomes about the minutia of like, ‘We have to do the insert of the picking up of the meat tenderizer and we have to do it from this angle and that angle,’ it takes the magic out of it.”
A magical experience or not, Smulders, who will next be seen in the action comedy Why We’re Killing Gunther opposite Arnold Schwarzenegger, says the scenes helped her performance.
“For me all the training and all the fighting helped me get into the character,” she says. “There were days when I would push past breaking points and think, I can’t take this anymore, and then I would go further. It got easier and easier. It was really painful at first but I always kept that in the back of my mind, what this woman would have had to go through, and what women and men in the military have to go through.
“I think anybody who decides to enlist in the military and do all the work it takes to become a major is somebody who is much stronger than I will ever be.
“She’s a woman we say has graduated Ranger School. When we started shooting the movie that hadn’t happened yet; no women had graduated from Ranger School. Then during the shoot the first two women graduated. If I am playing a woman who can endure that type of training, then this should be like a piece of cake, what I’m doing on set.”
Cruise and Smulders play a sort of Mr. & Mrs. Smith, a deadly duo who never allow romance to get in the way of their appetite for bodily destruction. Their relationship is a mix of Roadhouse style fighting and humorous rom com dialogue.
“To not have these characters get together romantically,” Smulders says, “was more interesting to watch than having a love scene in the middle of the movie.”
Who exactly is Jack Reacher? If you are a reader, he’s the protagonist of twenty books by British author Lee Child. If you’re a moviegoer, he’s a bone crunching former Major in the United States Army Military Police Corps who looks a lot like Tom Cruise. According to the new movie “Jack Reacher: Never Go Back,” he’s “the guy you didn’t count on.”
When we first see Reacher it’s four years after his exploits in his eponymous debut film. With the help of Major Susan Turner (Cobie Smulders) he has just broken up—and beaten up—a ring of smugglers. When he arrives in Washington to thank her, and possibly wine and dine her, he is shocked to discover she’s been court-martialled, accused of espionage. His efforts to get to the bottom of the case suggest she was arrested because she had a hard drive with sensitive info. “What did you expect,” he’s asked, “a picture of her in a Burka and having drinks with the Taliban?” After a daring prison break, he and Turner hit the road, trading quips and punching faces with a deadly ex-military hit man (Patrick Heusinger) hot on their trail. Their efforts to clear her name and uncover a far-reaching conspiracy are complicated by the presence of Samantha (Danika Yarosh), a fifteen year old who may or may not be Reacher’s daughter.
The addition of a kid changes the dynamic of the film. The first Reacher movie was a fun but violent ride, designed to keep fans of Cruise’s actionman persona happy until the next “Mission Impossible” instalment came along. It was an old fashioned movie, the kind of flick that Steven Seagal might have starred in circa 1992. It was a bare-bones action movie and predictable but Van Dammit, taken for what it was, it was also a bit of fun.
The movie rips along at a fast pace, bareknuckling its way through the story at a breakneck pace. Cruise and Smulders are sort of a Mr. & Mrs. Smith, a deadly duo who never allow romance to get in the way of their appetite for bodily destruction. Their relationship is a mix of “Roadhouse” style fighting and cutesy rom com dialogue.
It all adds up to an action movie for those who like a dose of sentimentality with their spinal injuries.
We’ll never know exactly what was said between Cassius Clay, Nation of Islam leader Malcolm X, soul singer Sam Cooke, and football superstar Jim Brown behind closed doors in a Miami hotel room on February 25, 1964, but a new film by Oscar winner Regina King in her directorial debut, offers up a fascinating what-if scenario.
